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danaaliyalevinson's reviews
91 reviews
Woman, Eating by Claire Kohda
challenging
dark
emotional
mysterious
reflective
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.75
This book was short and sweet. A misanthropic ‘Buffy’ and ‘what I eat in a day’ video obsessed vampire artist grapples with art and connection in present day London. If you’re a fan of Otessa Moshfegh and Ocean Vuong… imagine a vampire novel written by the two of them.
At the end of the day, this book was about breaking generational trauma, and female desire and its challenge to the gender hierarchy. And I don’t exclusively mean sexual desire, I mean ambition as well.
The prose was absolutely beautiful. The characters were rich and fascinating. Sometimes I felt the grand themes got away from the book a little. But overall, I really really enjoyed this one.
At the end of the day, this book was about breaking generational trauma, and female desire and its challenge to the gender hierarchy. And I don’t exclusively mean sexual desire, I mean ambition as well.
The prose was absolutely beautiful. The characters were rich and fascinating. Sometimes I felt the grand themes got away from the book a little. But overall, I really really enjoyed this one.
Content Warnings
Graphic: Body horror, Racism, Murder, Dementia, Sexism, Blood, Death, Grief, Gore, Infidelity, Injury/Injury detail, Mental illness, Sexual assault, and Sexual harassment
Vampires of El Norte by Isabel Cañas
adventurous
challenging
dark
emotional
mysterious
tense
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
A fascinating take on the Vampire legend set against the backdrop of the Mexican American War. Like all good vampire novels in which the vampire is a metaphor, here they were a metaphor for the loss of a way of life and American expansionist violence.
I will say, I wanted to like this one more than I did. I definitely liked it but I wanted to love it. It suffered from my biggest pet peeve: when most of the conflict arises from two characters seemingly deliberately refusing to communicate.
And this frustration was compounded by the fact that the book switched POVs between the two main characters who were deliberately not communicating so we were constantly getting inner monologue about said miscommunication from both sides. And for me I also found myself frustrated by the constant switching of POV when it was most often switching between the POV of two characters in a scene together. So it felt a bit unnecessary. There was nothing being revealed plot wise for the most part that the reader needed to see a different POV to understand. It could’ve just been written from an omniscient 3rd person or third person multiple which it basically already is, without distinguishing between POVs.
And this frustration was compounded by the fact that the book switched POVs between the two main characters who were deliberately not communicating so we were constantly getting inner monologue about said miscommunication from both sides. And for me I also found myself frustrated by the constant switching of POV when it was most often switching between the POV of two characters in a scene together. So it felt a bit unnecessary. There was nothing being revealed plot wise for the most part that the reader needed to see a different POV to understand. It could’ve just been written from an omniscient 3rd person or third person multiple which it basically already is, without distinguishing between POVs.
These frustrations did ease by the second half, and I'll say that the final act really saved the book for me. It was exquisite. The very very end was a bit too 'easy’ in my opinion, but generally the climax was incredibly well done.
Content Warnings
Graphic: Gore, Injury/Injury detail, Gun violence, Animal death, Blood, Colonisation, Death, Violence, and War
The Southern Book Club's Guide to Slaying Vampires by Grady Hendrix
adventurous
dark
funny
mysterious
tense
fast-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.0
I can always rely on Grady Hendrix for a good time. I wouldn't say this was my favorite of his books, that crown still belongs to "How To Sell a Haunted House," but I still really enjoyed it. A fun southern gothic horror comedy that manages to squeeze in commentary on racism, sexism, who people choose to believe, and how easy it is for us to refuse to see what's right in front of us.
Additionally, I always love how he manages to put a twist either on the lore of the horror he’s tackling, or on the lens it’s filtered through. In this one, I love how he filtered it through the lens of the “true crime” genre. It was unexpected and fun for a vampire novel.
Additionally, I always love how he manages to put a twist either on the lore of the horror he’s tackling, or on the lens it’s filtered through. In this one, I love how he filtered it through the lens of the “true crime” genre. It was unexpected and fun for a vampire novel.
Content Warnings
Graphic: Death, Gore, Rape, Dementia, Injury/Injury detail, Blood, Body horror, Adult/minor relationship, Animal cruelty, Suicide attempt, Violence, Murder, Sexual assault, Gaslighting, Sexual content, and Sexual violence
Moderate: Emotional abuse, Child abuse, Domestic abuse, Classism, Misogyny, and Racism
Oscar Wars: A History of Hollywood in Gold, Sweat, and Tears by Michael Schulman
funny
informative
medium-paced
4.0
A super fun read for Hollywood fans. I almost wish it went more in depth and was a bit longer. It worked best when the author used the Oscars as a mirror, sometimes for the world (whether WWII or the Red Scare) or for tectonic shifts in the entertainment (the transition from silent films to talkies, the transition from the studio system to the power of indie film). Overall I enjoyed it!
The Ballad of Songbirds and Snakes by Suzanne Collins
adventurous
dark
emotional
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Solitaire by Alice Oseman
adventurous
challenging
dark
emotional
funny
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
A Minor Chorus by Billy-Ray Belcourt
emotional
sad
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
An indigenous Cree gay man returns home to gather the stories of those he grew up with as part of an academic project. There’s a lot I loved about the book. The characters were well written. The prose was poetic. For me, it felt like a cross between Anna Hogeland’s “The Long Answer” and Ocean Vuong’s “On Earth We’re Briefly Gorgeous”. The latter is referenced in the text itself as well as in the acknowledgments. And sometimes I felt it was a little bit too close in form and structure. The other thing is that the main character is in academia, and in the beginning of the book, there’s a lot of dialogue that felt self-referential and intentional in its usage of in academia theoretical frameworks that aren’t necessarily accessible. It did feel like a choice, but sometimes I felt the moments where the book was getting into theory could’ve bridged the gap a bit more to make those passages more accessible for those who don’t have backgrounds in the theories being discussed.
Content Warnings
Graphic: Police brutality, Racism, Animal death, Genocide, Rape, Colonisation, Mental illness, Addiction, Classism, and Sexual assault
Tell Me I'm Worthless by Alison Rumfitt
challenging
dark
mysterious
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.5
I’m honestly not sure how to rate this one. I’m a trans femme writer (in a different medium, but writer nonetheless). I tend to like really confrontational storytelling. So I wanted to love it. It felt in many ways like a rehash of Helen Oyeyemi’s “White Is For Witching” which is one of my favorite books, by way of Chuck Palahniuk. There were passages that really worked for me. There are some interesting ideas being explored. But there was a whole lot that felt bordering on pornographic for no real narrative necessity. The result for me was kinda a mish mash wash from someone who I suspect is a very good writer, but needs some more experience. So I look forward to what Rumfitt does next. But this book was rough for me.
Content Warnings
Graphic: Hate crime, Mental illness, Sexism, Suicide attempt, Torture, Toxic friendship, Toxic relationship, Violence, Death, Emotional abuse, Rape, Sexual violence, Deadnaming, Dysphoria, Gaslighting, Gore, Homophobia, Misogyny, Sexual content, Blood, Physical abuse, Self harm, Antisemitism, Transphobia, Xenophobia, Body horror, Body shaming, Confinement, Sexual assault, and Child abuse