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A review by fictionandfarming
The Cure for Drowning by Loghan Paylor
emotional
mysterious
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
This is a story I can see myself reading again.
The Cure for Drowning is a dual-POV story that is, at its heart, a love story with queer and non-binary characters taking centre stage. Kit McNair, born Kathleen, is considered a rebellious changeling by parents that expect them to behave as a proper farmgirl. Rebekah is daughter to a German-Canadian doctor and French-Canadian mother in a pre-WWII world where her last name makes her family a target of prejudice. The pair, as well as Kit’s brother Landon, are drawn into a love triangle when Rebekah’s family move to rural Ontario and become the McNair’s neighbours. The three are pulled onto separate paths by WWII, only to be brought together again in the aftermath of the war.
This story pulled me along, I wanted to know what would happen next, and I ended up reading it in every spare moment I could find once I started. The pacing and dual-POV narrative were very well done and made this an easy read. Paylor’s settings were lush and their descriptions brought the time period to life.
To say I enjoyed our two main characters is an understatement. Rebekah and Kit, the relationship between them and with the other characters presented in the story, were compelling. The writing keeps them at arm’s-length from the reader, and I felt we did not truly get inside their heads, which may not suit some reader’s tastes, but still works for the story being told. We see these characters experience love, heartbreak, and loss, and face challenges as they try to find their way through this WWII era world.
The way the story is split up, and the way the time skips were used, worked wonderfully for me. The innocence and youth of the first part combined with the buildup to and inevitability of WWII. The different realities of WWII in Canada and for Canadians overlaid by the loss of that innocence and finding a way to survive during wartime. And, finally, coming to terms with the loss post-WWII and finding a way forward and building a new life. All of which is deftly tied together by the romantic plotline between Kit, Rebekah, and Landon.
I do have mixed feelings about the mythology and fantastical elements. They were not a major part of the story, and I’m not sure the story would change at all if they were removed. On the other hand, these elements added to the mood of the story, and it’s interesting to consider whether these explanations were the characters’ way of coming to terms with their own stories and world rather than being literal happenings.
As for the ending, again, I have mixed feelings. On one hand, it feels very fitting. On the other hand, I feel like it left loose strings that I’m not entirely satisfied with. Those strings being Kit’s relationship with their mother and the farm, and both Kit and Rebekah’s relationships with Landon, particularly Kit’s and the conflict there. And yet a resolution to these things may also have felt unrealistic.
Thank you to Penguin Random House Canada and NetGalley for making the DRC available to me. All opinions are my own.
Content Notes:war, death, injury, drowning, homophobia, deadnaming, animal death, sexism, pregnancy, sexual content, sexual harassment
The Cure for Drowning is a dual-POV story that is, at its heart, a love story with queer and non-binary characters taking centre stage. Kit McNair, born Kathleen, is considered a rebellious changeling by parents that expect them to behave as a proper farmgirl. Rebekah is daughter to a German-Canadian doctor and French-Canadian mother in a pre-WWII world where her last name makes her family a target of prejudice. The pair, as well as Kit’s brother Landon, are drawn into a love triangle when Rebekah’s family move to rural Ontario and become the McNair’s neighbours. The three are pulled onto separate paths by WWII, only to be brought together again in the aftermath of the war.
This story pulled me along, I wanted to know what would happen next, and I ended up reading it in every spare moment I could find once I started. The pacing and dual-POV narrative were very well done and made this an easy read. Paylor’s settings were lush and their descriptions brought the time period to life.
To say I enjoyed our two main characters is an understatement. Rebekah and Kit, the relationship between them and with the other characters presented in the story, were compelling. The writing keeps them at arm’s-length from the reader, and I felt we did not truly get inside their heads, which may not suit some reader’s tastes, but still works for the story being told. We see these characters experience love, heartbreak, and loss, and face challenges as they try to find their way through this WWII era world.
The way the story is split up, and the way the time skips were used, worked wonderfully for me. The innocence and youth of the first part combined with the buildup to and inevitability of WWII. The different realities of WWII in Canada and for Canadians overlaid by the loss of that innocence and finding a way to survive during wartime. And, finally, coming to terms with the loss post-WWII and finding a way forward and building a new life. All of which is deftly tied together by the romantic plotline between Kit, Rebekah, and Landon.
I do have mixed feelings about the mythology and fantastical elements. They were not a major part of the story, and I’m not sure the story would change at all if they were removed. On the other hand, these elements added to the mood of the story, and it’s interesting to consider whether these explanations were the characters’ way of coming to terms with their own stories and world rather than being literal happenings.
As for the ending, again, I have mixed feelings. On one hand, it feels very fitting. On the other hand, I feel like it left loose strings that I’m not entirely satisfied with. Those strings being Kit’s relationship with their mother and the farm, and both Kit and Rebekah’s relationships with Landon, particularly Kit’s and the conflict there. And yet a resolution to these things may also have felt unrealistic.
Thank you to Penguin Random House Canada and NetGalley for making the DRC available to me. All opinions are my own.
Content Notes:
Content Warnings
Graphic: Death, Death of parent, and War
Moderate: Homophobia and Sexism
Minor: Pregnancy and Sexual harassment