Quite an informative read and it surprised me how much the author knew about Philippine history. I just know this will step on some very delicate pearl-clutching hands and unstained toes.
This book is a somber telling of a grandaughter's task to travel with her grandparents to their motherland after living in Japan for 50 years due to Korea's civil war. There is something about how this book discusses age and culture that strongly resonates with me as an Asian of heavily mixed descent. Although it may be short, I think the author did well in fleshing out each character's dilemma: the gap between the granddaughter's understanding and the grandparent's experience, the language barrier that hinders their communication, and the cultural differences that render their intent lost in translation. I would recommend this to anyone who wants a light, eye-opening, and informative read.
Perhaps I've read too many manhwas and mangas with far more shock value than this, but somehow it made me feel increasingly dirty than creeped out. Major content warnings are provided by the author at the outset. Will be tagging them here as well.
The author is right to say they have a theory about houses. There is something unique about each house, and every crevice has its own haunting. Hacienda spoke to my Filipino heart and reminded me of home, all the folktales my small town brought me up with. Although it doesn't scare nor creep as much as it perhaps intended, it did bring up some disturbing themes of classism and abuse, which is where the true horror lies.
One word I would say about this book is that it is ambitious. It tells the story of an entire crew grappling with a seemingly ominous threat throughout their voyage, and the subsequent deaths surrounding it. The book makes use of a lot of the inconveniencies in the 1600s to further the plot. If you like And Then There Were None, you will enjoy this.
There is a lot to unpack with this book despite how easy and tongue-in-cheek it tries to sound. Our main character is a passive one -- indecisive, unsure, and most of the time, judgemental. Which is someone I wouldn't have a hard time identifying with. I'm not quite sure where I sit with this. On the one hand, it did manage to make me laugh, and the relationships in this book were tackled quite expertly. On the other, it hangs in the delicate balance between being overtly unaware of its racist remarks and just trying to represent the modern 20's edgy humor. I don't know, and I probably never will. The one thing I did like about this book was (surprisingly) Julian, and that's not saying much.