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aksmith92's reviews
123 reviews
Mexican Gothic by Silvia Moreno-Garcia
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
The setup: Noemí Taboada is partying it up in Mexico City, flirting with cute men, attending debutant-like balls and events, and pondering what she should do with her life when her father notifies her that they have received quite an alarming letter from Noemí's cousin Catalina. The letter reads as if Catalina needs some psychiatric help—she sees ghosts, the walls talk to her, and she is having intense nightmares. It doesn't help that Catalina recently got married to essentially a stranger, and one of European descent no less. They live with his family in the Mexican countryside, where his British lineage once made a name for themselves exploited Mexicans in the mining industry.
Noemí isn't necessarily the closest with her cousin, but she is worried, and her father offers to pay for her anthropology school if she goes to investigate. Therefore, Noemí treks to High Place, where Catalina lives with Virgil, her husband, Virgil's father, Howard, and others in the family, including Florence, Virgil's cousin, and Francis, Florence's son. Noemí discovers that Catalina isn't well, but everything is not as it seems. We trek on a journey with Noemí as she discovers a house that brings about nightmares and a family's past that unravels long-time secrets.
What I liked: I'm going to preface my entire review with this fact: I knew going into this that this wasn't as scary as it may have been set out to be. I forget where I heard it, but I knew that this was not a jump scare horror novel. Regardless, this is an odd tale that intertwines a creepy family and some natural wonders (but not in the best way!). I honestly loved the "horror" aspect to this - an utterly unhinged family and their story and a captivating plot around a house of horrors. I found it unique and compelling. I'm being vague for a reason - I don't want to give any spoilers to the house of horrors, but I thought it was exciting and original. This story made me cringe at parts, so while it didn't scare me a lot, it psychologically spooked me in other ways. Additionally, I thought Noemí was a refreshing and lovely character. She somehow didn't annoy me, which is quite challenging in a thriller/mystery/horror novel like this one. The main character inevitably decides something to further the plot where you want to scream "NO!" That didn't happen to me here, and I thoroughly enjoyed it. The slight romance plot was also refreshing as Noemí most certainly didn't act like a woman of the 1950s (at least by American standards). I liked this novel's plot, thriller aspect, and characters.
Lastly, I was struck by the novel's profound symbolism, particularly its exploration of colonialism and racism. The theme of eugenics, set in 1950s Mexico, was a powerful reminder of the country's history. The Spanish conquest, the Revolution, and the exploitation of the land and its people by colonizers all resonated strongly. This voice, so prevalent in the novel, was a necessary and thought-provoking element.
What could have been better: Like many reviews, I must acknowledge that the pacing was a bit uneven. The first half of the book was admittedly slow, but the last 20% picked up dramatically. However, even during the slower parts, I was still invested in Noemí's journey, and it kept me hooked. Some parts were slightly predictable and occasionally dull, and the horror element wasn't as pronounced as I expected (or, at least, in the way I expected). Also, the writing was not atmospheric or flowery for a gothic novel. Still, the gothic elements were at least described - particularly an old, outdated house with no electricity and plenty of bad weather, mist, and fog hovering on the mountain.
Lastly—and this didn't impact my review, but I think for expectation sake, I will share—this book did not necessarily explain the how behind the horror-like element of it; you were just expected to roll with it. Did it make a ton of sense? No. Nor was there a lot of time explaining it. However, was it interesting and a great take on something different in the genre? Absolutely.
Overall, I enjoyed this novel, even when the pacing prevented me from rating it higher. I particularly liked the natural elements that weaved into the overall premise, and it was generally well done.
Noemí isn't necessarily the closest with her cousin, but she is worried, and her father offers to pay for her anthropology school if she goes to investigate. Therefore, Noemí treks to High Place, where Catalina lives with Virgil, her husband, Virgil's father, Howard, and others in the family, including Florence, Virgil's cousin, and Francis, Florence's son. Noemí discovers that Catalina isn't well, but everything is not as it seems. We trek on a journey with Noemí as she discovers a house that brings about nightmares and a family's past that unravels long-time secrets.
What I liked: I'm going to preface my entire review with this fact: I knew going into this that this wasn't as scary as it may have been set out to be. I forget where I heard it, but I knew that this was not a jump scare horror novel. Regardless, this is an odd tale that intertwines a creepy family and some natural wonders (but not in the best way!). I honestly loved the "horror" aspect to this - an utterly unhinged family and their story and a captivating plot around a house of horrors. I found it unique and compelling. I'm being vague for a reason - I don't want to give any spoilers to the house of horrors, but I thought it was exciting and original. This story made me cringe at parts, so while it didn't scare me a lot, it psychologically spooked me in other ways. Additionally, I thought Noemí was a refreshing and lovely character. She somehow didn't annoy me, which is quite challenging in a thriller/mystery/horror novel like this one. The main character inevitably decides something to further the plot where you want to scream "NO!" That didn't happen to me here, and I thoroughly enjoyed it. The slight romance plot was also refreshing as Noemí most certainly didn't act like a woman of the 1950s (at least by American standards). I liked this novel's plot, thriller aspect, and characters.
Lastly, I was struck by the novel's profound symbolism, particularly its exploration of colonialism and racism. The theme of eugenics, set in 1950s Mexico, was a powerful reminder of the country's history. The Spanish conquest, the Revolution, and the exploitation of the land and its people by colonizers all resonated strongly. This voice, so prevalent in the novel, was a necessary and thought-provoking element.
What could have been better: Like many reviews, I must acknowledge that the pacing was a bit uneven. The first half of the book was admittedly slow, but the last 20% picked up dramatically. However, even during the slower parts, I was still invested in Noemí's journey, and it kept me hooked. Some parts were slightly predictable and occasionally dull, and the horror element wasn't as pronounced as I expected (or, at least, in the way I expected). Also, the writing was not atmospheric or flowery for a gothic novel. Still, the gothic elements were at least described - particularly an old, outdated house with no electricity and plenty of bad weather, mist, and fog hovering on the mountain.
