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bandysbooks's reviews
155 reviews
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Lucky Girl follows a young, sheltered Kenyan woman named Soila as she attends school in the US. She's mostly been raised by her very conservative mother and aunties. As she explores life in the US, she finds things are quite a bit different than she imagined. There is a bit of conflict between her new life and the one she left behind in Kenya.
Soila was great main character because she was relatable in a lot of ways. We see her dealing with the pressures of school, relationships, and family. It all makes sense with who she is supposed to be and where she is coming from. Her reactions to some of the trauma she's experienced were relatable as well.
I loved the inclusion of Kenyan culture. There were a couple parts that explained Maasai wedding traditions and how they differ from other cultures. I thought this was particularly interesting. And though I didn't always agree with her mother's desire to control things, I did think it was interesting to see what was expected of her as a daughter.
I also really liked that love and romance is a part of this story, but it isn't all rainbows and sunshine. We see difficulties because of cultural expectations on both sides of the relationship, but ultimately the two characters work through them. This struck me as really authentic.
All in all, if you are a fan of Maame by Jessica George, A Daughter In Exile by Bisi Adjabon, or American Street by Ibi Zoboi, you will likely enjoy this book too. It has similar themes and delves deeply into the struggles that come with immigration.
*Thank you to Netgalley, Irene Muchemi-Ndiritu, and Dial Press for the E-ARC of this book. This in no way affects the objectivity of my review.
Moderate: Sexual assault
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
And Agatha...She is a supporting character. Sort of a friend and caregiver to Mamie. While I at times enjoyed their relationship, I also disliked parts of how Agatha was written. This could partially be due to the person narrating the audiobook, but she felt like she had no real identity. We don't know where she's from. She speaks with a vague accent. She uses snippets from various languages. It felt a bit stereotype-y and uncomfortable.
5.0
I did listen to this book on audiobook and I felt that the audio was very well done. Sometimes non-fiction can be a bit dry, but this was narrated well, super compelling, and kept me interested in learning more.
Graphic: Child death, Rape, Child abuse, Classism, Blood, Chronic illness, Colonisation, Death, Death of parent, Slavery, Violence, Abandonment, Pregnancy, Torture, Terminal illness, Emotional abuse, Gore, Physical abuse, Grief, Medical content, Police brutality, Sexual assault, Injury/Injury detail, Medical trauma, Misogyny, and Pandemic/Epidemic
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
This book centers around Clover, a socially isolated woman who works as a Death Doula. As someone who is chronically stoic around death, I found Clover to be a refreshing character. She isn't overly emotional or full of flat platitudes about the next chapter in life. Instead, she is a real person focused on providing real comfort to people as they live out their last days. I also really found myself relating to her in a social sense. While I am not quite as isolated as she is in the start of the book, the segments of this book relating to her childhood and not understanding why people don't like her really hit home in a deep way. I'm sure most people relate to those moments to some degree as we all experience rejection in life.
As someone who is not at all a romance reader, I was a bit nervous when this book started to verge into the romance territory, especially the love at first sight trope. There was no need to worry though, as the romance was tastefully done and only a minor part of a much larger picture.
The main portion of the plot revolves around wish resolution for a dying client and while I did at times find myself a bit worried that it would delve into cliches, the book thankfully avoided most major tropes. Clover isn't magical and able to fix every wound. She doesn't snap her fingers and cause a dysfunctional family to start behaving in a more functional way. She just provides comfort and safety for the people who allow her to and I really liked that.
All in all, if you like contemporary fiction with a very relatable character, a sprinkle of romance and a lot of meaning, I think you'll enjoy this book.
The audiobook narration was well done. I found the narrator's voice to fit the story she was telling. She read very smoothly and was easy to understand.
* Thank you to Netgalley, Mikki Brammer, and St. Martin's Press for the Audio-ARC of this book. This in no way affects the objectivity of my review.
Moderate: Abandonment, Bullying, Death, Death of parent, and Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The thing that I think this book does best is illustrate what it is like to be a first generation child and be torn between the culture you were born into and the one that your parents grew up with. Melony's desire for more freedom and to be more like her American classmates really resonated with me. I grew up in a community of mostly immigrant families and I saw this exact scenario play out quite often. Her desire for independence and trust really butts up against her parents' expectation that she be obedient and passive.
The Amanjaku was an interesting character, but I did find myself wishing the book had delved into his myth a bit more. He sort of arrives suddenly and Melony accepts him without much question. I know she's feeling rebellious and he feeds into that, but she's also a clever and thoughtful girl, so I'm surprised she didn't question things a bit more. I also was a bit confused by some of the things that happened toward the end. Perhaps, as an adult I see some holes that a younger reader might not pick up on as much?
I did really enjoy the exploration of Japanese culture and mythology. I loved the inclusion of social norms, expectations, foods, sayings, etc. It really helped me to understand who this family was and where the parents were coming from in restricting Melony.
All in all, if you are a big fan of middle grade books or have a middle grade reader who enjoys myths, I think this would be a fun read. I think it might be particularly poignant for children who are the kids of immigrants as they may relate to some of Melony's struggles.
