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A review by mindsplinters
Ocean's Godori by Elaine U. Cho
adventurous
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Thanks to NetGalley and Zando for an Advanced Reader Copy - pub date 4/23/2024. It's been a hot minute since I've read a pure sci-fi book and this cover and concept grabbed me right away. Firefly-esque? Mention of the famous Korean female pearl-divers? Futuristic with lots of neon and space travel? Sounds good! And, to be honest, there were some really good bits in this debut novel and most of them came to the surface in the last half of the book. Not so the first half. I found the book to be a very slow starter and, while it is clear that Cho is using the beginning of the book to build the world and introduce you to the characters, it read like an example of telling and not showing. In telling, I could see how well thought-out and detailed the world was and how keenly Cho planned and developed it. Ocean's world, in a future dominated by Korea, pulses with energy and technology and a valiant attempt at balancing proud history with unknown future. There are so many hints of things to learn about this book's world. It made me more interested, in fact, about going forth to learn more about Korean history and traditions in our world which is something quite special.
On the other hand, the download of information also felt exactly like that lots of information and yet not enough. Certain things were taken for granted and only could be dealt with by trusting Cho and suspending any critical thinking. The constant dropping of Korean terms also required a high level of trust in using contextual clues (or the cute little glossary in back, written in-character by Maggie). Many of the characters also suffered from this strange level of detail but no detail, rough sketches of people that you want to know more about but who are kept behind a very dirty glass window. Ocean is aloof and capable with a tragic past. Teo is suave and spoiled with lousy self worth. Haven is... a stoic death-guy who doesn't want to be there but lightly stalked Ocean to the ship? It's pretty fuzzy.
But then suddenly the book hits its stride and BAM. The last third glowed with banter and character development through conversation and action sequences. I started to care about Ocean, to see where her issues hid beneath the exterior. Teo came out of the gate far more faceted than anticipated. Haven was still mildly confusing but he showed humor and a definite moral structure and an inherent willingness to do what is right. Plus we got a really neat new batch of characters, the raider Phoenix and his crew. I spent the last third of the book being annoyed when real life made me put it down. I wanted to know more of what was going to happen and how the mismatched new crew would deal with things. Things aside from the various pockets of simmering sexual tension, that is. Let's just say that the line forming up for Ocean is a long one. But you also have to love a good Rich Boy-Raider forbidden pairing, too, right? This last third was where the Firefly vibes came, where the action and humor and writing really shone.
And then Cho throws you off the world's biggest cliff-hanger. Seriously. It's like dropping off Mt Everest. I think, though, that the second book will be better and more twisty and will bloom with the promise this one ended on so I am looking forward to it. Cho got past the slow parts and the world building in this book. The second one should be killer.
On the other hand, the download of information also felt exactly like that lots of information and yet not enough. Certain things were taken for granted and only could be dealt with by trusting Cho and suspending any critical thinking. The constant dropping of Korean terms also required a high level of trust in using contextual clues (or the cute little glossary in back, written in-character by Maggie). Many of the characters also suffered from this strange level of detail but no detail, rough sketches of people that you want to know more about but who are kept behind a very dirty glass window. Ocean is aloof and capable with a tragic past. Teo is suave and spoiled with lousy self worth. Haven is... a stoic death-guy who doesn't want to be there but lightly stalked Ocean to the ship? It's pretty fuzzy.
But then suddenly the book hits its stride and BAM. The last third glowed with banter and character development through conversation and action sequences. I started to care about Ocean, to see where her issues hid beneath the exterior. Teo came out of the gate far more faceted than anticipated. Haven was still mildly confusing but he showed humor and a definite moral structure and an inherent willingness to do what is right. Plus we got a really neat new batch of characters, the raider Phoenix and his crew. I spent the last third of the book being annoyed when real life made me put it down. I wanted to know more of what was going to happen and how the mismatched new crew would deal with things. Things aside from the various pockets of simmering sexual tension, that is. Let's just say that the line forming up for Ocean is a long one. But you also have to love a good Rich Boy-Raider forbidden pairing, too, right? This last third was where the Firefly vibes came, where the action and humor and writing really shone.
And then Cho throws you off the world's biggest cliff-hanger. Seriously. It's like dropping off Mt Everest. I think, though, that the second book will be better and more twisty and will bloom with the promise this one ended on so I am looking forward to it. Cho got past the slow parts and the world building in this book. The second one should be killer.
Content Warnings
Moderate: Gun violence and Violence