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bookforthought's reviews
711 reviews
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
So Gwyn is incredibly surprised when a delegation from her home comes to visit the Academy with Izzy accompanying them. Could this be their chance to mend their relationship, or will a dark secret tear everything apart?
Set in the same world as Carter's previous book, Spellbound, Honorbound is the perfect follow-up, even though it works truly well also as a standalone. The Academy is a fascinating setting without being so overly complicated that readers risk getting lost in it, making this a great book for readers approaching fantasy novels. The characters are charming and well-developed, especially the main character Gwyn. Her efforts to fit in delicately convey a meaningful reflection on belonging, and her struggles with insecurity, loneliness, friendship and love are very relatable, especially for a younger audience.
The book is described as a dark cozy academia fantasy and, while that may sound somewhat confusing at first, it is an accurate description. The stakes are moderately high, yet there is a pervasive coziness throughout the narrative and it is impossible not to become invested in the characters' struggles. For fans of the previous book, there are some very welcome returns but having read it is not a prerequisite in order to enjoy Honorbound.
Despite some small issues with pacing, with the last third or so of the book feeling slightly too rushed, this is a truly pleasant reading experience. Readers looking for an adventure that does not require excessive commitment on a cold winter evening (but that is nonetheless highly rewarding) will certainly find it here.
This review was originally published on Reedsy Discovery.
I received an e-arc of this book for free via Reedsy Discovery. This did not affect my opinion of the book in any way.
Graphic: Death and Violence
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.0
Of course. I understand the rules for women in Athens: always keep your eyes cast down, as if ashamed", her voice strengthened as she spoke, "always you must walk behind, as if you needed guidance; always be veiled, as if you carried the plague; never have an opinion, as if you were a child.
In this context, Aspasia is a truly fascinating figure: a foreigner with a past as a sex-worker who became the only woman in Socrates's circle, debating with the wisest men of the time and composing dialogues much like Plato's (which were sadly lost). She also became the lover-then-wife of Pericles, the city's most formidable statesman at the time, frequently counselling him on political strategy. She was ambitious, highly intelligent and capable - and mostly erased from history.
The goddess offered Achilles the choice: a short life but glorious, remembered in song and story, or to plough the fields in a forgotten kingdom and grow old by the fire. He chose glory. Why should a woman not choose glory too? Not to be remembered for the man who chose her and the children she bore but for the deeds she did.
I appreciated the fact that Aspasia's story was told through the eyes of her slave, Limander, who is an educated bard taken captive when the Athenian army attacked his hometown. Limander is a keen observer with access to rooms others wouldn't normally be allowed in, who reports back on the conversations that are had behind closed doors. He is favoured by his mistress, yet he is keenly aware of the living conditions of his fellow slaves and the inhumanity of it all, highlighting the contrast between the way Athenians think of themselves and how they behave towards all those groups they consider to be inferior. The relationships he builds with the other slaves in Aspasia's household are deep and meaningful, their solidarity built out of necessity and the desire to keep hold of their humanity.
They remember so many great men - Aegeus, Theseus, Solon, Draco, Cleisthenes, Themistocles, Aeschylus, Miltiades and all the others. Why should they not one day remember a woman?
Overall though this was an engaging read, and I was interested in seeing the parallelisms that could be drawn between populist rhetoric in the past and nowadays - perhaps with a bit of sadness that not much seems to have changed at all.
I received an e-arc of this book as part of the blog tour organised by Random Things Tours. This did not affect my opinion of the book in any way.
Graphic: Death, Misogyny, Slavery, Violence, War, and Pandemic/Epidemic
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I received a review copy of this book for free from the publisher via as part of the blog tour organised by TheWriteReads. This did not affect my opinion of the book in any way.
Graphic: Animal cruelty, Death, Gore, Violence, and Injury/Injury detail
Moderate: Genocide, Vomit, Police brutality, Trafficking, and Classism
Minor: Suicide
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
The Ballad of Songbirds and Snakes isn't a fantastic book, but it is entertaining and introspective, and just generally much better than I expected it to be. It was really interesting to follow Snow's point of view in his youth, to see how he might grow up to become the ruthless president we all love to hate. One thing that actually had surprised me on my HG re-read was how I remembered him being so much more present than he truly was, a sure sign of a memorable villain who permeated the trilogy without actually appearing for very long at all. So, it was fascinating for me to spend more time with him.
Coriolanus Snow isn't likeable - at all - and as a character isn't terribly complex either, driven as he is solely by a desire to succeed and restore his family's former glory, power and - above all - money. He is extremely self-centred makes some terrible choices; following his reasonings is truly unpleasant but I liked that this isn't an attempt at rehabilitation. At no point in the book is it suggested that we should somehow excuse his behaviour: the best we readers can hope to do is to understand it, but there is no salvation in sight.