Lastly—and this didn't impact my review, but I think for expectation sake, I will share—this book did not necessarily explain the how behind the horror-like element of it; you were just expected to roll with it. Did it make a ton of sense? No. Nor was there a lot of time explaining it. However, was it interesting and a great take on something different in the genre? Absolutely.
Overall, I enjoyed this novel, even when the pacing prevented me from rating it higher. I particularly liked the natural elements that weaved into the overall premise, and it was generally well done.
Content Warnings
Graphic: Blood, Grief, Injury/Injury detail, Cannibalism, Colonisation, Death, Death of parent, Confinement, Emotional abuse, Suicide attempt, Sexism, Sexual assault, Toxic relationship, Domestic abuse, Murder, Physical abuse, Racial slurs, Self harm, Suicidal thoughts, Racism, Body horror, Child abuse, Child death, Fire/Fire injury, Incest, Gore, Kidnapping, Suicide, and Violence
Moderate: Rape and Cursing
Attempted rape, but it does not happen. However, there is a sexual assault.
Suicide is on page, multiple places. Suicide attempt also on page.
Witch Hat Atelier, Volume 2 by Kamome Shirahama
adventurous
hopeful
lighthearted
mysterious
reflective
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
The setup: Volume Two picks up right where Volume One left off, leaving us on a thrilling cliffhanger! Coco and her friends find themselves in a mysteriously different town, possibly due to magic. Their goal is to return to their own world, but a cunning obstacle stands in their way—a dragon. As we follow their journey, we witness the group's strategic thinking and the bonds they form to overcome this perilous situation.
What I liked: Similar to Volume One, Volume Two presents a captivating storyline and plot. The magic system, with its unique elements, adds a refreshing twist to the narrative. The story also places a significant emphasis on learning and collaboration, which I found particularly engaging. The illustrations are in sync with the plot, and the author's storytelling style is a delight to experience.
What was missing: Ugh, this still just reads so young to me! I know it is likely meant to, and I think these Volumes do a great job of accomplishing what they are meant for—to tell a cute and cozy story about some witches. I can see showing these comics to my (potential) 12-year-old one day so that they can learn about teamwork, critical thinking, and determination. However, overall, I am just not in that space in my life, and I think some pieces are still missing. For example, our character, Algott, is still a bit of an enigma, and while we read more about her, her actions and lack of kindness still don't add up. Finally, I sometimes struggle to read facial expressions - I cannot tell if they are trying to make the characters shouting/yelling or just excited.
However, for what it is, I will likely continue this series. Three stars have their place, and just because it's not the best for me, it might be for someone else. The messaging is still lovely in these books.
What I liked: Similar to Volume One, Volume Two presents a captivating storyline and plot. The magic system, with its unique elements, adds a refreshing twist to the narrative. The story also places a significant emphasis on learning and collaboration, which I found particularly engaging. The illustrations are in sync with the plot, and the author's storytelling style is a delight to experience.
What was missing: Ugh, this still just reads so young to me! I know it is likely meant to, and I think these Volumes do a great job of accomplishing what they are meant for—to tell a cute and cozy story about some witches. I can see showing these comics to my (potential) 12-year-old one day so that they can learn about teamwork, critical thinking, and determination. However, overall, I am just not in that space in my life, and I think some pieces are still missing. For example, our character, Algott, is still a bit of an enigma, and while we read more about her, her actions and lack of kindness still don't add up. Finally, I sometimes struggle to read facial expressions - I cannot tell if they are trying to make the characters shouting/yelling or just excited.
However, for what it is, I will likely continue this series. Three stars have their place, and just because it's not the best for me, it might be for someone else. The messaging is still lovely in these books.
Saga, Vol. 11 by Brian K. Vaughan
adventurous
dark
emotional
funny
hopeful
sad
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I can't believe I'm already at Volume 11! I spent 2022 reading many of these books (alongside other comics and graphic novels) and then 2023 with regular ole' fiction. Therefore, I was excited to dive back into these books.
I will spare you the setup because there are so many of these, and it will inevitably have spoilers. But there's a little bit of conniving kiddos, a little bit of friendly faces, a little bit of trying to bring back the dead, and, per usual, alittle bit whole lot of violence and dark issues surrounding war.
Saga is a space fantasy that weaves together diverse beings and plots, exploring universal themes of war, friendship, love, and healing. The author and artist have a unique ability to transport you into this world, making you deeply care about the characters and their journeys. Moreover, the series masterfully incorporates real-world issues like racism and identity, adding a layer of depth to the narrative.
Most of the Volumes are five stars for me. However, numbers 10 and 11 (this one) are slightly lower because the story seems to be going through a transition. Volume 9 left off with one of the more intense cliffhangers (and assumptions) I had ever seen, and Volume 10 worked through that - and it was SAD. Therefore, Volumes 10 and 11 are now pivoting their plots based on that twist and moving forward. While I think Vaughan is writing this transition well, I think it's going through a bit of a plateau. I have no doubt that will change, and this series is still phenomenal.
I have always been so satisfied after reading a Saga Volume. I cannot wait to continue once more Volumes are released!
I will spare you the setup because there are so many of these, and it will inevitably have spoilers. But there's a little bit of conniving kiddos, a little bit of friendly faces, a little bit of trying to bring back the dead, and, per usual, a
Saga is a space fantasy that weaves together diverse beings and plots, exploring universal themes of war, friendship, love, and healing. The author and artist have a unique ability to transport you into this world, making you deeply care about the characters and their journeys. Moreover, the series masterfully incorporates real-world issues like racism and identity, adding a layer of depth to the narrative.
