A hybrid prose/graphic novella. The transitions between the two formats is integral to the telling, not a gimmick. The story itself blends cosmic and very personal horror.
To quote from the foreword by Sam Richard: “This book is full of queer representation that is messy and ugly and uncomfortable and painful. It’s a book full of queer characters who are cruel and conflicted and complex and interesting. Yes, queer joy, but also: queer rage, queer hostility, queer panic, queer madness, queer violence, queer horror.”
It’s an anthology, so of course I connected with some stories more than others, but all are well-written, imaginative, and (like all the best monster stories) ruthlessly human.
Proof of the Sun is a short chapbook of poems about the author’s experience of childhood sexual abuse. The writing is beautiful, though that seems odd to say given the subject matter. Ott tells her story with incisive honesty, expressing anger and pain, of course, but also finding hope and even humor in her experiences.
A collection of stories in the realm of the fantastic. Lee was a master of diversely sumptuous prose styles, though her pacing might be too leisurely for today’s taste. She had a sharp sense of irony, and a vivid and twisted imagination. The orientalism, antisemitism, and Islamophobia, all common in her time, spoil parts of these stories now.