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A review by paupereads
How to End a Love Story by Yulin Kuang
emotional
lighthearted
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
This other romance novel I read this month has everyone raving about it! The author even directed Emily Henry's novels, which is why I was so excited to dive in. But be warned, this book tackles some heavier themes. It delves into grief, forgiveness, and especially the emotional baggage the characters carry from past relationships.
two writers, Helen and Grant, who have a complicated history. They are reunited thirteen years later when they are both hired as writers on the same television show. They must work together despite their past and the disapproval of Helen’s parents. The novel explores themes of love, loss, and forgiveness.
It feels strange to fall for someone connected to your sister's death. Of course, I know he didn't mean it, but is it still odd? However, this might create the foundation for a forbidden romance in the story. I liked the beginning a lot. The author did a great job describing the lives of screenwriters. The atmosphere was really engaging, almost addictive. It kept me reading even though the plot wasn't that strong. However, when the characters started getting closer, it felt rushed. I didn't really feel a connection between them. The plot wasn't bad, but it wasn't particularly memorable either. If the main conflict was the family's disapproval, I think the author should have explored that more. It felt rushed when they finally accepted him. This book wasn't terrible, but it wasn't for me.
two writers, Helen and Grant, who have a complicated history. They are reunited thirteen years later when they are both hired as writers on the same television show. They must work together despite their past and the disapproval of Helen’s parents. The novel explores themes of love, loss, and forgiveness.
It feels strange to fall for someone connected to your sister's death. Of course, I know he didn't mean it, but is it still odd? However, this might create the foundation for a forbidden romance in the story. I liked the beginning a lot. The author did a great job describing the lives of screenwriters. The atmosphere was really engaging, almost addictive. It kept me reading even though the plot wasn't that strong. However, when the characters started getting closer, it felt rushed. I didn't really feel a connection between them. The plot wasn't bad, but it wasn't particularly memorable either. If the main conflict was the family's disapproval, I think the author should have explored that more. It felt rushed when they finally accepted him. This book wasn't terrible, but it wasn't for me.