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A review by alexbirdreads
She Who Became the Sun by Shelley Parker-Chan
adventurous
dark
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
M'kay. I can't really put my finger on WHY I rated this one five-stars. It doesn't exactly have what I usually rate a book five stars for. I think I just really love the characters and the drama. I love how morally gray almost everyone is, and how tragic the one morally good character's situation is. Actually, there is an underpinning of tragedy for everyone. The story puts emphasis on the ways that desire can be the root of suffering, and asks what kind of actions are justified when characters are trying to do more than survive in extreme circumstances. I love that betrayals we see coming still hurt your feelings. I also love just how fucking WILD this book is. Zhu in particular is a special kind of crazy. The tragedy that comes from gender nonconformity in a rigidly gendered society is sprinkled throughout the book in ways that you'd expect, but also in corners here and there that you wouldn't.
I liked that there was room for joyful queer love and joyful gender exploration amid the queer tragedy, because we have a lot of stories of queer suffering. I get that it's important and that there's a place for it (and it certainly had it's place in this book!) but it's nice to have some GOOD. It feels more authentic when a whole spectrum of experiences is represented, and, if anything, the moments of joy make the moments of tragedy feel that much worse afterwards.
It's a little long and convoluted, and the story is really more about character exploration than direct action, so it might not be for everyone, but I really enjoyed it for some reason.
It really was kind of crazy, though. Like, 'one-armed dingo ate my heaven-ordained baby' crazy. You gotta love Zhu. But someone get Ouyang a therapist, my god.
I liked that there was room for joyful queer love and joyful gender exploration amid the queer tragedy, because we have a lot of stories of queer suffering. I get that it's important and that there's a place for it (and it certainly had it's place in this book!) but it's nice to have some GOOD. It feels more authentic when a whole spectrum of experiences is represented, and, if anything, the moments of joy make the moments of tragedy feel that much worse afterwards.
It's a little long and convoluted, and the story is really more about character exploration than direct action, so it might not be for everyone, but I really enjoyed it for some reason.
It really was kind of crazy, though. Like, 'one-armed dingo ate my heaven-ordained baby' crazy. You gotta love Zhu. But someone get Ouyang a therapist, my god.
Content Warnings
Graphic: War, Blood, Murder, and Violence
Moderate: Sexism, Transphobia, and Homophobia
Minor: Child abuse and Child death