A review by book_concierge
The Good Lord Bird by James McBride

4.0

Book on CD performed by Michael Boatman.
3.5***

McBride looks at John Brown and Harpers Ferry through the lens of a “freed” slave, Henry Shackleford (known as Onion). Onion narrates the tale, taking the readers from Kansas Territory in 1856 to the events at Harpers Ferry (then in the Commonwealth of Virginia), when abolitionists led by Brown raided the armory in 1859. This was a pivotal event in the onset of the Civil War.

Onion is a fictional character, but there are many real historical figures in the book. In addition to John Brown and his sons, Harriet Tubman, Col Lewis Washington and Frederick Douglass make appearances. And while McBride may have taken liberties in describing “The Railman” and his involvement, it is true that the first casualty of the raid on the arsenal was a free black man.

What brings the history to life, though is the slave boy, Henry “Onion” Shackleford. A chance encounter with Brown in his father’s barbershop goes awry, and in the confusion, he is taken on by Brown, who mistakenly believes the child is a girl. Brown considers Onion a good luck charm, and he cares for the child. Onion continues to live as a girl for the next three years, sometimes being in the direct care of Brown, and sometimes being separated from him. Always, Henry is a marvelous observer of what is going on around him. He doesn’t always understand the ramifications of what he learns, but he does his best.

He believes that Brown is a fanatic and possibly crazy, but he also recognizes Brown’s genuine belief that slavery is wrong and that it should be abolished. He follows Brown’s rag tag “army” helping where he can, but mostly trying to stay out of the way. Related by Onion, many of the events are just plain hilarious; a surprise in a book about slavery. I’ve seen reviews that compare McBride to Mark Twain, and I guess I see that here – an adventure tale that is about a serious event / issue, but that includes room for humor.

I love McBride’s writing, but this seemed ungainly in places. I kept waiting for the “action” to happen, especially in the period when Henry was separated from Brown. And I thought some of the proselytizing that Brown engages in was unnecessary, though I admit that it helps to paint the picture of this MAN-WITH-A-CAUSE.

I do not usually round up when I rate a book with a half-star, but in this case I will. There is more that is great about this book than not.

Michael Boatman does a superb job voicing the audiobook. He is able to give unique voices to the many characters, and I particularly like the way he voiced John Brown and Henry. McBride uses vernacular dialect of the time, and listening to that is (in my humble opinion) a bit easier than reading it on the page.