Most of the Volumes are five stars for me. However, numbers 10 and 11 (this one) are slightly lower because the story seems to be going through a transition. Volume 9 left off with one of the more intense cliffhangers (and assumptions) I had ever seen, and Volume 10 worked through that - and it was SAD. Therefore, Volumes 10 and 11 are now pivoting their plots based on that twist and moving forward. While I think Vaughan is writing this transition well, I think it's going through a bit of a plateau. I have no doubt that will change, and this series is still phenomenal.
I have always been so satisfied after reading a Saga Volume. I cannot wait to continue once more Volumes are released!
Witch Hat Atelier, Volume 1 by Kamome Shirahama
adventurous
hopeful
lighthearted
mysterious
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
The setup: Coco is dying to be one of the chosen ones to conduct magic. Ever since she was given a book of magical spells and a wand when she was younger, she's wanted to be able to be a witch. Soon enough, a witch stumbles upon her town, and one thing leads to the next, where she watches him conduct magic. Her whole view changes! She has to try it out. Once she does, things go awry, and she must set out on a quest to fix her wrongs.
We follow Coco's journey as she begins her apprenticeship with Qifrey, the enigmatic witch she met in her hometown, and forms bonds with other girls on a similar path. Together, they navigate the intricacies of a unique magical system, learn to cast spells, and encounteran old friend a formidable witch who could disrupt their peaceful days. This book is a delightful blend of lighthearted adventure and high-stakes drama, set in a captivating world.
What I liked: What a unique storyline and plot! While we have most certainly read about witches before and possibly even about this type of magic, this was interesting and provided an original take on how people conduct magic through different means than a wand or mind. I immensely enjoyed the premise, and the author did excellent work building this unique system and world. Additionally, this book felt like a cozy fantasy. It was lighthearted and fun. While it may have some more high-stakes ideas, you still somewhat knew that things would work out. Lastly, Coco was a great protagonist. Albeit very young, Coco was driven, focused, and kind-hearted, which made for a lovely character.
What was missing: This was my first manga, so bear with me. However, this read was incredibly middle-grade. While a good and exciting idea for a story, I couldn't quite get over the hurdle of very simple and childish catchphrases ("Oh gosh!") or other very child-like thought processes ("I can do this! Think positive!"). I know some people love that language in middle-grade novels, comics, or manga, but it is not for me. Therefore, it took me out of the story a little bit, and I didn't necessarily love it. The faces the illustrator drew for distress or shouting were also hilariously funny to me, and not necessarily in the best way because it didn't seem real (again, it's manga; I took that with a grain of salt). A very minor qualm that I pushed through because it clearly wasn't going there, but I did find it weird that this older guy Qifrey decided to take in four young girls for an apprenticeship.
Overall, though, this was a good book done well. Additionally, for the most part, I enjoyed the intricate illustrations and the overall plot. Lastly, it did an excellent job of character building and pushing through adversity in Coco's character when she had to do something she didn't think she could do. That was a great take. Either way, I will continue with the next book to see if it gets more mature!
We follow Coco's journey as she begins her apprenticeship with Qifrey, the enigmatic witch she met in her hometown, and forms bonds with other girls on a similar path. Together, they navigate the intricacies of a unique magical system, learn to cast spells, and encounter
What I liked: What a unique storyline and plot! While we have most certainly read about witches before and possibly even about this type of magic, this was interesting and provided an original take on how people conduct magic through different means than a wand or mind. I immensely enjoyed the premise, and the author did excellent work building this unique system and world. Additionally, this book felt like a cozy fantasy. It was lighthearted and fun. While it may have some more high-stakes ideas, you still somewhat knew that things would work out. Lastly, Coco was a great protagonist. Albeit very young, Coco was driven, focused, and kind-hearted, which made for a lovely character.
What was missing: This was my first manga, so bear with me. However, this read was incredibly middle-grade. While a good and exciting idea for a story, I couldn't quite get over the hurdle of very simple and childish catchphrases ("Oh gosh!") or other very child-like thought processes ("I can do this! Think positive!"). I know some people love that language in middle-grade novels, comics, or manga, but it is not for me. Therefore, it took me out of the story a little bit, and I didn't necessarily love it. The faces the illustrator drew for distress or shouting were also hilariously funny to me, and not necessarily in the best way because it didn't seem real (again, it's manga; I took that with a grain of salt). A very minor qualm that I pushed through because it clearly wasn't going there, but I did find it weird that this older guy Qifrey decided to take in four young girls for an apprenticeship.
Overall, though, this was a good book done well. Additionally, for the most part, I enjoyed the intricate illustrations and the overall plot. Lastly, it did an excellent job of character building and pushing through adversity in Coco's character when she had to do something she didn't think she could do. That was a great take. Either way, I will continue with the next book to see if it gets more mature!
On Earth We're Briefly Gorgeous by Ocean Vuong
dark
emotional
reflective
sad
slow-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The setup: 'On Earth We're Briefly Gorgeous' is a unique novel, presented as a letter from a son to a mother who likely will never be able to read it due to her inability to read, especially in English. Our narrator, Little Dog, delves into his family's life - even before his birth - in Vietnam, during the infamous war there, and his own life, unearthing some traumas and revelations throughout his teenage years.
Much of the novel is about Little Dog's relationship with his mother, Rose, and her mother, Lan. There is an intricate discussion about their familial affairs and what it took the women to survive for Little Dog to be writing this letter. Then it's also a pseudo-love story about Little Dog and Trevor, a boy he works with on a tobacco farm during the summers. There is a little bit of grief, love, and hardship throughout this novel, and you can feel Ocean Vuong's poetic side coming out as he describes Little Dog's complicated life. Honestly, it's a story about nothing, yet about everything for someone like Little Dog. It intertwines addiction, violence, and a plethora of trauma into a novel that shares the story of a son and his mother.
