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clairebartholomew549's reviews
701 reviews
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
3.0
Ten years after the love of her life Gabe dies, Lucy has closed her heart off completely and is focused on her kids. But then she finds a paper in Gabe’s things with an address in Rome, and she’s determined to figure out what it means.
Ugh. I really, really wanted to like this book but I just didn’t. I don’t know if the issue is that I read The Light We Lost a few years ago and don’t remember it being this cheesy and overwrought, or that The Light We Lost was deeply magical and this just doesn’t work. There are many things that were off to me. The “twist” / secret barely warrants being labeled a twist, and the plot meanders and builds several times without really going anywhere. Lucy is insufferable in this book - so whiny! The fact that this book was written in her voice but directed to Gabe was so strange and I did not like it. The insta love is also stronggg in this book, and I couldn’t see the chemistry between Lucy and Dax at all. I did appreciate the depiction of blended families and thought all the plots about the family dynamics were the most interesting part. I rolled my eyes through much of this book which is a huge disappointment :/
Thank you to NetGalley and Penguin Group Putnam for an advanced reader’s copy in exchange for an honest review!
Graphic: Sexual content and Grief
Moderate: Child death, Death, and Infidelity
Minor: Xenophobia and War
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is an unsettling, fascinating, and revelatory book. Faruq is a journalist who’s felt adrift since his father died, and his next assignment is immersing himself in a cult - wittily named the Nameless - nestled deep in the redwoods of California. The book goes back and forth between Faruq’s investigation of and immersion into the cult, the cult leader Odo’s formative experience in the Vietnam War, and the script of a documentary about the cult’s clash with a Texas fundamentalist church.
Graphic: Body horror, Emotional abuse, Gore, Racial slurs, Racism, Violence, Islamophobia, Grief, Death of parent, and War
Moderate: Terminal illness
Minor: Death and Torture
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Cursing and Sexual content
Minor: Abandonment
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Graphic: Sexual content
Moderate: Sexism
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
There were parts of this story that I enjoyed, but overall this was a let down for me. I think my disappointment with this book was that it felt extremely unoriginal. To me, the 1920s Hollywood story has been done again and again, and it didn't feel like Klaus' story had much to say (besides him being a vapid narcissist who was only out for himself and couldn't even acknowledge the damage he did). We didn't spend enough time in Tobey's timeline to feel that connected to him, and there wasn't a satisfying conclusion to any of the threads. Diane's timeline was the most interesting and emotive, and I wish that had been its own book, because the other timelines didn't have any resonance.
Thank you to NetGalley and Mariner Books for an advanced reader's copy in exchange for an honest review!
Graphic: Death
Moderate: Homophobia, Mental illness, and Suicide
Minor: Racism and Xenophobia
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I enjoyed this book a lot, and the pace was great. Our narrator is incredibly witty, and her inner dialogue as she goes on different dates, tries to figure out her career, and continually rethinks her relationship with her parents is very interesting. Once we get to Tehran, it at first feels like the narrative stalls, but then that time becomes the focal point of the story and propels so much of our narrator's character growth and realizations. There were times when it felt like the writing was a bit too obsessed with itself, but overall I thought this book's depiction of grief and of feeling like you don't belong anywhere was really artful and resonated with me. It's also unlike other books I've read, which is always fun.
Thank you to NetGalley and Algonquin Books for an advanced reader's copy in exchange for an honest review!
Graphic: Sexual content, Grief, and Death of parent
Moderate: Racism and Islamophobia
5.0
If you're able to, I highly recommend listening to the audiobook. I'm not generally an audiobook person, but it's narrated by Lenz herself with cameos from some One Tree Hill characters, and she is a very effective and emotive narrator.
Graphic: Domestic abuse, Emotional abuse, Misogyny, Sexism, Religious bigotry, and Gaslighting
Minor: Violence
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
I waffled between giving this book three and four stars, but landed on four stars in the end because I couldn't stop reading and found much of this compelling. There are definitely not enough accessible books about our country's long history of performing nonconsensual medical "experiments" on marginalized populations and surgeries in the name of "purifying" America's bloodlines, and in a time when reproductive justice issues are at the forefront, it's important to know the breadth of oppressions that exist. Friedland does a great job tracing how Carrie ended up being eugenicists' test case for sterilization in the courts, and I appreciated that Carrie wasn't pathologized or condescended to by the narrative. Jessa's storyline gives the reader insight into how draconian and confusing immigration law is, how government agencies operate with impunity in the name of "national security" and against marginalized populations, and how media makes all the difference when trying to make change. The story moves fast, and the writing for the most part is not too ham-handed.
