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A review by lecrockett
Mermaid: A Twist on the Classic Tale by Carolyn Turgeon
3.0
I had seen so many poor and mediocre reviews for this book, but the cover and the fairy twist kept calling to me. I've read Yolen's "Briar Rose" and Murphy's "Hansel and Gretel" and really enjoyed those, so I thought I'd give Turgeon a try.
If I had not been on vacation, I may not have had patience for this book. Simple writing - almost read like a parent telling a bedtime story to a child. The characters were flawed in that they only had one goal in mind, and the main emotions that consumed them were love and jealousy. Margarethe was consumed with love for Prince Christopher (without even truly knowing him at all) and intense jealousy towards Lenia's mermaid form; Lenia was consumed with love for Christopher (again, without truly knowing him) and jealous of Margarethe's human form; and Christopher was an arrogant charmer (this is a euphemism for a more blunt and crude word) with no loving qualities whatsoever.
And yet, I continued reading. It was a dark tale, with vastly different settings and worlds, surrounded with politics, mythology, and religion. I wanted to know the twist, what made this different from Anderson's (and Disney's) Little Mermaid. And boy, every difference was a painful one, and quite the shocker. Instead of losing her voice, Lenia loses her tongue. Sacrifices are made, on land and in the sea, for every action Lenia and Margrethe make towards their competition for the prince's affections. It is not a happy ending, but if one were to experience the story as if it were a legend, then the happier version we know and love could easily be conceivable. We could visualize how the story transformed from "what really happened" to "what I wish had happened." It was an interesting concept.
If I had not been on vacation, I may not have had patience for this book. Simple writing - almost read like a parent telling a bedtime story to a child. The characters were flawed in that they only had one goal in mind, and the main emotions that consumed them were love and jealousy. Margarethe was consumed with love for Prince Christopher (without even truly knowing him at all) and intense jealousy towards Lenia's mermaid form; Lenia was consumed with love for Christopher (again, without truly knowing him) and jealous of Margarethe's human form; and Christopher was an arrogant charmer (this is a euphemism for a more blunt and crude word) with no loving qualities whatsoever.
And yet, I continued reading. It was a dark tale, with vastly different settings and worlds, surrounded with politics, mythology, and religion. I wanted to know the twist, what made this different from Anderson's (and Disney's) Little Mermaid. And boy, every difference was a painful one, and quite the shocker. Instead of losing her voice, Lenia loses her tongue. Sacrifices are made, on land and in the sea, for every action Lenia and Margrethe make towards their competition for the prince's affections. It is not a happy ending, but if one were to experience the story as if it were a legend, then the happier version we know and love could easily be conceivable. We could visualize how the story transformed from "what really happened" to "what I wish had happened." It was an interesting concept.