What I loved: This book was a bit haunting AND lovely - somehow both, sometimes simultaneously (but not always). Vuong was a storyteller here. There were fantastic quotes and metaphors, and Vuong knew how to share philosophical thoughts and ideas. It was a sad story and one that encompasses survival. It takes a talented writer to make this type of art, and Vuong no doubt delivered a tremendous literary and contemporary fiction book. Honestly, at times, this felt SO real, to the point that it reminded me of a memoir (maybe that also had to do with a second person). Either way, you were submerged in On Earth We're Briefly Gorgeous and felt all the feels.
What could have made it five stars: The common literary fiction conundrum - the intense effort to be overly profound. I felt this only initially, but Vuong seemed to try so hard. On page 4 or around there, one quote said something like, "We held nothing in our hands but our hands." And while I understood that it was likely that they were holding each other's hands, it just made me roll my eyes.
My only other qualm was the structure. I know what Vuong was doing, and Vuong knew what Vuong was doing, as mentioned in the novel a couple of times in the letter - Little Dog knew his writing was a bit all over the place. However, it took a lot of work to immerse myself in the story because of the back-and-forth timelines, especially between paragraphs with no apparent cadence. Part II had more narrative style than the others; otherwise, linking story pieces took a lot of work. It made it hard to connect with the plot itself.
Regardless, this book was undeniably moving, genuine, and wholehearted. The impactful pieces of the story, like the aftermath of war, an opioid crisis and addiction, and sexuality, were incredibly well done, and I think this book is an essential read. The structure makes it a bit challenging for a novel, but the storytelling is ultimately worth that brief confusion.
Much of the novel is about Little Dog's relationship with his mother, Rose, and her mother, Lan. There is an intricate discussion about their familial affairs and what it took the women to survive for Little Dog to be writing this letter. Then it's also a pseudo-love story about Little Dog and Trevor, a boy he works with on a tobacco farm during the summers. There is a little bit of grief, love, and hardship throughout this novel, and you can feel Ocean Vuong's poetic side coming out as he describes Little Dog's complicated life. Honestly, it's a story about nothing, yet about everything for someone like Little Dog. It intertwines addiction, violence, and a plethora of trauma into a novel that shares the story of a son and his mother.
What I loved: This book was a bit haunting AND lovely - somehow both, sometimes simultaneously (but not always). Vuong was a storyteller here. There were fantastic quotes and metaphors, and Vuong knew how to share philosophical thoughts and ideas. It was a sad story and one that encompasses survival. It takes a talented writer to make this type of art, and Vuong no doubt delivered a tremendous literary and contemporary fiction book. Honestly, at times, this felt SO real, to the point that it reminded me of a memoir (maybe that also had to do with a second person). Either way, you were submerged in On Earth We're Briefly Gorgeous and felt all the feels.
What could have made it five stars: The common literary fiction conundrum - the intense effort to be overly profound. I felt this only initially, but Vuong seemed to try so hard. On page 4 or around there, one quote said something like, "We held nothing in our hands but our hands." And while I understood that it was likely that they were holding each other's hands, it just made me roll my eyes.
My only other qualm was the structure. I know what Vuong was doing, and Vuong knew what Vuong was doing, as mentioned in the novel a couple of times in the letter - Little Dog knew his writing was a bit all over the place. However, it took a lot of work to immerse myself in the story because of the back-and-forth timelines, especially between paragraphs with no apparent cadence. Part II had more narrative style than the others; otherwise, linking story pieces took a lot of work. It made it hard to connect with the plot itself.
Regardless, this book was undeniably moving, genuine, and wholehearted. The impactful pieces of the story, like the aftermath of war, an opioid crisis and addiction, and sexuality, were incredibly well done, and I think this book is an essential read. The structure makes it a bit challenging for a novel, but the storytelling is ultimately worth that brief confusion.
Content Warnings
Graphic: Cursing, Racial slurs, War, Physical abuse, Cancer, Child death, Homophobia, Terminal illness, Alcoholism, Abortion, Pregnancy, Racism, Domestic abuse, Rape, Death, Drug abuse, Alcohol, Mental illness, Sexual content, Addiction, Toxic relationship, Grief, Violence, Emotional abuse, Abandonment, Gaslighting, and Drug use
Moderate: Car accident and Classism
Minor: Misogyny, Transphobia, and Sexism
Rape is not discussed as a rape, but it is assumed.
Writers & Lovers by Lily King
emotional
funny
hopeful
inspiring
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
The setup: Casey Peabody is struggling. It's 1997 - she's in debt from a prestigious school where she intended to play golf on a scholarship, but that fell through. She's now working as a waitress at a fancy restaurant where many Harvard folks go and eat and talk, which usually makes her life a bit challenging. She's also wholly unraveling from her mother's death and a rather love bomb—a fallout from someone whom she developed feelings for quite quickly and thought was reciprocated until it wasn't. On top of that, she's trying to be a writer and seems to be just scraping by.
Casey is battling with the idea that you can be a creative and live happily - she's watched many friends give up their goals and dreams to do something to earn money or continue a status quo. We watch as Casey goes through life navigating the grief of her mother's death, her very complicated relationship with a distant father, working at the restaurant to ensure she pays her bills, trying to write a novel where she seems to get stuck, and navigate dating and falling in love after a rocky relationship. We see Casey trying to get her life together, even as she begins dating two different men and begins to conclude a book. It's about Casey's fictional life; I ate this one up!
What I loved: Lilly King can write a book, that's for sure. I was engrossed in Casey's life, particularly her writing journey and the idea that even back in 1997, living creatively can be painful in America. King could intersect grief, love, family, and mental health very well while still making a realistic story. It was nice to have more of a literary and contemporary fiction novel end on a relatively good note. While this was not a happy story, this book made me feel good, and I appreciated all the nuances King gave Casey and her little bubble of a life.
