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A review by jodar
Once Upon a River by Diane Setterfield
dark
emotional
reflective
slow-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
This well-written novel explores social interactions within a small community and shows how the natural world of the River Thames impinges upon this community. There are elements of the manageable and unmanageable within and between the human and natural realms.
The setting is the 19th century, post-Darwin’s publications. The local pub fulfils today’s role of social media – spreading information and rumour, eliciting speculation and stories that attempt to understand and entertain. There are ordinary people who focus on folk-story, but there are the more educated as well, who grapple with social and natural/medical challenges from the point of view of newer knowledge and concepts. Sometimes the latter, though, seem to me to edge into 21st-century sensibilities, bordering anachronism. All the same, characters are portrayed in an engaging way, and their various conflicted emotions develop realistically.
Least successful to me was the nebulous, mystical, Charon-like character of Quietly, saving or taking those imperilled by the river. A metaphor I think for humans’ lack of complete control over nature and its powers, but a metaphor that sits uneasily with the tenor of the novel as a whole.
The resolutions at the end of the novel are a bit clichéd, though I feel that that is probably fine for a novel set in Victorian England!
The setting is the 19th century, post-Darwin’s publications. The local pub fulfils today’s role of social media – spreading information and rumour, eliciting speculation and stories that attempt to understand and entertain. There are ordinary people who focus on folk-story, but there are the more educated as well, who grapple with social and natural/medical challenges from the point of view of newer knowledge and concepts. Sometimes the latter, though, seem to me to edge into 21st-century sensibilities, bordering anachronism. All the same, characters are portrayed in an engaging way, and their various conflicted emotions develop realistically.
Least successful to me was the nebulous, mystical, Charon-like character of Quietly, saving or taking those imperilled by the river. A metaphor I think for humans’ lack of complete control over nature and its powers, but a metaphor that sits uneasily with the tenor of the novel as a whole.
The resolutions at the end of the novel are a bit clichéd, though I feel that that is probably fine for a novel set in Victorian England!
Content Warnings
Moderate: Violence, Death, and Toxic relationship