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A review by colleenlovestoread
All the Stars in the Heavens by Adriana Trigiani
4.0
Find my full review at http://aliteraryvacation.blogspot.com.
Ah, the glitz and glamour of tinseltown! Who doesn't love the exquisite costumes and makeup, lavish set designs and larger than life personalities of the golden age of Hollywood? I've spent many an hour curled up watching old black and white movies, marveling at the splendor on the screen and own a copy of Gone with the Wind - my favorite movie of all time - in every possible format I can get my hands on so I always have it ready to watch wherever I am. But given this perfection and the powerful emotions drawing the performers together, what happened when the cameras stopped rolling and real-life began? All the Stars in the Heavens tackles not only the beauty of Hollywood during this magical time but the very real and very flawed people who inhabited it.
The story is told in the third person and jumps relatively rapidly from one person's perspective to the other. While this could be confusing at times, once I got used to it I found it a wonderful way to see inside the lives and heads of a large number of players. While the bulk of the focus is on Loretta Young and her secretary, Alda Ducci, the reader also sees into the hearts of a host of other characters, including some pretty famous names such as David Niven, Clark Gable and Spencer Tracy. These characters in particular, along with Loretta's mother, sisters and a few others, are wonderfully developed and the dialogue between them is brilliant and witty and feels right out of one of those wonderful movies these people inhabited. There are a number of other high profile names sprinkled throughout this hefty story that seem more used for background development and name dropping than to actually showcase the people behind the names, but the main characters are all developed into incredibly real, flawed people. And oh how flawed they are!
I find it amazing that Adriana Trigiani was able to give me these characters with some serious imperfections in personality and still make me love them. The men are especially selfish and unfaithful - I can't think of one male character, save a few priests, that didn't in fact cheat on the women they were romantically involved with - but somehow their humor, caring hearts and/or their dedication to their careers make them endearing even when you know they are not the type of men any woman would want to marry. The women have their own lapses in judgement and many seem to trade partners and husbands like they might dresses, but their love for family, passions and even religion seemed to shine through the muck they made in their personal lives to make them very real and very endearing. This would include the big "secret" Loretta keeps from most everyone for more years than seems possible and that Alda helps her orchestrate. While I can't say I agree with many of the choices she made her heart was clearly in the right place and she did the best she could given her experiences and the times she lived in.
On top of the wonderful characters, my favorite aspect of All the Stars in the Heavens would have to be the great attention and detail given to the development of the settings. Every small detail that went into the making of a movie - from painting and rigging the settings, dressing and making up the stars, filming on locations on and off lots, negotiating contracts, press junkets and fans, and so much more - are shown to the reader so it is impossible to not feel completely enmeshed in the process. The homes and locations, from Italy to California to a snow-covered mountain in Washington State, are all perfectly presented so the reader can see it all right before them.
This is the first novel I've read by Adriana Trigiani and I am so glad I started with this one. While there might be almost too much development of the many characters and settings throughout this epic novel, it is all and all a wonderful immersion into a particularly fascinating time and place in American history and culture. I not only feel like I was presented with a wonderful story but a better understanding of what it took to make a movie at the dawn of modern cinema. With as much attention as was given to the many people involved I very much wish the author had included a detailed author note at the end of the novel to help me navigate what portions and people are true to history and what was created to advance the story. Even without this I am now ready to delve even further into the history of this golden age in movies and I look forward to reading more by the author as well.
Ah, the glitz and glamour of tinseltown! Who doesn't love the exquisite costumes and makeup, lavish set designs and larger than life personalities of the golden age of Hollywood? I've spent many an hour curled up watching old black and white movies, marveling at the splendor on the screen and own a copy of Gone with the Wind - my favorite movie of all time - in every possible format I can get my hands on so I always have it ready to watch wherever I am. But given this perfection and the powerful emotions drawing the performers together, what happened when the cameras stopped rolling and real-life began? All the Stars in the Heavens tackles not only the beauty of Hollywood during this magical time but the very real and very flawed people who inhabited it.
The story is told in the third person and jumps relatively rapidly from one person's perspective to the other. While this could be confusing at times, once I got used to it I found it a wonderful way to see inside the lives and heads of a large number of players. While the bulk of the focus is on Loretta Young and her secretary, Alda Ducci, the reader also sees into the hearts of a host of other characters, including some pretty famous names such as David Niven, Clark Gable and Spencer Tracy. These characters in particular, along with Loretta's mother, sisters and a few others, are wonderfully developed and the dialogue between them is brilliant and witty and feels right out of one of those wonderful movies these people inhabited. There are a number of other high profile names sprinkled throughout this hefty story that seem more used for background development and name dropping than to actually showcase the people behind the names, but the main characters are all developed into incredibly real, flawed people. And oh how flawed they are!
I find it amazing that Adriana Trigiani was able to give me these characters with some serious imperfections in personality and still make me love them. The men are especially selfish and unfaithful - I can't think of one male character, save a few priests, that didn't in fact cheat on the women they were romantically involved with - but somehow their humor, caring hearts and/or their dedication to their careers make them endearing even when you know they are not the type of men any woman would want to marry. The women have their own lapses in judgement and many seem to trade partners and husbands like they might dresses, but their love for family, passions and even religion seemed to shine through the muck they made in their personal lives to make them very real and very endearing. This would include the big "secret" Loretta keeps from most everyone for more years than seems possible and that Alda helps her orchestrate. While I can't say I agree with many of the choices she made her heart was clearly in the right place and she did the best she could given her experiences and the times she lived in.
On top of the wonderful characters, my favorite aspect of All the Stars in the Heavens would have to be the great attention and detail given to the development of the settings. Every small detail that went into the making of a movie - from painting and rigging the settings, dressing and making up the stars, filming on locations on and off lots, negotiating contracts, press junkets and fans, and so much more - are shown to the reader so it is impossible to not feel completely enmeshed in the process. The homes and locations, from Italy to California to a snow-covered mountain in Washington State, are all perfectly presented so the reader can see it all right before them.
This is the first novel I've read by Adriana Trigiani and I am so glad I started with this one. While there might be almost too much development of the many characters and settings throughout this epic novel, it is all and all a wonderful immersion into a particularly fascinating time and place in American history and culture. I not only feel like I was presented with a wonderful story but a better understanding of what it took to make a movie at the dawn of modern cinema. With as much attention as was given to the many people involved I very much wish the author had included a detailed author note at the end of the novel to help me navigate what portions and people are true to history and what was created to advance the story. Even without this I am now ready to delve even further into the history of this golden age in movies and I look forward to reading more by the author as well.