Lastly, it was satisfying to read a book about a thirty-something who navigated her youth and continued working through some past traumas and journeys as someone more mature. As someone around her age, that felt relatable, and overall, it was done well.
What could've made it five stars: This novel was a trope in itself—a white, sad, broke girl who takes on the city and tries to make it. These types of stories are really hit or miss for me, and while this hit, I still kept thinking about this trope/subgenre. I can't articulate it well, but we've read this story before. However, I will say that just because it has been done before doesn't mean I hated this book by any means.
Additionally, there were times when the writing tried to be a bit too profound, and Casey would go on with metaphors, similes, and analogies. Sometimes it was just a lot.
Lastly, while there was a focus on Casey's mom and how her death impacted her and continued to impact her, I felt disconnected from that narrative a bit because we didn't get a ton of information about the memories with her mom other than a bit of abandonment. It's a minor qualm because overall, I felt that everything was done well, including Casey's grief, but at times, it felt like King put this subplot in there to make Casey even sadder. While acceptable for a novel like this, its execution didn't always feel right.
Overall, I really enjoyed this novel and look forward to seeing what King puts out in the future!
Casey is battling with the idea that you can be a creative and live happily - she's watched many friends give up their goals and dreams to do something to earn money or continue a status quo. We watch as Casey goes through life navigating the grief of her mother's death, her very complicated relationship with a distant father, working at the restaurant to ensure she pays her bills, trying to write a novel where she seems to get stuck, and navigate dating and falling in love after a rocky relationship. We see Casey trying to get her life together, even as she begins dating two different men and begins to conclude a book. It's about Casey's fictional life; I ate this one up!
What I loved: Lilly King can write a book, that's for sure. I was engrossed in Casey's life, particularly her writing journey and the idea that even back in 1997, living creatively can be painful in America. King could intersect grief, love, family, and mental health very well while still making a realistic story. It was nice to have more of a literary and contemporary fiction novel end on a relatively good note. While this was not a happy story, this book made me feel good, and I appreciated all the nuances King gave Casey and her little bubble of a life.
Lastly, it was satisfying to read a book about a thirty-something who navigated her youth and continued working through some past traumas and journeys as someone more mature. As someone around her age, that felt relatable, and overall, it was done well.
What could've made it five stars: This novel was a trope in itself—a white, sad, broke girl who takes on the city and tries to make it. These types of stories are really hit or miss for me, and while this hit, I still kept thinking about this trope/subgenre. I can't articulate it well, but we've read this story before. However, I will say that just because it has been done before doesn't mean I hated this book by any means.
Additionally, there were times when the writing tried to be a bit too profound, and Casey would go on with metaphors, similes, and analogies. Sometimes it was just a lot.
Lastly, while there was a focus on Casey's mom and how her death impacted her and continued to impact her, I felt disconnected from that narrative a bit because we didn't get a ton of information about the memories with her mom other than a bit of abandonment. It's a minor qualm because overall, I felt that everything was done well, including Casey's grief, but at times, it felt like King put this subplot in there to make Casey even sadder. While acceptable for a novel like this, its execution didn't always feel right.
Overall, I really enjoyed this novel and look forward to seeing what King puts out in the future!
Content Warnings
Graphic: Death of parent, Toxic relationship, Medical content, Sexual assault, Mental illness, Grief, Medical trauma, Panic attacks/disorders, and Pedophilia
Moderate: Abandonment, Cancer, Gaslighting, Cursing, Infidelity, Misogyny, and Sexual content
Minor: Suicidal thoughts, Self harm, and Infertility
The Sword of Kaigen by M.L. Wang
adventurous
challenging
dark
emotional
inspiring
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
6/5 stars. This novel is a testament to the author's skill, delivering a devastating and poignant yet beautifully written story that will leave a lasting impact.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
The Setup: Mamoru is a Matsuda. Meaning he was born into a line of people resembling gods. Matsudas possess a unique magic form called jijaka, someone able to control water. Well, those in Kaigen can all be jijakalu, but Matsudas have the unique ability to take their control of water even further and take water molecules to make something called a Whispering Blade, a sword of ice that can cut through literally anything. Matsuda boys and men are trained early as warriors, serving the Kaigen empire wholeheartedly and rigidly. They live and train on the Kusanagi Peninsula, known as the Sword of Kaigen, and are the first to defend the Empire's enemies. Mamoru is fourteen, in school, and is one of the best warriors of his age. Thankfully, "warrior" is more of a title than anything; Kaigen and the rest of Danu, the world everyone lives in, have maintained peaceful relations, and there hasn't been a war since the Keleba, the only war that occurred in Danu's history. Mamoru is going to school, hanging out with his friends, trying not to fall asleep in history class, and, of course, training. He is determined to master the Whispering Blade and be the youngest to do so. Therefore, much of his time is spent mastering his jiya and trying to prove to his father that he is focused and talented.
In tandem, Misaki, Mamoru's mother, is battling fifteen years of, for lack of better words, boredom and anger. Misaki was also a warrior, as she spent her teenage years at a school in Carytha, another country in Danu, mastering her jiya and another magic: Blood Needle, the ability to control a small amount of the blood inside their victim's body and freezes it in the shape of a needle. This jijaka technique is specific to the Tsusano family, Misaki's bloodline before she married a Matsuda. She spent time at this school mastering her sword skills and even partnered with a crew of kids her age to fight crime. However, Misaki is from Ishihama, a town in Kaigen, meaning that she knew that her main role in life would be to marry into a powerful bloodline and bear his children, specifically sons. She made the incredibly challenging choice once she was of age to stay back on Kaigen and marry Takeru Matsuda. But life is not easy, and she struggles without a sword on her hip.
