booitsnathalie's reviews
94 reviews

The Lesser Bohemians by Eimear McBride

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dark slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.0

A really challenging read. The prose is astounding and some of the most beautiful writing I've ever read, but the narrative it's in service of is troubling. Broadly about how trauma becomes a constant lens through which you view relationships, and the difficulty of ever coming out of it, mediated through a 20 year age gap relationship. The degree to which the dynamics are addressed was never particularly satisfying to me, and becomes very explicitly romanticized as if the problems were purely historical.

There is so much I love about this book - its tenderness, intimacy, and willingness to engage bluntly with challenging topics - but by the end it becomes too infatuated with its characters to commit to the end that's coming. Will be thinking about it for a long time all the same, please do read the content warnings if you are considering picking this up.

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White Tears by Hari Kunzru

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dark mysterious slow-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

2.0


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The Luminous Dead by Caitlin Starling

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dark tense medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

3.5


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Normal People by Sally Rooney

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emotional reflective sad fast-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5

A compulsive and brutally nihalistic romance novel. This is my first Sally Rooney and not at all what I expected, but it's very easy to see why she has become so highly regarded. She writes her characters with such tenderness and empathy, in spite of their confounding decisions and cycles of self alienation. At the same time they possess an acute, almost meticulous physical awareness that nevertheless only makes their pain more acute.

This book is predominantly about an inability to connect to others, of superficial interactions insufficiently standing in for a deeper connection the two protagonists crave. The conclusions they arrive at are frustrating, but so deeply articulated that they make a sort of sense. Nobody is capable of unpacking their adolescent (and ongoing) trauma because it requires a vulnerability that frankly terrifies them. So they dissociate, attempt to mirror each other, cling to the closest approximation of happiness they can find. It is unrelentingly bleak and I admire the willingness to refuse an easy resolution.

The degree to which this articulates an actual worldview of impossible codependency is murkier for me, with a lot of baggage of outdated psychology being inserted as an inherent cause of the isolation everyone feels (rather than, say, the class disparity that is crudely gestured at but far outside the novel's interests). I cannot begrudge it too much as it is well in line with characters who themselves have very little awareness of the reasons they are so unhappy, but I am skeptical about the ways that viewpoint inevitably gets expanded to be some sort of social truth.

Mostly I am surprised by the book's coldness. I devoured it in a few days and came away feeling profoundly empty. I do mean this as a compliment of sorts.

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The Stranger by Albert Camus

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challenging reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Flaws of characters a main focus? It's complicated

2.0

Read this while trying to work through my thoughts on Arrest of a Stone Buddha (a game that blends French nihilism with Hong Kong action... definitely an interesting combination). It's a very compelling and enraging book, I think if I'd read this as a depressed teen alongside Myth of Sisyphus it would have been an instant favorite.

A decade later I don't have much use for nihilism and find the exercise here cloying and unmoving. I will give it props for being the type of philosophy I so strongly disagree with that reading it does prompt me to think a hell of a lot about why I am so put off, which I suppose is the purpose of philosophy in a way.

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The Encounter by K.A. Applegate

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adventurous dark reflective sad fast-paced
  • Plot- or character-driven? Plot
  • Strong character development? Yes
  • Loveable characters? Yes

5.0


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Are You There God? It's Me, Margaret. by Judy Blume

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reflective fast-paced

3.5

This remains the defining coming of age story. Still the blueprint for movies like Lady Bird of Eight Grade, just a foundational text for people interested in grounded stories of adolescent ennui. Was shocked to see this came out in 1970, feels very daring for a children's book back then which tracks given people are still trying to get it banned today.

I am a sucker for religious uncertainty, struggling with femininity, and school drama so this ticks all the boxes. Margaret has a great voice that balances overly thoughtful narration with heaps of tween angst. Her titular reframe is initially a bit silly, but once the book begins to explore her anxieties around religion (stemming from pushy adults on all sides), it takes on a greater significance as it's clear her relationship with god means a lot to her despite having no name to put to it.

I do wish the emotional beats weren't reserved for the last 30 or so pages. Much of the book is straightforward scenes of children existing in fairly unremarkable ways (which is itself interesting), but a lot of the major threads go unresolved as there simply aren't enough pages to handle them once the ball starts moving. It has also aged quite severely in many places, which would be alienating enough if everyone wasn't also extremely rich.

Glad to have this as a reference text for similar media, and excited to check out the recent movie which seems to complete the circle of grounded coming of age stories that are maybe more popular than ever.
The Summer Book by Tove Jansson

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reflective sad slow-paced

3.0

A charming and reserved collection of vignettes wherein very little happens but everyone comes out a bit wiser. I have been a huge fan of Jansson's Moomin series for years and didn't realize until the introduction that this was also written by her (was looking for summer books and, well...). Her voice is very similar to her comics and still a delight, though I feel like something is lost without her illustrations. She has a way of describing the world like a depressed and cerebral child, whichs works amazing when paired with the silly Moomin designs but here just creates a sense of absence. In a way it's fitting for the themes of death, growing old, bodies wearing down, but feels more an accident of form than an intentional tone.

Was not quite the carefree summer getaway I was looking for, but I'm beginning to notice that most media centered around summer is almost by necessity a meditation on the passage of time and the implacable sadness that follows.

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Klara and the Sun by Kazuo Ishiguro

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hopeful mysterious sad medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Flaws of characters a main focus? No

3.0

Continuing to work my way through Ishiguro's bibliography in a completely arbitrary order. This touches on a lot of similar themes as Never Let Me Go - systemic caretaking, human costs of technology, being beholden to a world you barely understand - but with less clarity and emotional sophistication than made that book so exceptional.

It's quite interesting to see how in the 15 or so years, Ishiguro is now working through new concerns around AI and climate change as opposed to more allegorical technology. I think this one may end up aging better than I feel about it today, but I was left feeling like it never quite arrived at the ideas it was toying with. This is partially by design as it's told effectively from the perspective of a child, but even taken in perspective with the premise it's quite detached. In particular wish there was a bit more of an idea what this near future society is like. We hear about it in incongruous whispers but it ends up feeling like hypotheticals than anything coherent with the rest of the text.

An enjoyable read despite its frustrating inconclusions. Shockingly breezy for an Ishiguro book, I tore through this much faster than anticipated which may also speak to the reservations above.

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README.txt: a Memoir by Chelsea Manning

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challenging dark hopeful fast-paced

4.5


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