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A review by ejpass
Snow Crash by Neal Stephenson
adventurous
dark
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
2/5 stars
Recommended if you like: hard sci-fi, dystopian sci-fi, tech bros, sword fighting, VR
TW statutory rape
So...let's have this be the last time I'm fooled by pretty colors and Sumerian cuneiform (also the last time I take a book recommendation from another book). This book and I did not get off to a good start, what with it opening with a million random words thrown together with exposition on what those words meant. Then I got used to it, then Stephenson had to bring in the anthropology and linguistics.
Now, normally I love seeing those things in books. I love both of those subjects and studied them in college and on my own time. That being said, Snow Crash is like if a tech bro was court mandated to take linguistics 101 and anthropology 101, only paid attention 33-50% of the time, then retold his tech bro buddies all about ancient civilization and ancient languages after having a couple of beers. This is, perhaps, a bit mean, because Stephenson does get some of it right. But then he goes off the rails and while I understand this is sci-fi....well, the basic facts are just plain wrong. Go off, but at least base it in fact.
A slight rant, so perhaps skip these next two paragraphs if you don't want to read about me complaining about linguistics and anthropology more, I'll try to make it brief. Stephenson was off to a good start talking about Sumer and Sumerian religion, he actually stays pretty on track with Sumerian religion, interestingly enough, but then he goes and starts talking about how Sumer was stagnant and yet somehow everyone spoke Sumerian and how me dragged Sumerians out of cave-man-hood.....except, Sumerian wasn't the first language. It's just the oldest language we have written attestation for. People could speak, and were modern humans, well before Sumer became a thing. Hell, Akkadian and and some form of Proto-Old-Chinese (among others) were both spoken at that time, the Sumerians just got to writing first. (and let's not even get into the "cave man" concept)
Further, Sumerian didn't just magically vanish, what happened was a series of smaller and larger civilization collapses caused by a whole host of factors, through which Sumerian gradually went from being the predominately spoken language of the area to a language spoken almost solely religiously due to the influx of newcomers and conquerors to the region combined with certain conquering dynasties forcibly migrating native Sumerians to the outskirts of the empire (where they had to interact with the natives there, who definitely did not speak their language) and bringing other cultural, linguistic, and ethnic groups into the traditional Sumerian heartland. Also, more minor, but there were not "tens of thousands" of languages being spoken in the 1980s. We have approximately 7000 languages today and while we are losing languages at a rapid rate, we are not losing them that quickly. Language, and by some extension culture, was the whole basis of this book and Stephenson just got so much of that basis wrong that, while I enjoyed a decent portion of it, I just couldn't get over the incorrectness of it,
Okay, back to the regularly scheduled programming. As far as plot goes, it was actually pretty interesting following Hiro and Y.T. as they got tangled up in web after web of this conspiracy. There were so many moving parts that seemed disparate from one another and yet somehow connected, and I really enjoyed seeing how it all came together. I liked how things built up and I think the showdown with Hiro gets a good climax, but stuff in the real world fell a little flat. I would've liked to have a firmer resolution with things, even if it left some things open ended. As is, it just feels like a let down.
Hiro was a hard character to get into. He's just kind of there for the beginning part of the book, a problem which is compounded by the sheer amount of lingo and information being dumped on readers at the beginning of the book. He turns out to actually be a pretty chill dude later on and even when he was confused, he at least seemed to grasp things quickly, so there wasn't too much just standing around and questioning things.
Y.T. was a bit easier to like from the get-go, though her lingo is just as confusing as Hiro's. 15 definitely seems young to be doing a lot of the things she's doing, and while I know her mom works long hours for the Feds, I'm surprised she has 0 clue what her daughter is doing. I liked Y.T.'s spunk and tenacity. She could get freaked out at times, but she was a go-getter and immediately jumped into doing anything she was interested in or thought would help.
While I did spend a good portion of this review complaining about the technical linguistic and anthropological side of the book, I did enjoy some of the book. The problem is, is that combined with the factual problems, the book reads too much like your stereotypical hard sci-fi that's easy to make fun of because the authors are using a gazillion weird words to enforce the 'futuristic' idea. Things like "franchulate" I can see where it comes from; 'Kouriers' are on thin ice, but whatever, they're trademarked; but there was a lot of stuff that I thought was just unnecessarily in "sci-fi lingo." All of this put together, plus the very ending of the book, reduced my overall enjoyability.