The narrative delves into the emotional journeys of both Mamoru and Misaki, revealing Mamoru's battles with new revelations about his assumptions and preconceptions of the Kaigen empire, and Misaki's life as a housewife and a mother, with glimpses of her past at school. The story then weaves in Duna unrest, suggesting that peace may soon become a distant memory.
What made this six stars? I'm having a hard time explaining what made this a phenomenal book. It was NOT a good time, I can tell you that! I cried MULTIPLE times in this book, which generally does not happen to me and hasn't happened since The Nightingale by Kristen Hannah. M.L. Wang is clearly a powerful and amazingly talented writer - her prose isn't fluffy; it's straight to the point and makes you feel like you are living at the Sword of Kaigen with the small community. I would not suggest picking this up if you want atmospheric or whimsical writing. Wang is literal yet still poignant and dives into challenging topics like misogyny, classism, and war. It was beautiful, yet sharp and harsh, and I loved it so much.
So, I generally prioritize character layers and development over everything else. Do not get me wrong, the plot and world-building must be there! However, there is something so beautiful about connecting with characters, regardless of whether they are the protagonists, antagonists, or morally gray folks. This book did that so well. Mamoru and Misaki are beautifully written characters with many layers, conflicts, and flaws. The other characters, specifically Setsuko, Takashi, Hyori, Chul-Hee, and Robin, were also fantastically written. Additionally, I could write multiple paragraphs about Takeru Matsuda - Mamoru's father and Misaki's husband - what a character! Everyone was their own character, and I love nothing more than relating to many characters and seeing them go on their journeys.
Now, technically, Wang's 100-page (or so) action scene was unbelievable. Actually, unbelievable. I've never read an action scene like this one before. I was immersed, captivated, and absolutely DEVASTATED during it. I honestly couldn't put my book down. This gruesome portrayal of battle was incredibly done, even though it was hard to read.
Lastly, this was such a well-done magic system, world, and plot. It takes a slightly different approach to war, combining some politics, war potential, and the aftermath of battle.
While this book was incredible, please know you will be angry. Kaigen was awfully sexist and misogynistic - it was a patriarchal society where women had to watch what they said to their husbands, let alone fight in battle. It can be challenging to read, but it made you appreciate Misaki and her wonderful friends even more. The balance Misaki portrayed as a mother and a warrior was unique, and her relationship with her husband, Takeru, was incredibly layered. However, unlike other fantasy novels with a main female protagonist, this one doesn't have the nice, neat power ending we're used to, and it may frustrate you. As someone who cares deeply about feminism, this should have angered me, but Wang portrayed all of this in an incredibly realistic way and therefore didn't make the story seem to go into a 180 abruptly.
I have no criticism. At all. You may and I get that, but I don't. What an incredible ride - Wang will be an auto-buy author for me. I've read Blood Over Bright Haven, which I LOVED, and I can't wait to see what else Wang comes out with. I am so thankful for this novel, yet now it is time for a fluffy and light book where I shed no tears.
Content Warnings
Graphic: Sexual violence, Sexism, Blood, Kidnapping, Miscarriage, Misogyny, Fire/Fire injury, Gore, Injury/Injury detail, Pregnancy, War, Death, Murder, Suicidal thoughts, Child death, Classism, Physical abuse, Rape, Suicide, Toxic relationship, Violence, Vomit, Emotional abuse, and Grief
Moderate: Genocide, Gaslighting, and Confinement
Minor: Cursing
Please, please, please take some of these triggers seriously. M.L. Wang does a phenomenal job with action scenes, but they involve lots of detail about injuries and death, including for literal children. Please take care.
Shark Heart: A Love Story by Emily Habeck
Overall, this book stood out for its unique narrative style, weaving battles of grief, illness, transformation, and change into a tapestry of strange yet poignant events.
The Setup: Wren and Lewis have been married for an extremely short period of time when Lewis receives an unexpected diagnosis after experiencing some odd symptoms: Lewis is turning into a great white shark. Animal mutation is simply part of the story here, and mostly everyone knows someone who has transformed into an animal. There are hospitals for specific animal mutations - Lewis to go into Ocean 1 first. The novel is broken up into three parts: (1) The love story between Wren and Lewis and their journey from when Lewis receives his diagnosis to when he has to be released into the ocean, (2) A flashback from Wren's family and life before Lewis, and (3) Back to present day in Wren and Lewis's new lives. Some of the story is told in play form, and other parts are just plain ole' literary fiction.
What I Loved: Truly, this was one of the more unique stories I've read. Emily Habeck's prose was original and lovely. It seemed that she had a love for poetry and theater and wove those into the sentence structure here. I did have some minor qualms with it along the way, but I truly loved her unique voice and the storytelling. This novel was innovative and intriguing and kept me vested. The characters had distinct voices and their own personalities (which I always look for in books), and I felt their emotions and overall development throughout the novel. The idea of animal mutation was something I hadn't read about before; I appreciated the thoughtfulness around this illness and how it could be connected with plenty of our own diseases (e.g., Alzheimer's, dementia, cancer, etc.) in this world. This story tugged heavily on my heartstrings and made me think a lot about love and change and family and personal growth. I really, really enjoyed this book and believe that it will sit with me for a long time.
What Kept It From 5 Stars? This is likely a me thing, but I sometimes struggle with literary fiction. I find this hard to do, and rarely can an author ultimately achieve it if they are writing literary fiction - sometimes, the sentences and flow feel forced. It's like Emily Habeck was trying deeply to be profound. A dramatic flare popped up every so often where I didn't think it needed to. While I loved the prose, don't get me wrong, once in a while, I wanted to be like, "It's not that deep, Emily Habeck." It was rare enough that it didn't impact the entire reading experience, and once again, overall, I enjoyed this book. However, it was still there, lurking every so often.