*Thank you to Netgalley, Waka T Brown, and Quill Tree Books for this E-ARC. This in no way affects the objectivity of my review.
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Let me start with the positives....
I really enjoyed the mix of science and religion in this book. We have a villain who is a scientific mind, but becomes convinced that God is sending him signs. The more he comes to believe that he's divinely chosen, the more he loses sight of logic and his morality. I thought that was explored well and in some ways relevant to some of the conflicts in the world today.
I also appreciated the look at women's roles in society. We have four strong, smart women who are basically held captive, sometimes figuratively and sometimes literally, by society's wants and needs. I thought this depiction was quite accurate to the times.
I also commend the author for coming up with a unique way to discuss medical development and experimentation in the 1800s. This is a concept that is explored a lot (The Way of All Flesh and Anatomy come to mind as recent examples), but this book takes a completely different approach. I didn't always love the choices the author made, but she certainly can't be accused of repeating previous narratives.
That said, there was a lot that didn't work for me..
While I love the idea of having four different women narrating the story, I felt that it wasn't executed as well as it could have been. Occasionally, the POVs sound too similar and at times it made the story a bit clunky.
There are some pretty graphic depictions of animal abuse and experimentation on a dog. I understand that that might be authentic to the times that this book is set in, but it sort of crops up (at least the first time) with zero warning. I'm not even someone who is particularly squeamish, but had I known that scene was coming I'd have skipped over it. While I get that the author was trying to show who this scientist was ethically, I don't really think such detailed scenes of animal cruelty were necessary. I think it was used for shock value more than anything.
The elements of magical realism (the women sprouting angel wings) were interesting, but only explained in the vaguest of possible ways. There was some insinuation that the wings crop up due to extreme emotional duress, but it's never explained how or why. Is this an act of God? Is this a genetic anomaly? Why does it only happen to some women instead of all women who have suffered severe trauma? I wish the book had gone further in explaining what was happening.
The previous paragraph is quite funny when you consider that otherwise, the telling and explaining was quite heavy handed. We are spoon fed a lot of details about the setting, the characters, and the villain. It's only when it comes to the magical realism that the flow of information dries up. This is one of those cases of the book telling not showing overall.
And the conclusion...I got through the entirety of this book hoping that something profound would happen at the end to save it, but it was a fade to black for the most part. It sort of felt like the author was unsure of how to explain this magical element, so she just avoided it by giving us a vague ending.
All in all, if you enjoy historical fiction about the 1800s with magical realism elements, you might enjoy this one.
*Thank you to Netgalley, Liz Hyder, and Sourcebooks Landmark for the E-ARC of this book. This in no way affects the objectivity of my review.
Graphic: Misogyny, Injury/Injury detail, Kidnapping, Body horror, Confinement, Animal cruelty, Blood, Trafficking, Death, Medical content, Toxic relationship, Medical trauma, Physical abuse, and Torture
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Kantika is a multi-generational story about a Jewish family that spans a large chunk of time and several continents. We initially follow Rebecca, who comes from a well to do family in Istanbul. After financial difficulties, the family moves to Barcelona and further difficulties see Rebecca sent to New York (via Cuba) for a arranged second marriage. Rebecca finds herself with her hands full due to her young disabled step daughter who has previously been coddled and protected from the outside world.
First of all, I enjoyed Rebecca and Luna both as characters immensely. They are both stubborn and strong, but in different ways. I saw them as sort of parallels of each other and I think that's why Rebecca is so determined to help Luna succeed. All of the other characters were well done too, but Rebecca and Luna and their relationship really shines in particular/
I loved how this book discussed so many important topics. It covered immigration to the US in a way that was factual to the time, but also still resonates with modern day. It talked about the rising antisemitism across Europe and the fears that came with it. It talked about sexuality and the importance of honesty between romantic partners. It talked about the way we set expectations for people based on our perception of their abilities. I'm sure there were quite a few other important themes, but those were just a couple that stood out. This book was genuinely packed with meaning.
I'll admit that I was nervous when I saw how much time and how many places this book spanned, but my nerves were all for nothing. This was an extraordinarily ambitious project, but Graver managed it well. I never felt like the book dragged or got clunky. It included enough detail and time in each location to allow the reader to settle in.
One other thing that was a bonus for me was the inclusion of language. I have not had the chance to hear Ladino before, but as a fluent Spanish speaker, I found it easy to understand the phrases and songs written in Ladino. The differences in pronunciations and occasional unfamiliar words were so interesting and I could see all the ties into modern Spanish. I don't know if this would be quite so interesting for someone who does not speak Spanish, but I was pretty fascinated.
If I am nitpicking, the only real critique I have is that the first half of the book is perhaps a bit slower than the second half, but I personally did not see that as a problem. I enjoyed taking my time to understand who Rebecca was, what was going on, and the challenges she faced.
All in all, if you are a fan of character focused novels, multi-generational sagas and/or historical fiction, I highly recommend this book. I will certainly be on the lookout for books by Elizabeth Graver in the future.
