Scan barcode
A review by criticalgayze
A Desolation Called Peace by Arkady Martine
adventurous
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.25
First, I would like to thank the publisher (Macmillan Audio) for an advance listening copy of this title that I am very behind on reading.
I think the choice to move all of the characters into unknown territory in the sequel works in this novel's favor and boosts it slightly over A Memory Called Empire for me. My major gripe with Memory was that I felt the reader was not given quite enough world building on the Teixcalaan empire to understand and appreciate all the machinations of the palace intrigue plot. I also thought it focused too much on describing, rather than showing, poems as a cornerstone of the Teixcalaan society's culture. In A Desolation Called Peace, the poetry element plays a much more minor role, and the story moves away from the under built empire to a first-contact narrative. This allows all three societies involved in the engagement to be on unsure footing, and it forces Martine to have to explain for the benefit of all involved. (The issue is not fully resolved, however, as we do still get some of the under-explained dissidence in the empire via the storyline of the empire's heir.)
I also really appreciated the use of a choral narration. The reemergence of choral narration is proving a big stylistic device in recent literary fiction, and I am appreciative of the grandeur of it all.
I would also like to again shout out Amy Landon, who returns to the sequel to provide fantastic narration.
I think the choice to move all of the characters into unknown territory in the sequel works in this novel's favor and boosts it slightly over A Memory Called Empire for me. My major gripe with Memory was that I felt the reader was not given quite enough world building on the Teixcalaan empire to understand and appreciate all the machinations of the palace intrigue plot. I also thought it focused too much on describing, rather than showing, poems as a cornerstone of the Teixcalaan society's culture. In A Desolation Called Peace, the poetry element plays a much more minor role, and the story moves away from the under built empire to a first-contact narrative. This allows all three societies involved in the engagement to be on unsure footing, and it forces Martine to have to explain for the benefit of all involved. (The issue is not fully resolved, however, as we do still get some of the under-explained dissidence in the empire via the storyline of the empire's heir.)
I also really appreciated the use of a choral narration. The reemergence of choral narration is proving a big stylistic device in recent literary fiction, and I am appreciative of the grandeur of it all.
I would also like to again shout out Amy Landon, who returns to the sequel to provide fantastic narration.
Content Warnings
Graphic: Blood, Medical content, and Death
Moderate: Sexual content, Genocide, and Xenophobia