A review by martinatan
Hell Bent by Leigh Bardugo

adventurous dark emotional funny mysterious sad tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

4.25

Leigh Bardugo owns this ass

ok ok some thoughts that ran through my head, but not a cohesive review because I will always be too insane and biased about her writing to write something balanced:
- she strikes again with the calculated development of
unconventional and intense  romance! i swear that she makes an art of slipping in well-placed sentences that convey barely restrained emotional tension. I feel like similar to Kaz and Inej in the Crows duology, Alex and Darlington have such a specific set of neuroses that make them tragically terrible for each other but maybe even worse if they were to be paired with anyone else or left alone. Their dynamic is heartbreakingly good with a little sexual tension as a treat.
the rest of the plot was pretty good too.
- Also I am enjoying this crew becoming
more monstrous, as their world becomes increasingly hellish. There’s something inherently queer and found family-ish about a bunch of university age adults coming together over murder and blood magic. don’t @ me.

- She did a great job of introducing antagonists into the story and slowly revealing and resolving conflicts throughout. This is something that was done well in the first book and I was pleasantly surprised that it was still so satisfying and fresh in this one.
- I was similarly worried about attempting to replicate the mixed timeline format from the first book but it was just as effective, just made me wary at first because the opening to this series was such an immediate draw for me and to see it attempted again felt like she was setting myself up for disappointment. but it did NOT disappoint.
- I was also anticipating more backstory and development for characters introduced in the first book. This met my expectations and I found their histories to be really compelling, if not admirable or enviable.
I was so delighted by snippets of Dawes and Turner POVs, and I really hoped Dawes would become a more central perspective. This didn’t quite happen but I see a lot of room for that in the next book.

- The book deals with issues of race and exploitation in an okay way.
I think Turner’s story was important to tell, and his actions in the moment of his flashback made the most sense for a “sympathetic cop” character to me, but all the same, his decision to not leave the force even after this traumatic moment in his career feels maybe disingenuous to me? I wish there had been more follow up about how this moment affected him afterwards. In fact, his emotionlessness being sort of explained away as a defense mechanism or a technique he developed for professional settings does not bode well for me. A Black character, by a white author, written to have no emotions? In the face of an extremely painful and fucked up line of work that sees the death of a lot of Black people? I’m sure Bardugo did her best to deal with it, but I assume it’s near impossible to do justice to Turner’s storyline in her position. Still processing this.
That’s what I’ve observed and analyzed about the situation with regard to Bardugo writing a Black character in a low fantasy setting.

I could say more but I’m done ranting for now. This book truly thrilled me and I was happy to delve into this world again.
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