As for the narration of the audiobook, I found it really well done. I can only base this comment on my fluency in Spanish and my understanding of how Ladino is different, but I thought the narrator sounded very good when pronouncing words in Ladino. It is not an easy task to switch back and forth between languages, but the narrator did it flawlessly. I also thought she brought all of the characters to life quite well. If you are a fan of audiobooks, I'd definitely recommend the audiobook version if only to hear the proper pronunciation.
*Thank you to Netgalley, Elizabeth Graver, and Metropolian Books for this Audio- ARC. This in no way affects the objectivity of my review.
Moderate: Grief, Sexual content, Ableism, Antisemitism, Confinement, Death of parent, Death, Injury/Injury detail, Pregnancy, and War
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.75
To start, I loved the characterization of Atalanta. She has been raised to be fierce and independent. She knows no limitations and so she is a very effective warrior. She's never been taught to think that a woman is somehow less capable, so she joins the Argonauts knowing that she will excel. The warning that Artemis gives her to take no husband seems logical, but as Atalanta explores the world, we see her struggle with her obligations to Artemis and the things she now wants as a human. I definitely think this was the strongest part of the book.
The plot was a bit of a let down for me. While there was a lot going on, it didn't feel like much of it was deeply explored. I expected the journey with the Argonauts to be more exciting, but somehow it felt like a secondary plot. There was a lot more time spent on the romance aspect and I think the action and timing suffered a bit because of it. I don't want to make this sound like it was terrible or anything. It was still an enjoyable story. It's just that comparative to Ariadne and Elektra, this one wasn't quite up to the same standard.
All in all, if you enjoy Greek mythology retellings, you'll likely find this one enjoyable as well. Atalanta is an interesting character and the story does move quickly.
As for the narration of the audiobook, I thought it was well done. It was easy to understand and I found the pacing to be typical for an audiobook. (I always speed them up.) It was easy to follow which characters were speaking and overall, I would recommend the audio option if you typically enjoy them.
3.75 Stars rounded up to 4
Moderate: Abandonment, Animal death, Grief, Misogyny, Death, Pregnancy, and Blood
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
1.0
I rarely say anything quite so direct in my reviews as I really hate to leave blatantly negative feedback, but the writing in this book was bad. Like bad enough that I wanted to DNF it. In fact, had I not been participating in a readathon where points were given for each book completed, I would have DNF'd it. I'm not going to write a long review tearing this to shreds, but suffice it to say the characters were not likeable or compelling, the plot was dull, and the pacing was slow as molasses.
My biggest issue with this book is the problematic portrayals of mental health, race, and body size. I'm not going to list everything out as it's already been done in other reviews. Frankly, it's 2023. Do better.
Usually, I would close this review by saying "If you like x,y, and z, you may enjoy this book", but I honestly can't think of anyone that would enjoy this book and I refuse to recommend a book with problematic representation (at least one that doesn't seem to be making a critique or at all self aware of said issues).
Additionally, I received an Audio-ARC of this book and was extremely frustrated when I found out it was literally a robot reading me the book. This Audiobook is unfinished and is impossible to review without a proper narrator. So imagine a choppy robotic voice reading a choppy, all over the place book with problematic representation. Yeah, it was not a good time. In the future, if I open audio-ARCs and they are narrated by a robot, it will be an automatic DNF for me.
*Thank you to Netgalley, Particia Ward, and Harper for the Audio-ARC of this book. Reception of an ARC in no way affects the objectivity of my review.
Graphic: Bullying, Domestic abuse, Emotional abuse, Gaslighting, Kidnapping, and Racism
5.0
I will say that there were some moments in this book that were very hard to read, but they are meant to be that way. When Geena is trapped into hiding her identity by the fear of losing her career, it feels like a gut punch. You want her to be able to be open and honest about who she is, but you also understand the risks that come with that honesty. Its heartbreaking and frustrating.
I also really loved the way that this book compared perspectives on Trans people in The Philippines versus in the United States. It was interesting that in The Philippines there was no legal recourse for gender or identity changes, but generally there is social acceptance where as in the US, there is legal recognition, but existing comes with the potential of physical danger, loss of jobs, and discrimination. We often think of the US as quite progressive, but this really highlighted how in a lot of ways we're still quite far behind.
And I loved the representation of Filipino culture in this book too. I grew up in a predominantly Filipino neighborhood in the States, so for me elements of this book reminded me a bit of home. In particular, I love the discussion of the role of Catholicism alongside Trans acceptance culturally. The discussion of beauty pageants as a national sport was also amusing/interesting.
All in all, if you want a look inside the world of modeling and pageantry, deep understanding of one individual Trans experience, and a bit of Filipino culture, you'll likely find this book enjoyable. Rocero is an excellent speaker and storyteller and her voice makes this a very enjoyable memoir.
*Thank you to Netgalley, Geena Rocero, and Random House for the E-ARC of this book. Reception of an ARC in no way affects the objectivity of my review.
Graphic: Panic attacks/disorders, Transphobia, Dysphoria, Sexual content, and Medical trauma