I will put a spoiler on this because while I found it predictable, it isn't the most obvious: The pregnancy at the end of the book was an interesting choice. While I could see why it was important and something our main character, Wren, grappled with even towards the end of Lewis's diagnosis, it felt slightly forced. I generally don't like unexpected pregnancies in novels, and while this one made a bit more sense, I still felt like it was just "eh." Ultimately, it only impacted my rating a little because I enjoyed watching Wren's daughter grow up a bit.
Please know BEFORE reading this story - if you are very much into Science Fiction, Fantasy, Speculative Fiction, or the intricacies/details of Magical Realism, and you expect this book to scratch that itch - it WON'T! This is a literary fiction book at its core, and I am finding some reviews of people who didn't enjoy this book that much because they had the wrong expectations of it. I went in knowing it was literary fiction very well; therefore, I think that mindset helped my overall experience with the book. Yes, it had a bit of a magical realism component, but it's not detailed or explained - it's just part of the narrative—food for thought as you decide if you want to read this book. I still recommend you do it because it's excellent!
Overall, I thoroughly enjoyed this book and found myself shedding some tears, laughing at moments, and intrigued by the storytelling and closure. I found this to be quite well done for a debut novel, and I look forward to seeing what Emily Habeck comes out with next.
emotional
hopeful
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
"Will you let me stand beside you on your plot of earth? We'll tell the weeds to grow tall around our ankles, and when the wind gives us sycamore seeds, we'll raise them as sprouts, seedlings, saplings until they overpower, shade, and nurture us. Our trees will grow for two hundred years or more as our union becomes even more unquestionable and strong. Unquestionable because no one will remember a time when we were not creating our universe. Strong because trees two hundred years old have been great witnesses to it all. Then, one day, we’ll die gladly into the soil we shared, and fungi will take over what was once our bodies. Bouquets of mushrooms, little families, will mark the place of our lives.”
Overall, this book stood out for its unique narrative style, weaving battles of grief, illness, transformation, and change into a tapestry of strange yet poignant events.
The Setup: Wren and Lewis have been married for an extremely short period of time when Lewis receives an unexpected diagnosis after experiencing some odd symptoms: Lewis is turning into a great white shark. Animal mutation is simply part of the story here, and mostly everyone knows someone who has transformed into an animal. There are hospitals for specific animal mutations - Lewis to go into Ocean 1 first. The novel is broken up into three parts: (1) The love story between Wren and Lewis and their journey from when Lewis receives his diagnosis to when he has to be released into the ocean, (2) A flashback from Wren's family and life before Lewis, and (3) Back to present day in Wren and Lewis's new lives. Some of the story is told in play form, and other parts are just plain ole' literary fiction.
What I Loved: Truly, this was one of the more unique stories I've read. Emily Habeck's prose was original and lovely. It seemed that she had a love for poetry and theater and wove those into the sentence structure here. I did have some minor qualms with it along the way, but I truly loved her unique voice and the storytelling. This novel was innovative and intriguing and kept me vested. The characters had distinct voices and their own personalities (which I always look for in books), and I felt their emotions and overall development throughout the novel. The idea of animal mutation was something I hadn't read about before; I appreciated the thoughtfulness around this illness and how it could be connected with plenty of our own diseases (e.g., Alzheimer's, dementia, cancer, etc.) in this world. This story tugged heavily on my heartstrings and made me think a lot about love and change and family and personal growth. I really, really enjoyed this book and believe that it will sit with me for a long time.
What Kept It From 5 Stars? This is likely a me thing, but I sometimes struggle with literary fiction. I find this hard to do, and rarely can an author ultimately achieve it if they are writing literary fiction - sometimes, the sentences and flow feel forced. It's like Emily Habeck was trying deeply to be profound. A dramatic flare popped up every so often where I didn't think it needed to. While I loved the prose, don't get me wrong, once in a while, I wanted to be like, "It's not that deep, Emily Habeck." It was rare enough that it didn't impact the entire reading experience, and once again, overall, I enjoyed this book. However, it was still there, lurking every so often.
I will put a spoiler on this because while I found it predictable, it isn't the most obvious:
Please know BEFORE reading this story - if you are very much into Science Fiction, Fantasy, Speculative Fiction, or the intricacies/details of Magical Realism, and you expect this book to scratch that itch - it WON'T! This is a literary fiction book at its core, and I am finding some reviews of people who didn't enjoy this book that much because they had the wrong expectations of it. I went in knowing it was literary fiction very well; therefore, I think that mindset helped my overall experience with the book. Yes, it had a bit of a magical realism component, but it's not detailed or explained - it's just part of the narrative—food for thought as you decide if you want to read this book. I still recommend you do it because it's excellent!
Overall, I thoroughly enjoyed this book and found myself shedding some tears, laughing at moments, and intrigued by the storytelling and closure. I found this to be quite well done for a debut novel, and I look forward to seeing what Emily Habeck comes out with next.
Content Warnings
Graphic: Pregnancy, Suicide attempt, Medical content, Self harm, Injury/Injury detail, Alcoholism, Emotional abuse, Suicidal thoughts, Terminal illness, Mental illness, Toxic relationship, Violence, Domestic abuse, Grief, and Adult/minor relationship
Moderate: Gaslighting and Blood
Stardust by Neil Gaiman
adventurous
funny
hopeful
inspiring
lighthearted
relaxing
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.5
A cute little adult fairy tale!
The Setup: Most of the novel follows Tristran Thorn, a mere 16 or 17-year-old boy who inevitably falls in absolute love with some random neighborhood gal. While walking with Victoria Forrester, said random neighborhood gal, he desperately wants to kiss her, or marry her, or something. He'll take anything! She declines any and all of those things, though, of course, because she's a propah lady! However, after they both see a shooting star seemingly fall in the distance, Victoria states if Tristran goes to find the star and brings it back to her, he can have what he wishes. Tristran sets on a quest to find this star to get the gal!
