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A review by jessiereads98
Foul Lady Fortune by Chloe Gong
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
This book is decent to fine. I enjoyed the story and characters well enough that I’ll probably pick up the sequel if I remember. I do wish it had been rooted more firmly in the time period in terms of the vibes of the 1930s and with more references to the dance halls of that era or the decor or fashions. I think I probably would’ve enjoyed this more had I read the Violent Delights duet prior to going into this for more context and world building but I didn’t realize that would be necessary. I also found this very tropey to the extent I was rolling my eyes at moments that were so obviously inserted in order to fulfill a trope. The characters all also seemed to act very young compared to their age. The timeline seemed to me like while yes Rosalind was frozen at 19, all the older characters at this point would be in their early to mid 20s but were all acting like they were still 17-19. While I didn’t entirely expect the solution to the main mystery, the final reveal of the book was very predictable.
UPDATE: I read the These Violent Delights duology then read this again. It is better after reading that. However, I still feel that the setting and atmosphere in this book are lacking, even in comparison to the These Violent Delights duology. It seemed like Chloe Gong decided that rather than expanding on that, and the changing political climate, she would handwave world-building for this one. The tropeyness irked me less on reread. The characters do still read a little young for what their ages seem to be, but not as harshly as I originally thought. It especially makes sense when these are young people caught up in large, shifting politics and underworlds, and that’s a theme Chloe Gong is clearly exploring in both duologies.
UPDATE: I read the These Violent Delights duology then read this again. It is better after reading that. However, I still feel that the setting and atmosphere in this book are lacking, even in comparison to the These Violent Delights duology. It seemed like Chloe Gong decided that rather than expanding on that, and the changing political climate, she would handwave world-building for this one. The tropeyness irked me less on reread. The characters do still read a little young for what their ages seem to be, but not as harshly as I originally thought. It especially makes sense when these are young people caught up in large, shifting politics and underworlds, and that’s a theme Chloe Gong is clearly exploring in both duologies.
Content Warnings
Graphic: Blood
Moderate: Colonisation, Drug use, Gun violence, Injury/Injury detail, Medical content, Medical trauma, Murder, and Violence
Minor: Abandonment, Body horror, Classism, Confinement, Death, Grief, Torture, Transphobia, and War