Recommended if you like: hard sci-fi, dystopian sci-fi, tech bros, sword fighting, VR
TW statutory rape
So...let's have this be the last time I'm fooled by pretty colors and Sumerian cuneiform (also the last time I take a book recommendation from another book). This book and I did not get off to a good start, what with it opening with a million random words thrown together with exposition on what those words meant. Then I got used to it, then Stephenson had to bring in the anthropology and linguistics.
Now, normally I love seeing those things in books. I love both of those subjects and studied them in college and on my own time. That being said, Snow Crash is like if a tech bro was court mandated to take linguistics 101 and anthropology 101, only paid attention 33-50% of the time, then retold his tech bro buddies all about ancient civilization and ancient languages after having a couple of beers. This is, perhaps, a bit mean, because Stephenson does get some of it right. But then he goes off the rails and while I understand this is sci-fi....well, the basic facts are just plain wrong. Go off, but at least base it in fact.
A slight rant, so perhaps skip these next two paragraphs if you don't want to read about me complaining about linguistics and anthropology more, I'll try to make it brief. Stephenson was off to a good start talking about Sumer and Sumerian religion, he actually stays pretty on track with Sumerian religion, interestingly enough, but then he goes and starts talking about how Sumer was stagnant and yet somehow everyone spoke Sumerian and how me dragged Sumerians out of cave-man-hood.....except, Sumerian wasn't the first language. It's just the oldest language we have written attestation for. People could speak, and were modern humans, well before Sumer became a thing. Hell, Akkadian and and some form of Proto-Old-Chinese (among others) were both spoken at that time, the Sumerians just got to writing first. (and let's not even get into the "cave man" concept)
Further, Sumerian didn't just magically vanish, what happened was a series of smaller and larger civilization collapses caused by a whole host of factors, through which Sumerian gradually went from being the predominately spoken language of the area to a language spoken almost solely religiously due to the influx of newcomers and conquerors to the region combined with certain conquering dynasties forcibly migrating native Sumerians to the outskirts of the empire (where they had to interact with the natives there, who definitely did not speak their language) and bringing other cultural, linguistic, and ethnic groups into the traditional Sumerian heartland. Also, more minor, but there were not "tens of thousands" of languages being spoken in the 1980s. We have approximately 7000 languages today and while we are losing languages at a rapid rate, we are not losing them that quickly. Language, and by some extension culture, was the whole basis of this book and Stephenson just got so much of that basis wrong that, while I enjoyed a decent portion of it, I just couldn't get over the incorrectness of it,
Okay, back to the regularly scheduled programming. As far as plot goes, it was actually pretty interesting following Hiro and Y.T. as they got tangled up in web after web of this conspiracy. There were so many moving parts that seemed disparate from one another and yet somehow connected, and I really enjoyed seeing how it all came together. I liked how things built up and I think the showdown with Hiro gets a good climax, but stuff in the real world fell a little flat. I would've liked to have a firmer resolution with things, even if it left some things open ended. As is, it just feels like a let down.
Hiro was a hard character to get into. He's just kind of there for the beginning part of the book, a problem which is compounded by the sheer amount of lingo and information being dumped on readers at the beginning of the book. He turns out to actually be a pretty chill dude later on and even when he was confused, he at least seemed to grasp things quickly, so there wasn't too much just standing around and questioning things.
Y.T. was a bit easier to like from the get-go, though her lingo is just as confusing as Hiro's. 15 definitely seems young to be doing a lot of the things she's doing, and while I know her mom works long hours for the Feds, I'm surprised she has 0 clue what her daughter is doing. I liked Y.T.'s spunk and tenacity. She could get freaked out at times, but she was a go-getter and immediately jumped into doing anything she was interested in or thought would help.
While I did spend a good portion of this review complaining about the technical linguistic and anthropological side of the book, I did enjoy some of the book. The problem is, is that combined with the factual problems, the book reads too much like your stereotypical hard sci-fi that's easy to make fun of because the authors are using a gazillion weird words to enforce the 'futuristic' idea. Things like "franchulate" I can see where it comes from; 'Kouriers' are on thin ice, but whatever, they're trademarked; but there was a lot of stuff that I thought was just unnecessarily in "sci-fi lingo." All of this put together, plus the very ending of the book, reduced my overall enjoyability.
Content Warnings
Minor: Rape