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A review by liliaweber
Station Eleven by Emily St. John Mandel
adventurous
challenging
dark
emotional
hopeful
inspiring
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
The threads of different lives are woven together across different eras - in a non-chronological arrangement of chapters that somehow flows beautifully, rhythmically, like a song.
This book is basically a meditation on a quote from Star Trek, which is a mantra often repeated by the characters themselves: "survival is insufficient." It's about why the human need to create art and tell stories is worth braving the danger of an unpredictable post-apocalyptic world. It's also about the choice to let go of what we've lost vs the drive to rebuild it, or how to balance both. I ugly cried more than once.
Three of the main characters are sympathetic, compelling, interesting. If there's any flaw in this book it's that the one character that glues the others together - the first character mentioned in the opening line - is self-centered, boring to read about, and doesn't grow. Defeating the villain is only a small sliver of the story; the main goals of the main characters are to survive a post-apocalyptic world, to uncover missing truth, and to create something worth surviving for.
This book is basically a meditation on a quote from Star Trek, which is a mantra often repeated by the characters themselves: "survival is insufficient." It's about why the human need to create art and tell stories is worth braving the danger of an unpredictable post-apocalyptic world. It's also about the choice to let go of what we've lost vs the drive to rebuild it, or how to balance both. I ugly cried more than once.
Three of the main characters are sympathetic, compelling, interesting. If there's any flaw in this book it's that the one character that glues the others together - the first character mentioned in the opening line - is self-centered, boring to read about, and doesn't grow. Defeating the villain is only a small sliver of the story; the main goals of the main characters are to survive a post-apocalyptic world, to uncover missing truth, and to create something worth surviving for.
Graphic: Child death, Death, Gun violence, Injury/Injury detail, Kidnapping, and Violence
Moderate: Blood
Minor: Alcohol, Child abuse, Domestic abuse, Infidelity, Pedophilia, Physical abuse, Rape, Sexual violence, Suicide, and Trafficking
Murder, killing out of self-defense, and death from natural causes are depicted with some detail and are central to the story.
The main villain of the story intends to traffick ("marry") a child but she escapes before he can.
Suicide, sexual assault, and intimate partner violence are mentioned, but with very few details.