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A review by kalona
The Left Hand of God by Paul Hoffman
1.0
"The Left Hand of God" by Paul Hoffman is a novel set in a desolate world. The story revolves around a boy named Thomas Cale. He has spent most of his life enduring the brutal regime of the Lord Redeemers in a place called Sanctuary. The Lord Redeemers aim to serve the One True Faith. They mould young boys into religious soldiers through cruelty and violence, keeping them at Sanctuary as acolytes.
Cale, a mysterious and multifaceted character, witnesses a horrifying act that forces him to escape the Sanctuary or face certain death. His only hope lies in reaching the corrupt city of Memphis, which stands in stark contrast to the Sanctuary with its godlessness and beauty. However, the Redeemers are determined to bring Cale back at any cost, not just because of the secret he now knows, but because of an even more terrifying secret, he is unaware of (and it is really cleared up exactly what this secret is).
The novel is set in a pre-industrial world where various nations, including the Roman-like Materazzi, the fanatical Redeemers, and their eternal adversaries, the Antagonists, exist. The conflict between the Redeemers and Antagonists serves as a central focus of the book. But sometimes it seems like the story forgets this. The Redeemers use a cruel training system that involves kidnapping or buying small children and subjecting them to indoctrination in order to create religious soldiers.
The treatment of the young boys, despite the high death rate, makes the story unbelievable. Part of the training is 10 - 16 hours of physical training, as well as underfeeding. Yet somehow the boys grow impressive muscles and can walk 80 miles a day for several days with little to no food.
The time period of the book is difficult to determine. In the story you find references to for example Norway, which was united as a kingdom in the 800s. The book describes Norwegians as violent seafarers aka. Vikings. But then a few chapters later the Materazzi seems baffled at the description of a ballista or catapult. These were in use in 400 BCE while the Viking age started around 700 CE. The setting could be a future, post-apocalyptic Earth. In this case the civilization has regressed to a pre-industrial society. It seems like the story takes place in the United States, because most of it takes place in Memphis. This brings another conundrum regarding the references to Vikings. The mishmash of historical and fantastical elements makes it challenging to pinpoint the exact time and location.
The narrator of the book is witty and engaging, providing insightful tangents that expand the world and plot. But the novel suffers from poor coherence and a confusing plot. It attempts to blend too many genres and lacks a clear identity, alternating between YA coming-of-age and adult themes without mastering either. The multiple viewpoints make the story difficult to follow because of the clumsy transitions.
"The Left Hand of God" falls short in terms of character development and believability. The characters' emotions and decisions often feel flat and unreasonable. There is a lack of suspense which leaves the reader feeling detached and uninterested. Although the novel has its occasional bright moments, they are not enough to maintain engagement.
While the premise of "The Left Hand of God" is intriguing but flawed in execution. Paul Hoffman's mishmash of fact and history with poorly integrated fantasy elements detracts from the overall quality of the story. With a confusing plot, underdeveloped characters, and a lack of suspense, the novel fails to captivate readers effectively.
Cale, a mysterious and multifaceted character, witnesses a horrifying act that forces him to escape the Sanctuary or face certain death. His only hope lies in reaching the corrupt city of Memphis, which stands in stark contrast to the Sanctuary with its godlessness and beauty. However, the Redeemers are determined to bring Cale back at any cost, not just because of the secret he now knows, but because of an even more terrifying secret, he is unaware of (and it is really cleared up exactly what this secret is).
The novel is set in a pre-industrial world where various nations, including the Roman-like Materazzi, the fanatical Redeemers, and their eternal adversaries, the Antagonists, exist. The conflict between the Redeemers and Antagonists serves as a central focus of the book. But sometimes it seems like the story forgets this. The Redeemers use a cruel training system that involves kidnapping or buying small children and subjecting them to indoctrination in order to create religious soldiers.
The treatment of the young boys, despite the high death rate, makes the story unbelievable. Part of the training is 10 - 16 hours of physical training, as well as underfeeding. Yet somehow the boys grow impressive muscles and can walk 80 miles a day for several days with little to no food.
The time period of the book is difficult to determine. In the story you find references to for example Norway, which was united as a kingdom in the 800s. The book describes Norwegians as violent seafarers aka. Vikings. But then a few chapters later the Materazzi seems baffled at the description of a ballista or catapult. These were in use in 400 BCE while the Viking age started around 700 CE. The setting could be a future, post-apocalyptic Earth. In this case the civilization has regressed to a pre-industrial society. It seems like the story takes place in the United States, because most of it takes place in Memphis. This brings another conundrum regarding the references to Vikings. The mishmash of historical and fantastical elements makes it challenging to pinpoint the exact time and location.
The narrator of the book is witty and engaging, providing insightful tangents that expand the world and plot. But the novel suffers from poor coherence and a confusing plot. It attempts to blend too many genres and lacks a clear identity, alternating between YA coming-of-age and adult themes without mastering either. The multiple viewpoints make the story difficult to follow because of the clumsy transitions.
"The Left Hand of God" falls short in terms of character development and believability. The characters' emotions and decisions often feel flat and unreasonable. There is a lack of suspense which leaves the reader feeling detached and uninterested. Although the novel has its occasional bright moments, they are not enough to maintain engagement.
While the premise of "The Left Hand of God" is intriguing but flawed in execution. Paul Hoffman's mishmash of fact and history with poorly integrated fantasy elements detracts from the overall quality of the story. With a confusing plot, underdeveloped characters, and a lack of suspense, the novel fails to captivate readers effectively.