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A review by tigger89
When the Angels Left the Old Country by Sacha Lamb
adventurous
reflective
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
This book was delightfully queer, from start to finish. Rose is depicted as sapphic, with a love story of her own unfolding by the final pages. While the relationship between Ash and Uriel isn't explicitly defined, it's never in doubt that they share an intimate love for one another. Uriel also uses "it" pronouns throughout, rejecting the very concept of gender. Despite the historic setting, there's no homophobia included just for the sake of realism.
As you might be able to guess from the sprinkling of vocabulary above, this book is also very Jewish. That was one of the reasons I picked it up, as I have some ancestry from Eastern Europe who immigrated through Ellis Island. With the aid of the extensive glossary in the back of the book, I had no problem following all of the terms and references sprinkled throughout the text. However, be warned: unlike homophobia, this story doesn't shy away from depicting period-appropriate antisemitism.
This book's greatest strength was absolutely the character interactions between Ash and Uriel. Not only do they grow individually — in Ash's case, coming into power despite his lack of magical ability, and in Uriel's case, determining what its newfound identity means to it — but the relationship between them is also developed. The frequently-cited comparison to Good Omens is apt, here. While this story lacks the apocalypse humor and madcap antics of Gaiman's and Pratchett's work, what they share is a focus on a pair of unlikely allies who mean the world to each other. Yes, even when they occasionally make each other very upset.
What I didn't like was that Rose felt more like a sidekick character, even though she got her own viewpoint chapters and everything. Until the very end, she was kind of just along for the ride, occasionally providing an insight or assist but leaving all the heavy lifting to Ash and Uriel. While I was ultimately happy with how her story turned out, I feel like she spent most of the book just waiting to be amazing. She could have done more.
As you might be able to guess from the sprinkling of vocabulary above, this book is also very Jewish. That was one of the reasons I picked it up, as I have some ancestry from Eastern Europe who immigrated through Ellis Island. With the aid of the extensive glossary in the back of the book, I had no problem following all of the terms and references sprinkled throughout the text. However, be warned: unlike homophobia, this story doesn't shy away from depicting period-appropriate antisemitism.
This book's greatest strength was absolutely the character interactions between Ash and Uriel. Not only do they grow individually — in Ash's case, coming into power despite his lack of magical ability, and in Uriel's case, determining what its newfound identity means to it — but the relationship between them is also developed. The frequently-cited comparison to Good Omens is apt, here. While this story lacks the apocalypse humor and madcap antics of Gaiman's and Pratchett's work, what they share is a focus on a pair of unlikely allies who mean the world to each other. Yes, even when they occasionally make each other very upset.
What I didn't like was that Rose felt more like a sidekick character, even though she got her own viewpoint chapters and everything. Until the very end, she was kind of just along for the ride, occasionally providing an insight or assist but leaving all the heavy lifting to Ash and Uriel. While I was ultimately happy with how her story turned out, I feel like she spent most of the book just waiting to be amazing. She could have done more.
Content Warnings
Graphic: Antisemitism and Racism
Moderate: Fire/Fire injury, Violence, Death of parent, Blood, and Death
Minor: Injury/Injury detail