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A review by calarco
Survivor by Octavia E. Butler
3.0
Perhaps a bit unorthodox, but I need to start this review off by thanking my local library and Inter Library Loan system. First published in 1978 as an entry to the Patternist series, [b:Survivor|256890|Survivor|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1186985614l/256890._SY75_.jpg|3346577] was Butler’s least favorite work and she subsequently opted to not have it reprinted. Being a completionist, I still really wanted to read it (without paying hundreds of dollars for a rare copy), so that is when my library came to the rescue—they have all of my nerd gratitude.
Now having read Survivor, I can see why Butler hated it. Compared to her other work, it really does stand out as it lacks her classic polish and narrative flow. In general, Butler’s stories are brilliantly paced with a smooth feel as they unfold; her dialogue often reveals key facts about the character, world, relationships, all while moving the plot along in interesting ways. As Survivor initially follows a group of humans (Missionaries) who have escaped a chaotic earth dealing with the Clayark plague and public emergence of Patternists, only to land on a planet during a dangerous conflict between the surprisingly anthropomorphic aliens called Tehkohn and Garkohn—there are simply too many sci-fi elements in too short a book (180 pages) to fully and seamlessly flesh out these different narrative ideas. This ultimately resulted in more “tell” than “show,” with dialogue often existing to provide convoluted exposition—I can see why Butler called this “my Star Trek novel.”
In this scenario, Butler has to lay down the rules of three distinct cultures, which we largely see through the eyes of Alanna—the titular “survivor”—who struggles to navigate all three. While not the first of Butler’s work to play with the concepts of consent amidst alien conflict and interspecies procreation (the Xenogenesis series does this really well), in Survivor these concepts devolve into a bizarre Stockholm syndrome as we follow Alanna’s storyline. She is not the strongest protagonist to begin with, but the way she jumps hoops of mental gymnastics to sympathize with a given captor would indicate more psychological malleability than adaptability. Some of these parts were really hard to read, but I digress.
So those are some criticisms, but all said and done I would be lying if I said I did not like this book (admittedly I do not think I could ever truly dislike anything Octavia Butler wrote, I stan far too much, as the kids say). The main reason I enjoyed this book was that Survivor, with its clunky over-expositioning, really does an excellent job of tying the events of [b:Wild Seed|52318|Wild Seed (Patternmaster, #1)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1388462753l/52318._SY75_.jpg|1330000], [b:Mind of My Mind|116254|Mind of My Mind (Patternmaster, #2)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1389676159l/116254._SY75_.jpg|111957], [b:Clay's Ark|60933|Clay's Ark (Patternmaster, #3)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1461533398l/60933._SY75_.jpg|1008173], and [b:Patternmaster|116256|Patternmaster (Patternmaster, #4)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1389456750l/116256._SY75_.jpg|1119636] together. Also, I am a Trekkie, so while this was not Butler’s strongest work, it still works for me as a decent space story fueled by weird melodrama.
All in all, Survivor will not be for everyone, but I would still recommend it as I do with everything by Octavia Butler. That said, DO NOT pay hundreds of dollars for a copy; check your local library and if they do not have it you can put in an order through Inter Library Loan. Every library system is a part of a unique loaning network, so results may vary, but it is worth a try if you’re truly curious.
Now having read Survivor, I can see why Butler hated it. Compared to her other work, it really does stand out as it lacks her classic polish and narrative flow. In general, Butler’s stories are brilliantly paced with a smooth feel as they unfold; her dialogue often reveals key facts about the character, world, relationships, all while moving the plot along in interesting ways. As Survivor initially follows a group of humans (Missionaries) who have escaped a chaotic earth dealing with the Clayark plague and public emergence of Patternists, only to land on a planet during a dangerous conflict between the surprisingly anthropomorphic aliens called Tehkohn and Garkohn—there are simply too many sci-fi elements in too short a book (180 pages) to fully and seamlessly flesh out these different narrative ideas. This ultimately resulted in more “tell” than “show,” with dialogue often existing to provide convoluted exposition—I can see why Butler called this “my Star Trek novel.”
In this scenario, Butler has to lay down the rules of three distinct cultures, which we largely see through the eyes of Alanna—the titular “survivor”—who struggles to navigate all three. While not the first of Butler’s work to play with the concepts of consent amidst alien conflict and interspecies procreation (the Xenogenesis series does this really well), in Survivor these concepts devolve into a bizarre Stockholm syndrome as we follow Alanna’s storyline. She is not the strongest protagonist to begin with, but the way she jumps hoops of mental gymnastics to sympathize with a given captor would indicate more psychological malleability than adaptability. Some of these parts were really hard to read, but I digress.
So those are some criticisms, but all said and done I would be lying if I said I did not like this book (admittedly I do not think I could ever truly dislike anything Octavia Butler wrote, I stan far too much, as the kids say). The main reason I enjoyed this book was that Survivor, with its clunky over-expositioning, really does an excellent job of tying the events of [b:Wild Seed|52318|Wild Seed (Patternmaster, #1)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1388462753l/52318._SY75_.jpg|1330000], [b:Mind of My Mind|116254|Mind of My Mind (Patternmaster, #2)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1389676159l/116254._SY75_.jpg|111957], [b:Clay's Ark|60933|Clay's Ark (Patternmaster, #3)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1461533398l/60933._SY75_.jpg|1008173], and [b:Patternmaster|116256|Patternmaster (Patternmaster, #4)|Octavia E. Butler|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1389456750l/116256._SY75_.jpg|1119636] together. Also, I am a Trekkie, so while this was not Butler’s strongest work, it still works for me as a decent space story fueled by weird melodrama.
All in all, Survivor will not be for everyone, but I would still recommend it as I do with everything by Octavia Butler. That said, DO NOT pay hundreds of dollars for a copy; check your local library and if they do not have it you can put in an order through Inter Library Loan. Every library system is a part of a unique loaning network, so results may vary, but it is worth a try if you’re truly curious.