A review by deanlockiradall
Ducks: Two Years in the Oil Sands by Kate Beaton

challenging dark emotional informative reflective sad medium-paced

4.0

Wow. I will admit, I wasn't sure what to make of this book when I first picked it up, but I'm truly glad I did. This standalone graphic memoir recounts the two years Kate "Katie" Beaton spent working in the Alberta oil sands in Canada as a recent college graduate entering a jobless market. Her perspective is colored by a nexus of layers: she is a young white woman from Cape Breton in Eastern Canada; like many in her home community, she migrates across the country from Francophone Canada to the British-influenced West Coast, and works in a very isolated, hypermasculine environment that wreaks havoc not only on the natural environment and First Nations communities there but also the employees themselves, who risk their health and their lives to support families back home. In her memoir, Katie, who faces her own obstacles, trauma, and--most of all--looming student loans, often wonders, If these men--who could be her brothers, father, uncles--were at home, would they be "normal"? At the same time, the oil sands are such a specific environment (especially in the pre-smartphone era early 2000s) that returning to "normal" society is like entering another dimension. This is a powerful memoir, and reminds readers to consider forgotten populations and the hows and whys of their struggles.

Beaton, an Eisner, Ignatz, Harvey, and Doug Wright Awards-winning cartoonist, renders this memoir in all its complex shades of gray. She doesn't shy away from tough topics, such as rape, the health and environmental impacts of the oil sands, the impact on Indigenous peoples, and the struggle and invisibility of blue collar workers, especially men. At the same time, she doesn't sensationalize either: these problems are widespread, but not graphically drawn; rather, the impact is depicted through vagueness and implication, while coarse dialogue and slang highlights the realistic truth of both flaws and camaraderie. Beaton is also upfront with her own social privilege and imperfect knowledge--she neither knew nor experienced the full tragedy of the oil sands on the lands they used and the people they stole from, but pulls no punches with the dark side of the industry she worked for out of necessity--the dark side of capitalism  and the hypocrisy of the "support" and "reparations" offered by bigwigs to avoid public criticism. Text aside, the panels are organized and readable, with a comfortable balance between text and images, and a grid-like layout that flows easily for both the experienced comics reader and the newcomer just dipping a toe into the medium.

As someone who knows very little about the industry and only general brushstrokes of Canadian history and social complexities, I found this memoir to be both incredibly informative and a riveting read. The title, too, remains with me--although the actual birds only appear briefly in the book, their symbolism is clear--the toxins of the oil industry stick to everyone, are very difficult to dislodge, and may eventually prove fatal. It is also a very difficult experience to imagine unless one knows what is like to be there. Readers of this memoir may also be interested in Tar Sands by Andrew Nikiforuk, Killers of the Flower Moon by David Grann, The Death and Life of the Great Lakes by Dan Egan, and Fire on the Water by Jill MacGregor. 
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