Now for the parts of this book that for me skewed this book closer to three stars. The white saviorism definitely grated on me (a letter Jessa receives singing her praises feels especially icky), and it was frustrating that we got very little insight into the actual people affected by ICE's horrors. Why couldn't one of them have been a main character? Jessa's relationship with Vance is one of the weakest parts of the book - he is just not an interesting character, their marriage makes zero sense, and they both are selfish and bullheaded (although Vance at times is almost cartoonishly evil) - and Jessa having fertility issues was a bit on the nose. It was nice to have Carrie's perspective, but that often felt secondary, especially when the book shoehorns in Jessa's connection to Carrie (more on that in the spoiler section below). Ultimately, there are times where this book just really reads like it was written by a privileged white woman - which is not necessarily a criticism since I too am a privileged white woman lol - but given how the issues discussed in this book involve complex racial and class dynamics, sometimes things felt a bit too trite and self-aggrandizing. It's also wild how long it takes Jessa to enlist other lawyers to help her with the case, and her stubbornness about having to be involved in the case really shows her own self-centeredness and need to be a hero. But I'd still recommend this book because you really do learn a lot and it's fascinating.
Thank you to NetGalley and Harper Muse for an advanced reader's copy in exchange for an honest review! I received a complimentary copy of this book. Opinions expressed in this review are completely my own.
Graphic: Ableism, Infertility, Miscarriage, Forced institutionalization, Police brutality, Medical content, Grief, Medical trauma, Death of parent, Pregnancy, and Classism
Moderate: Confinement, Rape, Sexism, and Sexual assault
Minor: Antisemitism, Deportation, and Pandemic/Epidemic
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I enjoyed this book and found its ruminations on racism and classism very interesting. Adichie really interrogates the ways in which the African American experience is so different from the African experience and how the world perceives each of the women. It did feel disjointed at times -Kadi's storyline could easily have been its own novel - and the emphasis on finding love felt a little off. But I did appreciate how deeply this book explores the ways we twist ourselves into pretzels to make romantic partners happy, and as always Adichie's writing is beautiful.
Also, lots and lots of trigger warnings here for gender and sexual violence in many forms.
Thank you to NetGalley and Knopf, Pantheon, Vintage, and Anchor for an advanced reader's copy in exchange for an honest review!
Graphic: Child abuse, Misogyny, Racial slurs, Racism, Rape, Sexism, Sexual assault, Violence, Grief, Sexual harassment, and Classism
Moderate: Death, Infidelity, Death of parent, and War
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This book reminded me of The School for Good Mothers, which I found utterly devastating and so impactful. Similarly to that book, we follow Sara as she adjusts to life in a place that is "not a prison," but so extremely strips away one's rights and humanity that the distinction has no meaning. Sara's every move is surveilled and interrogated, and the goalposts keep moving. Sara learns quickly that anything she and the other women do can be seen as defiant, and the attendants at the facility have such discretion that they can basically make up rules whenever they want.
This is definitely a read that wore me down, but I found it fascinating and compulsively readable nonetheless. It's terrifying to think of our already horrible criminal system being made even more horrible by even more surveillance than we already have, and this book also made me think about how our conceptions of "normal" are entirely dictated by people with power. Of course that's not an original thought, but I thought Lalami did an amazing job of depicting how arbitrary it all feels.
Sara's emotions about being away from her family, feeling betrayed and like no one trusts her, and being incredibly angry all resonated, and I really enjoyed her relationships with her fellow confinees. It's hard to describe this as enjoyable because so much of the book I wanted to punch every single person who worked at the facility, but Sara's revelations about state power and technological creep are really interesting, and the plot moves fast enough to keep you going. All in all, glad I read this one.
Thank you to NetGalley and Knopf, Pantheon, Vintage, and Anchor for an advanced reader's copy in exchange for an honest review!
Graphic: Body horror, Confinement, Misogyny, Forced institutionalization, Police brutality, Medical content, and Sexual harassment
Moderate: Violence and Fire/Fire injury