The Alchemy of Moonlight by David Ferraro is a great homage to the gothic horror genre that includes some m/m romance in a love triangle and a genuinely creepy atmosphere.
Emile is a young man about to come of age and receive his substantial inheritance when his aunt discovers that he is gay. She threatens to institutionalize him if he does not marry a woman and produce an heir, something Emile cannot reconcile himself or the potential bride to.
Emile flees his home and seeks to remain hidden from society until he comes of age and can claim his inheritance on his own terms. He is quickly embroiled in a love triangle with two older, dashing men. As he tries to sort out his heart, Emile stumbles across hints of some truly creepy goings-on around his new home. The plot gets thicker and thicker as he investigates.
The Alchemy of Moonlight creates a great atmosphere with plenty of creepy moments. There is a genuine feeling of dread and, though many of the tropes are familiar and predictable, they are enjoyable just the same. The writing and pacing are good and I found myself looking forward to coming back for the next instalment. I was also impressed with how Ferraro manages to convey the depth of tension and feeling in the love triangle in ways that keep the book firmly in YA-acceptable territory.
The audiobook narration is well done and makes for a pleasant listen.
The book isn't perfect, however. The characters felt a bit flat. Emile exercised very little agency until the last pages of the book, disappointing for a main character with a good setup. There were a few plot points that felt too convenient and the ending of the book was more seamless than I thought realistic, given everything else going on.
Overall, this was a good read and a nice nod to the gothic horror genre.
The premise of the book is great. Other than one chapter - Boxes - it completely fails to deliver. The writing is often clumsy and most of the book is an exercise in telling over showing.
The narrator is reflecting on his past, so there may be an element of intentional unreliability, but so much of what is described seems wildly implausible. Children behaving as though they're significantly older than they are; adults completely and collectively missing what's going on even when the kids tell them; plot holes you could drive a truck through.
Fourth Wing doesn't do anything innovative or new with the themes and ideas in its story, but what a fun telling of a familiar story. Like an excellent preparation of a favourite recipe, this book is great fun and very enjoyable.
There was an awful lot of what felt like contrived convenience for the sake of the plot around the protagonist, which at times was hard to digest. I also had trouble believing the romance - or love triangle - even for a moment.
I was pleased that the sex scenes actually served to advance the plot a bit, but they were unnecessarily graphic and lengthy.
The audiobook, narrrated by Rebecca Soler with Teddy Hamilton is a good production and a very pleasant way to read Fourth Wing.
The premise of this book was an interesting one, but it did not live up to the hype which preceded it. I found the storytelling to be unnecessarily slow, with the setup and execution ponderous at times. Perhaps I am not the intended audience, though I usually get along well with a bit of magical realism. It seems like a matter of a good idea that was perhaps too heavy for the execution.
The audiobook narration was very good. No complaints about the production values of the audiobook edition.