I was particularly worried about the romance, but again I was pleasantly surprised to see that there is little space for doubt in the relationship between Snow and Lucy Gray: what he claims to be love is only further desire for power, a wish to control and possess a free spirit.
As with the original trilogy, none of the themes touched upon here are particularly subtle - and this extremely toxic behaviour is no exception - but as this is essentially aimed at a younger audience I won't count it against the book. It was also much more introspective than I anticipated, with several reflections veering more towards philosophical musings on human nature and social contracts. Again, not particularly deep and sometimes slightly too on-the-nose (I fully expected certain characters to start quoting The Leviathan at some point) but still a pleasant addition to the universe. I can fully see why some readers who loved the original trilogy might have been disappointed by this one, as the action is very limited and the time spent in the arena was - for me at least - probably the most boring part.
The secondary characters are fairly weak here. As far as Capitol inhabitants go, there are just too many characters who seem to have no distinctive traits whatsoever. By the halfway mark I still couldn't tell the difference between the different mentors - nor the tributes to be honest. The ones who do get some more space for development are fairly stereotypical and one-dimensional, archetypes more than fully fledged characters in their own right. Lucy Gray and Sejanus particularly could have benefited from further development, and I was sorry not to see them gain some of the complexity their characters could have had.
There are multiple elements connecting back to the original trilogy which serve to further understanding (I particularly enjoyed unveiling hints to the origins of Snow's instant hatred of Katniss) or add context to the world, although at times they seemed just a tad too many - fan-service more than real development. The world also isn't particularly built upon in this book, so I expect that if anyone were to approach this universe starting here they would probably have trouble orienting themselves.
Where the book really had issues for me though was in the pacing, which feels all over the place. It started strong, then slowed down considerably, then rushed back at the end... I basically had whiplash. There were also too many repetitions, which really didn't help and made the narrative drag a lot. As far as the audio narration goes, I enjoyed Santino Fontana's interpretation, but really can't understand why they had him recite the song lyrics instead of actually singing them. Having the lyrics just there interrupted the flow and was - again - deeply repetitive most of the time, while having the actual music would have really helped to lend them more emotion, as it had in the HG audios narrated by Tatiana Maslany. I'm truly baffled as to why one would hire a singer to narrate a book featuring multiple songs and not make him sing... Anyway, that's just my opinion!
Overall, this was better than I expected it to be but still had a lot of issues. I am still glad I read it though, and I will look forward to reading the next book when it releases!
Graphic: Child abuse, Child death, Death, Torture, Toxic relationship, and Violence
Moderate: War
Minor: Sexual assault
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.5
I received an advanced review copy of this book for free from the publisher via the LibraryThing Early Reviewers program. This did not affect my opinion of the book in any way.
Graphic: Death, Panic attacks/disorders, and Grief
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Graphic: Misogyny, Sexual assault, and Death of parent
Minor: War
Did not finish book. Stopped at 74%.
While the idea behind the story is intriguing, there are significant issues with the execution that make it hard to rate this book favourably.
The number of repetitions within the text is excessive, resulting in a stilted narrative and significant frustration on the reader's part as the same concepts (and often the exact same words) are repeated multiple times in a very short space, and there are numerous inconsistencies and contradictions within the text . This also contributes to the sense that the story is barely progressing, with very few new elements being added, giving rise to serious pacing issues. It also felt as though context was lacking, and the settings were described too vaguely to provide a sense of how characters move in the space, often resulting in confusing scenes. Dialogues also suffer from repetitiveness and feel very unnatural. Character development is too generic and surface-level, with vague references to past events and over-reliance on self-talk to describe characters' personalities.
I received an advance review copy of this book for free via Reedsy Discovery. This did not affect my opinion of the book in any way.
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
I received an advanced review copy of this book for free from the publisher via NetGalley. This did not affect my opinion of the book in any way.
Graphic: Panic attacks/disorders
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Picking up shortly after the events of the previous book, Of Warriors and Sages takes readers back to Dál Gaedhle where Arlan and his faithful companions must face a perilous quest in order for him to win the high kingship and save his land from Lord Ciarán's nefarious plans. Meanwhile, in modern-day Scotland, Rhiannon has been waiting for two years for Arlan's return so she may finally join him in his world - her true home. But with her past still shrouded in mystery, will she even be allowed to be with Arlan? Or can their love surpass all obstacles?
I received an advance review copy of this book for free from the author via Reedsy Discovery. This did not affect my opinion of the book in any way.
Graphic: Death, Violence, Blood, and Fire/Fire injury
Moderate: Abandonment and War
Minor: Mental illness