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bookforthought's reviews
723 reviews
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Any readers familiar with the original tale should be aware that the setting in this retelling differs from the original, to a more modern 1900s steampunk version of Verona, which promised to be an interesting change. Starting from this premise, I was looking forward to following Benvolio and Mercutio on their journey through time, and especially seeing how their relationship would play out. Unfortunately, I was seriously disappointed by the execution.
The pacing of this book is messy, with the first part essentially being devoted solely to Benvolio and Mercutio jumping around through time with no connection to the stated aim, which was to prevent Mercutio's death, but also with no time being devoted to exploring any of the timelines further. The book itself moves frantically from one thing to the next, with no breathing room nor space to delve deeper, leaving the sense that it remained consistently surface-level, leaving me unsatisfied.
The worldbuilding is also severely lacking, with no clear sense of how anything works nor the rules of the world. I was especially frustrated when a demon was suddenly summoned, when there had been no previous indication of the existence of magical creatures within this world.
The characters could have been better developed. As they were, they appeared to be largely one-dimensional, their dialogues often stilted and their behaviour nonsensical. The romantic element is cute though, and I did enjoy watching it develop although I would have appreciated it more if more time was spent significantly developing this instead of meandering through a messy plot.
I received an advanced review copy of this book for free via BookSirens. This did not affect my opinion of the book in any way.
Graphic: Death
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
3.5
Weyward was a slow start for me but eventually it drew me in and kept me going to the end, even though I contemplating abandoning this fairly early on. I listened to this in audiobook and the narrators do a great job keeping the three POVs distinct, something which might not have worked quite as well if I'd only read this. I liked how the three storylines came together in the end, tying up all the loose knots and having the story come full circle. The author definitely shows a lot of potential for a debut, with vivid descriptions of the natural world and the settings carrying most of the book.
The underlying themes of female resilience and embracing one's true nature and self were interesting (albeit not innovative) but they were slightly undermined by the magical realism element in my view, and came across as rather simplistic in their development and resolution. I would also have liked for the side characters to be better developed and nuanced, especially for a book ostensibly focused on the power of female relationships, as well as a larger focus on the good men in these women's lives. They absolutely didn't need to take centre stage, but it would have been nice to see some more attention being given to recognising their existence and support instead of sidelining them to focus almost exclusively and in excruciating detail on the (also one-note) men who wish to hurt the Weyward women.
Overall, an interesting read but not the most memorable book I've read on the topic. Perhaps my expectations were too high after all the hype surrounding this and I would have enjoyed it more had I expected less… still worth a read if you're curious about it though.
Graphic: Confinement, Domestic abuse, Misogyny, Rape, Violence, Forced institutionalization, Blood, Abortion, Death of parent, Pregnancy
Moderate: Adult/minor relationship, Alcoholism, Child abuse, Death, Miscarriage, Suicidal thoughts, Vomit, Medical trauma, Car accident, Gaslighting
Minor: Suicide attempt, War
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Even though this doesn't quite reach the level of the first one, it's still a pretty great book. The characters are drawn to perfection and I feel as though I am left with so much to think about and so many different layers that I hadn't really captured on my first read. The audiobook narrated by Tatiana Maslany is incredibly immersive and she does a fantastic job capturing exactly what I think Katniss sounds like. Can't wait to dive into the next book now (especially after that ending!), as I remember so very little about it.
Graphic: Death, Violence, Murder
- Plot- or character-driven? A mix
3.0
I received a digital review copy of this book for free from the publisher as part of the blog tour organised by The Write Reads. This did not affect my opinion of the book in any way.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
5.0
Gabriel Vane has everything he desires: he is a renowned lawyer about to win a huge case, he has a glamorous apartment and an even more glamorous lover, and the promotion he's worked so hard for is finally about to come his way. Until a massive scandal threatens to take everything away from him. So, Gabriel needs to lay low for a while, hiding out for just a few months in an old house in a sleepy town, with no plans to meet another living soul.
I received an advanced review copy of this book from the author via Reedsy Discovery. This did not affect my opinion of the book in any way.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Starling House starts from an intriguing premise and delivers an enjoyable and entertaining (if not overly creepy) read rich in gothic vibes. There is an abundance of themes, which maybe could have used a tad more space for fleshing out and nuance, some underdeveloped side plots, and characters that feel way too YA for an adult book, all of which prevented me from fully appreciating this. Also, there is a heavy reliance on non-communication as a plot device, which is a big no-no for me since it's one of my most disliked tropes.
Still, there is a mystery and Big Family Secrets, half-truths mixing with full-on lies and legend, which were very well-constructed and layered, leading to a mostly satisfying resolution and character arcs.
Overall, not a new favourite but a pleasant read nonetheless. I'll need to check out The Ten Thousand Doors of January next!
Graphic: Blood, Grief, Death of parent, Fire/Fire injury
Moderate: Child death, Violence, Abandonment
Minor: Racism
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
There was a lot more nuance to the characters and the worldbuilding than I remembered, and the social justice element was really evident - maybe even a bit too much at times but hey, it still works considering it's a YA novel. I'll continue my re-read with the next book in the series, which I'm even more curious to revisit since I remember very little about it.
Graphic: Alcoholism, Animal death, Child death, Death, Blood, Death of parent, Murder, Fire/Fire injury, Injury/Injury detail, Classism
Moderate: Torture, Vomit
Minor: Cannibalism, War
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
- Plot- or character-driven? N/A
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.0
Wendy Draig is tired of stereotypes and is determined to do all she can to fight all forms of injustice, whether against a human, animal or any other sentient being. That is why she decides to become the first dragon lawyer of the Land of Fair E, travelling through different towns to offer free legal assistance to anyone in need. Between meetings, court hearings and even some investigations, Wendy comes across a wide range of characters, some already beloved protagonists of well-known fairytales and some perhaps lesser known, but all in need of counsel and joined in the desire to make their land a better place for all.
I received an advanced review copy of this book for free from the author via Reedsy Discovery. This did not affect my opinion of the book in any way.
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Flaws of characters a main focus? Yes
4.0
Brigid Callahan is special: at sixteen, she's been training all her life with her legendary guardians Cú Chulainn and Fionn Mac Cumhaill so she may be ready to defeat the one-eyed giant Balor as foretold by an ancient prophecy. That is if Balor ever does show up during her lifetime. Brigid would much rather do normal teenage things since Balor is probably dead anyway and so, with Set the Egyptian God of Chaos by her side, she enacts a cunning plan to free herself from destiny's grasp. Surely nothing bad can happen in the meantime... right?
I received an advanced review copy of this book for free from the author via Reedsy Discovery. This did not affect my opinion of the book in any way.
Graphic: Mental illness, Violence
Moderate: Abandonment
Minor: War