annoyedhumanoid's reviews
152 reviews

Know My Name by Chanel Miller

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emotional hopeful inspiring reflective sad slow-paced

5.0


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Civilizations: Culture, Ambition, and the Transformation of Nature by Felipe Fernández-Armesto

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challenging informative slow-paced

2.25


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README.txt: a Memoir by Chelsea Manning

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dark informative reflective medium-paced

4.75

intensely readable but i would have liked more. fuck the DOD for the redactions. the craziest part is that they PUT HER BACK IN JAIL for another year, not mentioned in the book. the injustice she faced/faces is so flagrant you almost forget the US has a constitution meant to protect against it

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Heartstopper Volume 5 by Alice Oseman

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emotional funny hopeful medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

4.5

A Man Called Ove by Fredrik Backman

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emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.25

Ove grew on me slower than the author intended to but by the end i guess he's okay…

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Africa Is Not A Country: Breaking Stereotypes of Modern Africa by Dipo Faloyin

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funny hopeful informative medium-paced

4.0

i want to see a heist movie targeting the british museum (or a documentary, for motivated individuals)

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The Rachel Incident by Caroline O'Donoghue

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emotional funny hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

the bridge of "You're On Your Own, Kid" by Taylor Swift, excerpted here for your reading pleasure:
The jokes weren't funny, I took the money
My friends from home don't know what to say
I looked around in a blood-soaked gown
And I saw something they can't take away
'Cause there were pages turned with the bridges burned
Everything you lose is a step you take
So make the friendship bracelets, take the moment and taste it
You've got no reason to be afraid
[…]
You're on your own, kid
You always have been

i'm not sure if i didn't like the ending or if i just didn't want it to end.

i'm also conflicted on the narrative structure of being told through memory with reflections and commentary peppered in. it obviously allows for deeper, more mature insight, as well as effective foreshadowing, but oftentimes it was along the lines of "i was so stupid then" which like, show don't tell, and we're definitely sufficiently shown. which i don't think is a bad thing! but i know for others it is, and so this setup feels like a concession to the crowd that can't stand, for example, Sally Rooney novels because her twenty-something young women characters are annoying or self-involved or clueless (for example, from a review of Conversations with Friends: "One of the most pretentious and self absorbed gen-z/millenial 'I am a suffering artist who is better than anyone else' main characters. Something about the damaged female writer character that is really trying my patience these days"). i am a strong advocate for allowing women characters to be annoying and self-involved and clueless. that's not to say you have to enjoy reading about them, but i don't like media catered to people who believe otherwise; just count them out of your intended audience. so the narration winds up feeling to me like a lampshading cop-out.

big thought out of the way, yeah i loved this, a truly funny in-depth character study showing significant growth and change. i fell in love with Rachel and James (Devlin; Carey is fine). storygraph was spot-on with this recommendation, thanks babe <3

miscellaneous: i was happy to see Rachel become friends with other women by the end. being surrounded almost exclusively by men for that long cannot be good for one's mental health

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The Mystery Guest by Nita Prose

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hopeful mysterious reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.75

so slow paced. i didn't mind the timeline alternating between past and present, but maybe if there was actually anything happening in the present for the first half of the book it wouldn't have felt like a slog. i liked that this installment was more explicit about Molly being neurodivergent, rather than like "oh she's just a little quirky"; the representation was nice. other than that, i don't really see what the point was. i feel like we could have left things at the first book. it was weird that
Juan Manuel was absent the entire time, what was that for? i thought it was leading up to a reveal that he was evil. it felt like the author regretted making the two a couple at the end of the last book and dealt with it by just shipping him off to Mexico
. unfortunately i didn't get much out of this book

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First Kill by V.E. Schwab

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adventurous dark medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

i feel like it's more a proof of concept for an adaptation, e.g., a netflix show. but knowing said show got canceled, i'm not sure i want to invest in it

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The Very Nice Box by Eve Gleichman, Laura Blackett

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hopeful reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

(vague spoilers about the premise)
this doesn't really become a thriller until over three-fourths of the way through—before then it's more contemporary relationship fiction. but i think it was necessary, for the most part, and actually really well done. even though i knew from the blurb and other reviews that the love interest was not to be trusted, i found myself won over by his charm just like our protagonist. and the thriller part was also very well executed. i enjoyed both aspects of the book.
as for its themes. the woes of corporate capitalism are played out in a nuanced subplot, but i wish it had a bigger role in the end, maybe somehow connecting back to Mat, like if he had been
one of the "Vandals"
(but like in a way that makes sense). or maybe i just want to see a man be the root of all evil

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