A review by jonvarner
Monolithic Undertow: In Search of Sonic Oblivion by Harry Sword

3.0

Starts off strong with the author in an ancient Maltese mausoleum with strange amplifying acoustics. The early chapters have the tone and sprawl of an enthusiastic stoner relating a recent dive down a wikipedia rabbit hole. He establishes the premise that drone is the basis for all music and is key to the way we connect with the world and space and time, and begins to elaborate on the role of drone in so many different musics.

Unfortunately, the book later devolves into a more traditional capsule history of a music journo's favorite bands. He mentions early on that he started off writing a history of doom metal and much of this reads like he barely altered that content to fit the new thesis. His genre interests are wide ranging, but past 1990 primarily focused on the UK. Several musicians and bands, particularly in the punk and EDM chapters, have a very tenuous connection to drone, while more relevant ones go unmentioned--no Yellow Swans, Thomas Koner, Kali Malone, GRM, et al. Noise music in general is barely examined.

Still, it's a good book. He does cover a lot of ground and when he remembers his thesis--connecting a thread through musicians as diverse as Alice Coltrane and Melvins--it's at its best.