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A review by bargainsleuth
Her Lost Words: A Novel of Mary Wollstonecraft and Mary Shelley by Stephanie Marie Thornton
4.0
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Trigger warnings: paternal alcoholic violence and domestic abuse at home, and reference to violence against an animal.
I’ve read Stephanie Marie Thornton two times prior to Her Lost Words. First there was American Princess: A Novel of First Daughter Alice Roosevelt. Then there was And They Called It Camelot: A Novel of Jacqueline Bouvier Kennedy Onassis. I liked both books, but wasn’t overwhelmed by them, in part because I knew so much about the principal characters in the story. In this case, I knew very little about Mary Wollstonecraft or Mary Shelley beyond basic trivia.
The writing is beautiful, at once women’s fiction and also historical fiction at its finest. However, while listening to the audiobook, if not paying close attention, the dual timeline could get confusing since both women were named Mary. In the author’s notes, she even mentions how she took liberties with other names because there were so many other characters who shared the same names, so I appreciated that.
I loved reading about strong female characters at a time when women were objects and property of their husbands with no rights of their own. The Marys didn’t think that way, nor did they live their lives that way, either. Mary Wollstonecraft supported herself and was outspoken in her views. She died during childbirth and her daughter, Mary, longs to know her mother beyond her well-known writings. She, too, thinks outside the box, and soon takes up with the poet Percey Shelley.
I can’t imagine being a writer of someone whose own written words were so groundbreaking. There had to have been great pressure, as evidenced in Her Lost Words, as Mary Shelley struggles to create something groundbreaking in her own right. That result: Frankenstein, which created a whole new genre of literature, the science fiction novel.
Both Marys personal lives were complex, and maybe that’s what drove them to rise above society’s norms for women and do what many only dreamed of doing: making a name for oneself with a lasting legacy.
Trigger warnings: paternal alcoholic violence and domestic abuse at home, and reference to violence against an animal.
I’ve read Stephanie Marie Thornton two times prior to Her Lost Words. First there was American Princess: A Novel of First Daughter Alice Roosevelt. Then there was And They Called It Camelot: A Novel of Jacqueline Bouvier Kennedy Onassis. I liked both books, but wasn’t overwhelmed by them, in part because I knew so much about the principal characters in the story. In this case, I knew very little about Mary Wollstonecraft or Mary Shelley beyond basic trivia.
The writing is beautiful, at once women’s fiction and also historical fiction at its finest. However, while listening to the audiobook, if not paying close attention, the dual timeline could get confusing since both women were named Mary. In the author’s notes, she even mentions how she took liberties with other names because there were so many other characters who shared the same names, so I appreciated that.
I loved reading about strong female characters at a time when women were objects and property of their husbands with no rights of their own. The Marys didn’t think that way, nor did they live their lives that way, either. Mary Wollstonecraft supported herself and was outspoken in her views. She died during childbirth and her daughter, Mary, longs to know her mother beyond her well-known writings. She, too, thinks outside the box, and soon takes up with the poet Percey Shelley.
I can’t imagine being a writer of someone whose own written words were so groundbreaking. There had to have been great pressure, as evidenced in Her Lost Words, as Mary Shelley struggles to create something groundbreaking in her own right. That result: Frankenstein, which created a whole new genre of literature, the science fiction novel.
Both Marys personal lives were complex, and maybe that’s what drove them to rise above society’s norms for women and do what many only dreamed of doing: making a name for oneself with a lasting legacy.