A review by escape_through_pages
The Island of Missing Trees by Elif Shafak

3.0

'๐˜ฝ๐™š๐™˜๐™–๐™ช๐™จ๐™š ๐™ฉ๐™๐™–๐™ฉ ๐™ž๐™จ ๐™ฌ๐™๐™–๐™ฉ ๐™ข๐™ž๐™œ๐™ง๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™–๐™ฃ๐™™ ๐™ง๐™š๐™ก๐™ค๐™˜๐™–๐™ฉ๐™ž๐™ค๐™ฃ๐™จ ๐™™๐™ค ๐™ฉ๐™ค ๐™ช๐™จ: ๐™ฌ๐™๐™š๐™ฃ ๐™ฎ๐™ค๐™ช ๐™ก๐™š๐™–๐™ซ๐™š ๐™ฎ๐™ค๐™ช๐™ง ๐™๐™ค๐™ข๐™š ๐™›๐™ค๐™ง ๐™ช๐™ฃ๐™ ๐™ฃ๐™ค๐™ฌ๐™ฃ ๐™จ๐™๐™ค๐™ง๐™š๐™จ, ๐™ฎ๐™ค๐™ช๐™™๐™ค๐™ฃ'๐™ฉ ๐™จ๐™ž๐™ข๐™ฅ๐™ก๐™ฎ ๐™˜๐™–๐™ง๐™ง๐™ฎ ๐™ค๐™ฃ ๐™–๐™จ ๐™—๐™š๐™›๐™ค๐™ง๐™š; ๐™– ๐™ฅ๐™–๐™ง๐™ฉ ๐™ค๐™› ๐™ฎ๐™ค๐™ช ๐™™๐™ž๐™š๐™จ ๐™ž๐™ฃ๐™จ๐™ž๐™™๐™š ๐™จ๐™ค ๐™ฉ๐™๐™–๐™ฉ ๐™–๐™ฃ๐™ค๐™ฉ๐™๐™š๐™ง ๐™ฅ๐™–๐™ง๐™ฉ ๐™˜๐™–๐™ฃ ๐™จ๐™ฉ๐™–๐™ง๐™ฉ ๐™–๐™ก๐™ก ๐™ค๐™ซ๐™š๐™ง ๐™–๐™œ๐™–๐™ž๐™ฃ.'

Cyprus holds fond memories for me. I spent several weeks in Paphos for my university elective back in the early noughties. My lasting memories from that trip concern the people we met. Welcoming, open people, filled with pride for their homeland. Our placement supervisor was so keen we see the beauty of the country, he gave two of his medical staff days off so they could take us on a long weekend road trip. 

From Paphos we travelled to Nicosia, stopping in Limassol and Larnaca. In Nicosia, we were welcomed into the family home of one of our hosts, strangers put up for two nights, so we could properly explore this divided city. 

I wonโ€™t forget the image of gazing into No Manโ€™s Land. Standing in the city centre on the Greek Cypriot side, there was a wall topped with barbed wire at the end of the street, youโ€™d look one way and see the hustle and bustle and then youโ€™d look over the fence and see a deserted space, very surreal.

This division, this conflict in the 1970s between Greek and Turkish Cypriots, forms the basis of Elif Shafakโ€™s latest story. Forbidden lovers, Kostas and Defne meet in secret in a taverna until forced apart for over 20 years. Shafak, as ever, manages to evoke a scene via all senses, you can almost smell and taste the food through her descriptions. 

Offset with the modern day story that centres on teenage Ada, the daughter of Kostas and Defne, the story alternates between timelines, which serves to depict the generational impact of grief, trauma and migration. 

There is no doubt in my mind that Shafak is a superb storyteller. Her words are a pleasure and ease to read, I really enjoyed both The Bastard of Istanbul and 10 Minutes 38 Seconds. However, this book missed the mark for me. 

At the risk of ostracising myself with an unpopular opinion, I found this one sickly sweet in its sentimentality, corny in places and too unrealistic (and thatโ€™s before we get to the talking fig tree).

The idea that two people who have had ๐ง๐จ contact for 25 years are emotionally and physically intimate within 24h of meeting again is ludicrousโ€ฆ or am I a huge cynic? 

Surprisingly, for someone who really does not like magical realism, I didnโ€™t mind the sections narrated by the fig tree and found the nature writing the most enjoyable. The ending was a step too far though and rather than bring tears to my eyes, it was an eye roll nah. 

On reflection, I think the combination of flavours I donโ€™t like (magical realism, romance, Adaโ€™s chapters reading like YA) meant this was probably never going to be to my taste.