annoyedhumanoid's reviews
166 reviews

Africa Is Not A Country: Breaking Stereotypes of Modern Africa by Dipo Faloyin

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funny hopeful informative medium-paced

4.0

i want to see a heist movie targeting the british museum (or a documentary, for motivated individuals)

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The Rachel Incident by Caroline O'Donoghue

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emotional funny hopeful reflective medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

the bridge of "You're On Your Own, Kid" by Taylor Swift, excerpted here for your reading pleasure:
The jokes weren't funny, I took the money
My friends from home don't know what to say
I looked around in a blood-soaked gown
And I saw something they can't take away
'Cause there were pages turned with the bridges burned
Everything you lose is a step you take
So make the friendship bracelets, take the moment and taste it
You've got no reason to be afraid
[…]
You're on your own, kid
You always have been

i'm not sure if i didn't like the ending or if i just didn't want it to end.

i'm also conflicted on the narrative structure of being told through memory with reflections and commentary peppered in. it obviously allows for deeper, more mature insight, as well as effective foreshadowing, but oftentimes it was along the lines of "i was so stupid then" which like, show don't tell, and we're definitely sufficiently shown. which i don't think is a bad thing! but i know for others it is, and so this setup feels like a concession to the crowd that can't stand, for example, Sally Rooney novels because her twenty-something young women characters are annoying or self-involved or clueless (for example, from a review of Conversations with Friends: "One of the most pretentious and self absorbed gen-z/millenial 'I am a suffering artist who is better than anyone else' main characters. Something about the damaged female writer character that is really trying my patience these days"). i am a strong advocate for allowing women characters to be annoying and self-involved and clueless. that's not to say you have to enjoy reading about them, but i don't like media catered to people who believe otherwise; just count them out of your intended audience. so the narration winds up feeling to me like a lampshading cop-out.

big thought out of the way, yeah i loved this, a truly funny in-depth character study showing significant growth and change. i fell in love with Rachel and James (Devlin; Carey is fine). storygraph was spot-on with this recommendation, thanks babe <3

miscellaneous: i was happy to see Rachel become friends with other women by the end. being surrounded almost exclusively by men for that long cannot be good for one's mental health

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The Mystery Guest by Nita Prose

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hopeful mysterious reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? It's complicated
  • Flaws of characters a main focus? Yes

2.75

so slow paced. i didn't mind the timeline alternating between past and present, but maybe if there was actually anything happening in the present for the first half of the book it wouldn't have felt like a slog. i liked that this installment was more explicit about Molly being neurodivergent, rather than like "oh she's just a little quirky"; the representation was nice. other than that, i don't really see what the point was. i feel like we could have left things at the first book. it was weird that
Juan Manuel was absent the entire time, what was that for? i thought it was leading up to a reveal that he was evil. it felt like the author regretted making the two a couple at the end of the last book and dealt with it by just shipping him off to Mexico
. unfortunately i didn't get much out of this book

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First Kill by V.E. Schwab

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adventurous dark medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

i feel like it's more a proof of concept for an adaptation, e.g., a netflix show. but knowing said show got canceled, i'm not sure i want to invest in it

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The Very Nice Box by Laura Blackett, Eve Gleichman

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hopeful reflective tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.0

(vague spoilers about the premise)
this doesn't really become a thriller until over three-fourths of the way through—before then it's more contemporary relationship fiction. but i think it was necessary, for the most part, and actually really well done. even though i knew from the blurb and other reviews that the love interest was not to be trusted, i found myself won over by his charm just like our protagonist. and the thriller part was also very well executed. i enjoyed both aspects of the book.
as for its themes. the woes of corporate capitalism are played out in a nuanced subplot, but i wish it had a bigger role in the end, maybe somehow connecting back to Mat, like if he had been
one of the "Vandals"
(but like in a way that makes sense). or maybe i just want to see a man be the root of all evil

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The Happy Couple by Naoise Dolan

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funny reflective medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

+3 stars for references to Taylor Swift and Mitski
+2 stars for an enjoyable, genuinely funny cohesive collection of character studies that each serve an overarching plot. (Phoebe is my favorite, she's just like me for real—which is exactly what i said about the narrator of Dolan's first novel, Exciting Times.)
-1 star for the awkward length, about halfway between a novel and a novella. there was very little plot progression compared to character development, which isn't inherently bad, but it felt like the story stood in place while we re-litigated every character's past. if it's between being longer with more plot or shorter with less character development, and as someone storygraph brands as "Typically choos[ing] fast-paced books that are <300 pages long", you can imagine i would advocate for the latter. the obvious one to go is Vivian—i don't really know why she got her own part in the first place, except i suppose that what plot it did have couldn't have been told through Luke's because his took the format of groom speech drafts.* i appreciated her outlook on life but it felt only tangentially connected to the rest of the book. i do recognize, though, that her character is the only woman explicitly said to be a person of color, leaving a hole in her absence. it's a difficult predicament then, for which i don't have a good solution that doesn't completely deviate from the author's intent. obviously none of this matters or will ever happen, i just like thinking about how to create the (probably nonexistent) "perfect story".
*+0.5 stars for the very fun format at times. the tables? yes please! tabularly-formatted data is so pleasing to me.
and if you haven't been keeping track, that's 3+2-1+0.5, which comes out to 4.5 stars.

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The Vegetarian by Han Kang

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challenging dark slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

1.0

i am really trying to think if there's anything i got out of this book, and i'm coming up blank.
i can't even say it was interesting because i was often bored. it was undeniably disturbing, but that alone doesn't make for a good read. it often read like, "they did this. then they did this. this is what they did." the writing fell so flat that i didn't highlight a single passage. and maybe it went over my head but i couldn't extract any meaning from it, either. after reading others' reviews, none of the mentioned themes held any weight for me, except for patriarchy. just an unpleasant, unenlightening slog. it earned one star because the first part of the three was my favorite, and at least i can say i have a favorite, even though i wouldn't say it was good.

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Blood Water Paint by Joy McCullough

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emotional sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

4.5

undeniably a very powerful and harrowing story. i enjoyed the weaving of biblical stories. i just think that the verse aspect was underused; it had no bearing on the text except for a few occasions where the author played with the shape (like to funnel the text down to a "vanishing point").

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Eleanor Oliphant Is Completely Fine by Gail Honeyman

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emotional hopeful sad medium-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.75

Raymond is the only good man

on a serious note, it was nice to see someone get better.

I took one of my hands in the other, tried to imagine what it would feel like if it was another person’s hand holding mine. There have been times when I felt that I might die of loneliness. People sometimes say they might die of boredom, that they’re dying for a cup of tea, but for me, dying of loneliness is not hyperbole. When I feel like that, my head drops and my shoulders slump and I ache, I physically ache, for human contact—I truly feel that I might tumble to the ground and pass away if someone doesn’t hold me, touch me.

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Old Enough by Haley Jakobson

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emotional hopeful fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? No

3.25

i should have really liked this but i just didn't jive with the writing style. also what ever happened to Josh?

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