Scan barcode
A review by tfitoby
Billy Liar by Keith Waterhouse
4.0
"If you're in any more trouble, Billy, it's not something you can leave behind you, you know. You put it in your suitcase, and you take it with you."
Billy Liar is the chronicle of one decisive day in the life of its protagonist Billy Fisher; capturing brilliantly the claustrophobic atmosphere of a small town in Yorkshire after the second world war, it describes a young fantasist with a job at a 'funeral furnisher' and a bedroom at his parents' – and longing for escape to the Good Life in London.
Grouped with the Angry Young Men of British letters, who came to prominence in the late 50s and early 60s, Waterhouse's most famous creation is less angry with the status quo of post-war Britain than Arthur Seaton and Jimmy Porter, instead finding an escape from his frustrations by living in a dream world half of the time.
I first came across the name Billy Liar through the song of the same name recorded by The Decemberists in 2004, an upbeat piano driven pop song about a young man suffering from boredom, and it remains one of my favourite songs from the prolific band.
Later whilst scouring the film catalogue at film school I discovered the classic 1963 film directed by John Schlesinger and starring Tom Courtenay as Billy Fisher. A film which took the grim up north stereotypes that had become the norm in British New Wave cinema and turned them on their head with comedy and the careful use of surrealism.
The cross media adaptations did start not or end there though, Keith Waterhouse originally adapted it in to a stageplay which starred a young Albert Finney (who turned down the lead in David Lean's Lawrence of Arabia to play Billy!), his success in the movie adaptation of Saturday Night and Sunday Morning helping to making Billy Liar an overnight hit in the West End.
A British sitcom in 1973 and most improbably an American TV show starring Steve Guttenberg(!) as Billy followed, achieving nothing more than to help Keith Waterhouse accumulate wealth I'm sure.
As you can see there is a rather large and influential history behind this book and having finally gotten around to reading it I can see why. Despite taking place over just the one day this is still a coming of age tale, it brings us in to Billy's life as he becomes aware that he has to make changes and the events that transpire in that day are enough to help him work some things out in his mind, if not necessarily making those changes. I've seen comparisons to The Catcher in the Rye and I would definitely agree with those only Waterhouse gives us a wonderful almost python-esque comedy at the same time making for a much more enjoyable and accessible read.
Billy lies for a variety of reasons and part of the beauty of Waterhouse's prose is that you can read between the lines, look deeper and analyse those reasons or enjoy yourself just as much by marvelling at the absurdity and audacity of the lying liar who tells the lies. In the same way that he makes reference to the transition, evolution and decay of British society in the aftermath of war something that you can consider and add depth to your experience or just acknowledge it as location setting descriptive passages but nothing more.
Waterhouse was of the mimetic school of writers, managing to capture the unique patter of his Yorkshire dialect and local turn of phrase without becoming exclusive or alienating those of us who aren't local or even reading 53 years after publication. It is this quality that stands Billy Liar head and shoulders above others of the time, it hasn't dated because at its heart there are no politics, young men still struggle with their identity and purpose in life and suffer from being misunderstood by those closest to them.
Please, go find this book, I can't see how you wouldn't enjoy meeting Billy Liar.
Billy Liar is the chronicle of one decisive day in the life of its protagonist Billy Fisher; capturing brilliantly the claustrophobic atmosphere of a small town in Yorkshire after the second world war, it describes a young fantasist with a job at a 'funeral furnisher' and a bedroom at his parents' – and longing for escape to the Good Life in London.
Grouped with the Angry Young Men of British letters, who came to prominence in the late 50s and early 60s, Waterhouse's most famous creation is less angry with the status quo of post-war Britain than Arthur Seaton and Jimmy Porter, instead finding an escape from his frustrations by living in a dream world half of the time.
I first came across the name Billy Liar through the song of the same name recorded by The Decemberists in 2004, an upbeat piano driven pop song about a young man suffering from boredom, and it remains one of my favourite songs from the prolific band.
Later whilst scouring the film catalogue at film school I discovered the classic 1963 film directed by John Schlesinger and starring Tom Courtenay as Billy Fisher. A film which took the grim up north stereotypes that had become the norm in British New Wave cinema and turned them on their head with comedy and the careful use of surrealism.
The cross media adaptations did start not or end there though, Keith Waterhouse originally adapted it in to a stageplay which starred a young Albert Finney (who turned down the lead in David Lean's Lawrence of Arabia to play Billy!), his success in the movie adaptation of Saturday Night and Sunday Morning helping to making Billy Liar an overnight hit in the West End.
A British sitcom in 1973 and most improbably an American TV show starring Steve Guttenberg(!) as Billy followed, achieving nothing more than to help Keith Waterhouse accumulate wealth I'm sure.
As you can see there is a rather large and influential history behind this book and having finally gotten around to reading it I can see why. Despite taking place over just the one day this is still a coming of age tale, it brings us in to Billy's life as he becomes aware that he has to make changes and the events that transpire in that day are enough to help him work some things out in his mind, if not necessarily making those changes. I've seen comparisons to The Catcher in the Rye and I would definitely agree with those only Waterhouse gives us a wonderful almost python-esque comedy at the same time making for a much more enjoyable and accessible read.
Billy lies for a variety of reasons and part of the beauty of Waterhouse's prose is that you can read between the lines, look deeper and analyse those reasons or enjoy yourself just as much by marvelling at the absurdity and audacity of the lying liar who tells the lies. In the same way that he makes reference to the transition, evolution and decay of British society in the aftermath of war something that you can consider and add depth to your experience or just acknowledge it as location setting descriptive passages but nothing more.
Waterhouse was of the mimetic school of writers, managing to capture the unique patter of his Yorkshire dialect and local turn of phrase without becoming exclusive or alienating those of us who aren't local or even reading 53 years after publication. It is this quality that stands Billy Liar head and shoulders above others of the time, it hasn't dated because at its heart there are no politics, young men still struggle with their identity and purpose in life and suffer from being misunderstood by those closest to them.
Please, go find this book, I can't see how you wouldn't enjoy meeting Billy Liar.