Scan barcode
A review by tigger89
A Master of Djinn by P. Djèlí Clark
adventurous
mysterious
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
This started off slow, but by the end I couldn't put it down. The layers of deception and mesmerization, not to mention the foreshadowing of such, were very well done. While a few short stories and a novella have been previously published in this universe, you don't have to have read them to understand A Master of Djinn. The one thing you might have trouble with is the Angels. I don't really understand what they were. I'm also not convinced that reading the previously published material would have shed any more light on that, as I think they're supposed to be a bit unknowable.
Unfortunately, I found the steampunk setting to be underutilized. I believe it might have played a significantly larger role in the previous stories set in the universe, but in this novel the focus was largely elsewhere. It's a shame too, because we all know about steampunk London, but I was really looking forward to steampunk Cairo.
I did really appreciate the dynamic between Fatma and her work partner Hadia, especially how their relationship grew over the course of the story. Most of the mysteries I've read lately have had the detective working mostly inside their own head, and it was refreshing to see a well-executed foil, even if it was reluctant at first!
This is the second P. Djèlí Clark story I've read, and I'm noticing a few patterns. First, his wry skewering of colonialism and white people who are being ignorant is very appreciated, and utilized well in this novel. And second, he seems to have a thing for writing women in sexual relationships with other women. To be clear I don't have any complaint with how they were written here, but if you're someone who avoids sapphic content written by men on principle, be advised.
Unfortunately, I found the steampunk setting to be underutilized. I believe it might have played a significantly larger role in the previous stories set in the universe, but in this novel the focus was largely elsewhere. It's a shame too, because we all know about steampunk London, but I was really looking forward to steampunk Cairo.
I did really appreciate the dynamic between Fatma and her work partner Hadia, especially how their relationship grew over the course of the story. Most of the mysteries I've read lately have had the detective working mostly inside their own head, and it was refreshing to see a well-executed foil, even if it was reluctant at first!
This is the second P. Djèlí Clark story I've read, and I'm noticing a few patterns. First, his wry skewering of colonialism and white people who are being ignorant is very appreciated, and utilized well in this novel. And second, he seems to have a thing for writing women in sexual relationships with other women. To be clear I don't have any complaint with how they were written here, but if you're someone who avoids sapphic content written by men on principle, be advised.
Content Warnings
Graphic: Violence, Murder, and Fire/Fire injury
Moderate: Gun violence, Racism, Slavery, and Injury/Injury detail
Minor: Police brutality