I dropped this book because I wasn’t feeling the set-up and narrative style.
Perhaps unrelated, but it reminded me a bit of Harry Potter. Possibly deliberate, given that surnames Radcliffe and Felton are dropped in passing, but maybe not.
Initially dropped at 60%; I’ve since finished it. Still leaving the initial review here, though. Just edited and added onto it.
Almost DNF because a combination of factors: the smut, relationship, and plot.
Smut and dirty talk progressively got more…cringy? Felt like I was just reading porn, or smutty BL. Got a bit too much for me, especially later in the book when they’re all over each other. Similarly, Characterization and character dynamics felt weird to read towards the end. I suppose it was a consequence of them settling into their relationship with each other, but the changes nonetheless felt drastic. I see the justification as to why, but..I don’t know. There’s a very present dom/sub vibe in later scenes that wasn’t as potent in the beginning. And the initial dynamics I was initially sold by has ended up as something else that I hadn’t anticipated, which simply wasn’t to my taste.
In addition, I feel the story conflict’s lingered for too long? 60% in, and it Feels like we’re retreading ground, tiptoeing around the remaining qualms that exist between them which I thought had already been resolved. I think some points could’ve been made shorter. At 60%, it’s been a slog to read (edit: but I got through it). Liked the smut, though. The build up leading up to the creation of the OnlyFans as well as scenes immediately following them I quite enjoyed.
Edit: To add on, after I finished. Other reasons includes a formulaic plot. Parts after this repeat the same formula—they get more in love, but something holds Kyran back. They fight or things happen, and for a moment things seem bad. But then, just as quickly, they get back together, and the formula repeats. Same principle applies with the final conflict point and the ending. Feels like a “feel good” formula—stakes get high, some consequences are delivered, but things don’t actually harm the main pair. Ending is ideal. (Edit: didn’t realize that you need that for something to be classified as romance, my bad. I won’t make any comments regarding that in the future if it’s something baked into the genre, I’m new here 😅). Wasn’t into the predictability/monotonous nature the book took on.
Some other things I could talk about regarding the final third of the book, but I’ll it at: lot of things were suddenly brought up (I suppose to finally tie things up and make the HEA possible), but it was strange to read because it felt like we changed gears all of a sudden. Things were tied up, but I didn’t feel satisfied by it personally.
I suppose about 30% of the way through, I realized this book wasn’t for me. I kept at it until about 60% through, then decided to DNF before curiosity took over me and I skimmed through the rest. Still wasn’t for me.
I like smut, but I’m a bit picky about it, so it might’ve been why I didn’t enjoy this read despite seeking this book out in the first place. I liked the tropes, but the execution wasn’t for me, I guess.
An encounter between two coworkers ends up bringing out the worst out of each other, but they can't help but continue to feel strongly about each other, even as they try to move on.
I wouldn't say this one's really lovey-dovey. This manga is dramatic and a bit frustrating at times. But the emotions it explores, namely irrational love, are compelling.
Some have said the novel is better. I haven't read it, but I find that the manga stands well on its own, with exception to the ending, which is open-ended. I enjoyed this one. Expect moodiness/drama.
Should add that there's an unsavory scene that can dissuade people (visualized, but isn't explicit). Added in content warnings.
Flaws of characters a main focus? It's complicated
Liked the missions, the time travel aspect, and the supporting cast, but I wasn't... super into the main pairing. Primary problem was dissatisfaction towards what story could have explored, but didn't. Concepts are thrown around but are frustratingly not fleshed out enough---supporting cast, society, etc. are outlined but not explored in detail. Felt that prioritization was ultimately towards the couple (primarily the MC). I get it, but still. Didn't really feel for them as a couple---seemed like the "why" of their relationship was lacking something.
Truly adored the concepts, however. Loved how Team 7 bounced off each other (grievances about supporting cast being underutilized aside), and I enjoyed seeing the underlying mystery unravel with each mission completed. Time travel shenanigans were especially fun. Fun ideas explored in this novel, really.
As for thoughts on the ending...kind of lukewarm, honestly. It was a long build-up, only for there to be a quick resolution.
--- Some bonus stuff, primarily for self-reference in the future.
Favorite arcs: Ouroboros, Chaos, Rubik's Cube
Least favorite arcs: Our Reality, Resplendent Times, Who Am I
Moderate: Body horror, Cursing, Gun violence, Homophobia, Sexual content, Death of parent, and Murder
Minor: Addiction, Child death, Vomit, Car accident, Abandonment, and Alcohol
Additional Points of Discussion (Unfinished):
I do love the "power couple" dynamic that Ji Yushi (MC) and Song Qinglan (ML) have with each other, because, together, they make one heck of a team. I love the trust that they grow towards each other, how they can rely on each other when their life is at stake.
At the same time, I feel it highlights a major problem with the novel: that is, the lack of a role the rest of Team 7 plays in their missions. Because it's those two that do all the heavy lifting, they are the ones to shine. Hardly do we see the other members take on more than a supporting role.