We watch as Tristran ventures beyond the wall of Wall (yes, the literal town he lives!) to fairie land, somewhere with loads of mythical and exciting creatures and beings. He meets a small hairy fellow, a couple of witches, an entertaining captain of the skies, a unicorn, and thelovely witty fallen star Yvaine. Along the way, he learns a lot about himself, meets some interesting (and sometimes deadly) beings, and even learns a little bit about his own past. It's quite an adventure!
What I Liked: Neil Gaiman has a way of writing. It's a little bit like Yoda-speak but more tolerable and enjoyable. I've read some of Gaiman's graphic novel works, and he has a beautiful way with words. I loved the prose and PLOT! The plot was just lovely. Gaiman has a very profound talent for turning myths and legends into complex and intriguing fantasy plotlines, and this was no different. I fell along for the ride with Tristran and Yvaine and thoroughly enjoyed all their obstacles and encounters. Additionally, it was sometimes quite funny, and I laughed out loud in some parts. Overall, this was a fun book. It was reminiscent of a cozy fantasy, except there was some violence and death, and the stake was relatively high. So, in reality, it was not. However, it did have many of those vibes throughout the novel. I found Tristran to be a ding dong, but he was supposed to be, which made the story believable.
What Didn't Work: As much as I enjoyed the premise, even if it was based on a silly little love story, I felt the character development was pretty lacking. I know this book wasn't necessarily about the characters. It was so clear that Gaiman's strength was in his storytelling and retelling of the myth(s). I appreciated that! However, I had a very challenging time connecting with the characters, leading me to not care about their own character stories. The love story (not the one you're probably thinking!) was just alright to me, even if, at times, the banter was semi-funny. Additionally, I felt the 85-90% mark was a little bit rushed, and the characters didn't have time to express feelings, but the end was fitting and pretty interesting.
Overall, I took this book at face value. Gaiman did an excellent job retelling myths and conjuring up a well-rounded story. I enjoyed myself and plan to read more of his work.
The Setup: Most of the novel follows Tristran Thorn, a mere 16 or 17-year-old boy who inevitably falls in absolute love with some random neighborhood gal. While walking with Victoria Forrester, said random neighborhood gal, he desperately wants to kiss her, or marry her, or something. He'll take anything! She declines any and all of those things, though, of course, because she's a propah lady! However, after they both see a shooting star seemingly fall in the distance, Victoria states if Tristran goes to find the star and brings it back to her, he can have what he wishes. Tristran sets on a quest to find this star to get the gal!
We watch as Tristran ventures beyond the wall of Wall (yes, the literal town he lives!) to fairie land, somewhere with loads of mythical and exciting creatures and beings. He meets a small hairy fellow, a couple of witches, an entertaining captain of the skies, a unicorn, and the
What I Liked: Neil Gaiman has a way of writing. It's a little bit like Yoda-speak but more tolerable and enjoyable. I've read some of Gaiman's graphic novel works, and he has a beautiful way with words. I loved the prose and PLOT! The plot was just lovely. Gaiman has a very profound talent for turning myths and legends into complex and intriguing fantasy plotlines, and this was no different. I fell along for the ride with Tristran and Yvaine and thoroughly enjoyed all their obstacles and encounters. Additionally, it was sometimes quite funny, and I laughed out loud in some parts. Overall, this was a fun book. It was reminiscent of a cozy fantasy, except there was some violence and death, and the stake was relatively high. So, in reality, it was not. However, it did have many of those vibes throughout the novel. I found Tristran to be a ding dong, but he was supposed to be, which made the story believable.
What Didn't Work: As much as I enjoyed the premise, even if it was based on a silly little love story, I felt the character development was pretty lacking. I know this book wasn't necessarily about the characters. It was so clear that Gaiman's strength was in his storytelling and retelling of the myth(s). I appreciated that! However, I had a very challenging time connecting with the characters, leading me to not care about their own character stories. The love story (not the one you're probably thinking!) was just alright to me, even if, at times, the banter was semi-funny. Additionally, I felt the 85-90% mark was a little bit rushed, and the characters didn't have time to express feelings, but the end was fitting and pretty interesting.
Overall, I took this book at face value. Gaiman did an excellent job retelling myths and conjuring up a well-rounded story. I enjoyed myself and plan to read more of his work.
Content Warnings
Graphic: Blood, Violence, Death, Fire/Fire injury, Injury/Injury detail, Animal death, Gore, Murder, and Slavery
Moderate: Death of parent and Sexual content
Minor: Abandonment
Wild Flowers, Electric Beasts by Alina Leonova
Did not finish book. Stopped at 23%.
Did not finish book. Stopped at 23%.
I was very happy to have won a Kindle version of this book off Storygraph a StoryGraph Giveaway a while ago.
I started this book and got nearly 100 pages in, and I just can't do it. The prose is a bit choppy, with many exclamation marks, and I just couldn't get into the characters. There also was a decent lack of plot development.
I loved the idea in theory - these are two perspectives told in very different worlds, but I simply wasn't getting hooked. Therefore, I just decided to throw in the towel and move on. I feel bad about it, but I made up my mind in 2024 - more DNF'ing books that aren't doing it for me.
I started this book and got nearly 100 pages in, and I just can't do it. The prose is a bit choppy, with many exclamation marks, and I just couldn't get into the characters. There also was a decent lack of plot development.
I loved the idea in theory - these are two perspectives told in very different worlds, but I simply wasn't getting hooked. Therefore, I just decided to throw in the towel and move on. I feel bad about it, but I made up my mind in 2024 - more DNF'ing books that aren't doing it for me.