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A review by duarshe
Milkman by Anna Burns
challenging
dark
emotional
reflective
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.0
Do you know that friend that is going to tell you an anecdote that happened to them a while ago, and just seems not to be able to get straight to the point and gets distracted over a million other details before actually telling you what they were going to say from the beginning, and you actually forget what the story was even about? That's middle-sister. Our narrator. So just by saying that, you can kind of imagine how this book is narrated. That is, essentially, the reason why I thought myself uncapable of finishing this, so I'm pretty sure past Sheila must be very proud of me for reading every single page here. It is true that I read this for class, but still it is an achievement.
The main problem that I find here is that there are many plots, stories and thoughts directed at us by the narrator, that if you chose a fragment from this book and asked me to situate in the plot, there is a small probability that I will actually be able to do it. Many things get repeated over and over, like that damn supercharger. And many others you just cannot know how the narrator even got to that point.
When I updated I was in page 69 I wrote this: "This book is the worst nightmare for people who dislike unconventional narrative style, long paragraphs that go on for pages, little to none dialogue, and long ahh chapters that make up one half of the book. That's me btw. This book is my worst nightmare!!!! 😀"
And it is true, those aspects do make up for my worst nightmare case scenario (especially this book being the epitome of long chapters), but I was able to manage (barely) anyway. I would say the last two chapters more or less I enjoyed the best, but the rest... God only knows it was not easy...
The main problem that I find here is that there are many plots, stories and thoughts directed at us by the narrator, that if you chose a fragment from this book and asked me to situate in the plot, there is a small probability that I will actually be able to do it. Many things get repeated over and over, like that damn supercharger. And many others you just cannot know how the narrator even got to that point.
When I updated I was in page 69 I wrote this: "This book is the worst nightmare for people who dislike unconventional narrative style, long paragraphs that go on for pages, little to none dialogue, and long ahh chapters that make up one half of the book. That's me btw. This book is my worst nightmare!!!! 😀"
And it is true, those aspects do make up for my worst nightmare case scenario (especially this book being the epitome of long chapters), but I was able to manage (barely) anyway. I would say the last two chapters more or less I enjoyed the best, but the rest... God only knows it was not easy...
Content Warnings
Graphic: Animal cruelty, Animal death, Death, Gun violence, Sexism, Violence, Police brutality, Grief, Murder, Sexual harassment, and Colonisation
Moderate: Mental illness, Pedophilia, Suicide, and Death of parent
Minor: Child death and Homophobia