We also do not get to learn much about them outside of their surface-level traits, we hardly know anything about them. They are fun charac
(SQL is a *very* endearing ML, but what we actually know about him amounts to about as much as the other characters... more on that).It's a wonderful novel with great ideas, but I feel like they were almost sidelined in favor of relationship development (which in itself was sweet, but a bit... boring, in all honesty). For example, I loved the other members of Team 7 (fun banter, personalities, etc.), but there's not much to them beyond what's shown in the first few chapters. Any info that *is* shown is minor details/implied content. Same comment applies with the "one-off" characters (e.g. Big Beard, love rival, Captain Qi, etc.).A more detailed example I included is in the spoilers below.
Spoiler
Zhou Mingxuan. I was especially disappointed with how Zhou Mingxuan's conflict in the time bubble was executed. The whole conflict about him and his grandmother is discussed---there's a good point about not wanting to leave because here he's able to spend time with her---but it ends up stilted by their quick departure from the bubble.
MC reaches out a hand to him, talks to him about the unreality of the situation settling in once he gets used to everything, but everything---from the "betrayal" to the turnaround---feels too quick. I don't recall if ZM properly accepts his extended hand because of how tense the situation was then---the moment passes and they just sort of just... shove on the artificial mask and then he's forced to run along with them, so it doesn't even feel like ZM had made his decision then.
In addition, I didn't feel the connection between MC & ZM to be close enough for the moment itself to feel substantial. Once they escape the scenario and are situated back into an "in-between" zone, MC & ZM apparently have a heart-to-heart on the beach, but that's only an alluded scene. We don't actually get to see any of it because then there's a PoV switch to SQ as he's finally processing his feelings.
And we hardly see MC & ZM interact after that.
SQ being a blubbering mess was a cute moment in itself... but I wish it didn't come at the cost of getting to know some of the other characters.
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While I feel the world is invigorated by the concept of time/space travel, I don't feel the world itself as actually being alive. There's not enough on actual world-building or other people, alternate societies, etc. Rather, this story's focus is ultimately bound to the MC, his conflict, and/or his relationship with the ML. Unfortunately, I find that "Mist" is weighed down because of that.One thing I will say about the relationship: I do love how they grow to look after each other while in action. Zombie behind one of them? The other will take care of it. An intended killing blow? Nope, the other will get a blow in first. Truly a power couple.But together, I feel that they lack... something. I'll have to think on that for later.---I write this having just finished reading everything, so my thoughts are kind of all over the place. I'll likely edit this review some more with time.
More so general comments on the series so far, general enough for there to be no spoilers:
It’s quite interesting. Very much an emotionally-based story, exploring acting and theater through the lenses of several characters, but namely Yuujin, whose natural affinity for the stage is potent, to the effect of it seeming to consume everything around it. Their lives intermingle in convoluted ways; they feel human in the way they struggle and live.
I find it hard to understand at times, at least as a casual reader. Sometimes, I wonder: “Huh, that’s interesting,” not necessarily understanding what it all means. I may be able to get a better insight with rereading, but I wanted to note that, nonetheless, because this isn’t really an easy read. Still, I got a general gist of what’s going on.
I’m liking it. It’s got complex, psychologically-bound conflicts amidst the characters, and I’m a big fan of that kind of stuff (also Author’s works in general—her BL stuff is great). Certainly a series that sticks in your head.
Brilliant book which really made me feel…everything, I guess.
WW1-era Britain, private school facing mid-war. Bunch of British school boys sign up and go through hell.
Pleasant prose. Loved reading it. Rendition of war was poignant, not so much focus on the technicalities but the experiences themselves.
Result is that I appreciated the rendered characters. How they quickly come in and out of the narrative can be overwhelming at times, (hard to keep up with names) but it’s fitting in the nature of a war-era narrative. I think it was done well, overall. Even the ones who only get a bit of spotlight I could feel for. There’s a lot of mini-narratives you get to witness from beginning to end, each tale providing another perspective to the war. I felt a great sense of authenticity from it all.
And of course the main characters were great. I wasn’t quite sold on them at first, but quickly turned around as the novel went on. While I felt they didn't feel like real people, they, themselves, felt real---how they moved in this story's changing world reflecting something so...human.
I ended up feeling a lot for these characters. They were wonderful.
I may come back to this novel someday. It was lovely.
Mix of memoir and guide on writing death. Discussion of death in various forms. Added to it are her own experiences, having faced a harrowing loss from her mother.
It’s slow, and there isn’t clear-cut “ideas.” There’s a sort of “soothing” factor (not quite the right word, but I hope you know what I mean) in reading a text which means a lot to its author.
Bit oriented to those doing IB, but otherwise seems applicable for general use. Focus is primarily on tips one can use for self-cultivation, as well as tidbits meant to reframe ways of thinking.
It was nice to read, even as a university student.