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A review by ramreadsagain
Manhunt by Gretchen Felker-Martin
challenging
dark
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
3.0
This book has every content warning under the sun but I just wanted to highlight an extreme content warning for violence, sexual content (inc. rape), and transphobia. This left me an emotional wreck and I am usually very thick-skinned.
My rating for this honestly could have gone either way so I have decided to go down the middle with three stars. At its core it's a (not original but in quite an original setting) critique on TERFs and how their transphobia is so overpowering that they pretty much stop caring about anything else. Even the literal zombie-cis-men overrunning the planet. There is a lot of emphasis on their hypocrisy, as they allow some trans women to live as sex workers for their own gratification (in a 'turning a blind eye' kind of way but ultimately killing them too), as well as force-transitioning young men for their army (their solution to the threat of male puberty turning them into monsters). They will allow trans existence and transition under their own terms, as long as they can control the bodies exactly how they want. They consider their castrated/medically transitioned young men to be women, but fake women, because they have the right genitals, highlighting how TERFs' view of womanhood only really extends to external sex characteristics.
Another important point is the critique of TERFs' 'feminism' which never extends beyond simply a society of role reversal. They envision and want to create a world of female supremacy still within the violent, oppressive capitalist system. At several points in the book, characters note how the TERFs are 'no better than men' and 'doing to them what men did to women'.
Overall I rate this positively because of the above, as I do believe this should be an important part of queer literature.
The book has just as many downsides though which do bring my rating down. Violence for violence's sake seems to be just how the author writes but it was a bit much, and at some point you just become a bit numb to it. The characters do also seem to recover very quickly from life-threatening injuries. I really didn't like the constant sexual content, which was usually uncomfortable, graphic, and repulsive. The POVs were often difficult to work out, with characters not having a distinct voice, and it wasn't clear when POVs changed until you saw a different 'narrator name' a few paragraphs in. This meant I often had to reread sections to understand them from someone else's POV to whose I originally thought it was. The characters themselves were unlikeable, which is not an issue in and of itself but they weren't even really distinguishable from each other. The book also had a slump in the middle third that was quite difficult to push through and the book felt much longer than it is.
The book's treatment of fat people and POC made me uncomfortable. Size and race were often used as the only descriptor for a character, and Indi's extreme self hatred and the constant reference to her size (in quite inventive ways) got old very fast. The TERFs were also constantly referred to as nazis or neo nazis, which was a poor decision in my opinion. They did not demonstrate massive levels of white supremacy (unlike many irl TERFs - I understand the use of neo nazi when referring to actual twitter terfs at times) which made the descriptor just feel like a quip.
My rating for this honestly could have gone either way so I have decided to go down the middle with three stars. At its core it's a (not original but in quite an original setting) critique on TERFs and how their transphobia is so overpowering that they pretty much stop caring about anything else. Even the literal zombie-cis-men overrunning the planet. There is a lot of emphasis on their hypocrisy, as they allow some trans women to live as sex workers for their own gratification (in a 'turning a blind eye' kind of way but ultimately killing them too), as well as force-transitioning young men for their army (their solution to the threat of male puberty turning them into monsters). They will allow trans existence and transition under their own terms, as long as they can control the bodies exactly how they want. They consider their castrated/medically transitioned young men to be women, but fake women, because they have the right genitals, highlighting how TERFs' view of womanhood only really extends to external sex characteristics.
Another important point is the critique of TERFs' 'feminism' which never extends beyond simply a society of role reversal. They envision and want to create a world of female supremacy still within the violent, oppressive capitalist system. At several points in the book, characters note how the TERFs are 'no better than men' and 'doing to them what men did to women'.
Overall I rate this positively because of the above, as I do believe this should be an important part of queer literature.
The book has just as many downsides though which do bring my rating down. Violence for violence's sake seems to be just how the author writes but it was a bit much, and at some point you just become a bit numb to it. The characters do also seem to recover very quickly from life-threatening injuries. I really didn't like the constant sexual content, which was usually uncomfortable, graphic, and repulsive. The POVs were often difficult to work out, with characters not having a distinct voice, and it wasn't clear when POVs changed until you saw a different 'narrator name' a few paragraphs in. This meant I often had to reread sections to understand them from someone else's POV to whose I originally thought it was. The characters themselves were unlikeable, which is not an issue in and of itself but they weren't even really distinguishable from each other. The book also had a slump in the middle third that was quite difficult to push through and the book felt much longer than it is.
The book's treatment of fat people and POC made me uncomfortable. Size and race were often used as the only descriptor for a character, and Indi's extreme self hatred and the constant reference to her size (in quite inventive ways) got old very fast. The TERFs were also constantly referred to as nazis or neo nazis, which was a poor decision in my opinion. They did not demonstrate massive levels of white supremacy (unlike many irl TERFs - I understand the use of neo nazi when referring to actual twitter terfs at times) which made the descriptor just feel like a quip.
Content Warnings
Graphic: Body horror, Body shaming, Cursing, Death, Fatphobia, Genocide, Gore, Gun violence, Hate crime, Physical abuse, Rape, Self harm, Sexism, Sexual assault, Sexual content, Sexual violence, Torture, Transphobia, Violence, Blood, Vomit, Medical content, Cannibalism, Medical trauma, Murder, Dysphoria, War, and Injury/Injury detail
Moderate: Child death, Deadnaming, Toxic relationship, Excrement, Pregnancy, Outing, and Toxic friendship