chluless's reviews
648 reviews

The Prince by Niccolò Machiavelli

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informative reflective

3.0


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King of Scars by Leigh Bardugo

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adventurous dark emotional tense
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5


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O Pioneers! by Willa Cather

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  • Plot- or character-driven? Character
  • Strong character development? It's complicated
  • Loveable characters? Yes
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

4.5


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Daydream by Hannah Grace

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4.5

loved it. no notes. 
The Ladies Are Upstairs by Merle Collins

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3.75

i really enjoyed the collection, but the stories started losing momentum by the end  

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The Cinnamon Bun Book Store by Laurie Gilmore

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fast-paced

2.5

a little cute, but a quick and mediocre read

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Piranesi by Susanna Clarke

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adventurous challenging mysterious
  • Strong character development? It's complicated
  • Flaws of characters a main focus? It's complicated

5.0

Going into this read blind is infinitely rewarding. Don’t read the reviews, just trust the process. 

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Things Fall Apart by Chinua Achebe

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  • Plot- or character-driven? A mix
  • Strong character development? It's complicated
  • Loveable characters? It's complicated

5.0


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Icebreaker by Hannah Grace

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  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

3.5

I folded.

And suddenly I understand, ‘I didn’t say it was good, I said I enjoyed it.’ Icebreaker has a flimsy plot, the pacing is off, and the characters are too numerous to be distinguishable, but you know what?

I had FUN

Not all of this was my cup of tea. I had several icks, but as a notorious contemporary romance hater, I actually enjoyed this a lot. 

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Queens of the Conquest: England’s Medieval Queens by Alison Weir

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informative

3.0

Weir presents a lot of good material, a reasonable scope, and a vivid picture of the period. She uses excerpts from letters, quotes from chronicles, and lists from charters or other surviving documents. While these sources give readers a detailed understanding, sources supporting the narrative can become an obstacle. Weir often loses her narrative thread in overly lengthy quotations. 

My main issue is the inconsistent critical analysis. The most glaring example is Weir’s treatment of Empress Maud. The majority of her turbulent life in England is presented in contrast with the Good Queen Matilda. I assumed this dual narrative was building to a neat conclusion on perceptions of women in power, but Weir's conclusion urges readers NOT to use a feminist lens on the past. Similarly, I appreciate Weir’s note on the very real and untreated medical issues medieval women may develop from childbirth. Yet it’s quite a leap to suggest Empress Maud’s political blunders were due to menopause. She was thirty-seven.


Queens of the Conquest is unarguably interesting and extensively researched. However, it's more of an overview than a dedicated analysis of five queens.