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eloquentmuse's reviews
1011 reviews
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.5
Morgan Shamy’s The Stricken is a wild blend of romantic fantasy and fever-dream surrealism, but I’m hesitant to fully label it as either. The story revolves around Clara, a teen living in a small town (Desolation) where relentless storms erase everyone’s memories except hers. As the sole person who can retain her memories, Clara struggles to protect her mother while grappling with loneliness, exhaustion, and the eerie voice in her head—a voice that’s been her constant companion since childhood.
While the premise is imaginative, and the worldbuilding is packed with intriguing concepts—like memory-devouring Diviners, a magical town called Khalom, and a network of Nobles with reality-shifting powers—the execution left me conflicted. The story is undeniably original, but its complexity felt overwhelming at times, and certain aspects were either poorly explained or downright confusing.
Spoiler Section
What worked:
• The creativity in The Stricken deserves credit. Shamy builds a multilayered universe with unique elements like The Dim (a limbo-like realm for the truly dead), The White Room (a torture space reminiscent of Star Trek’s holodeck), and the five types of magic, including Clara’s rare and feared death magic.
• The story explores compelling themes like self-acceptance and the duality of light and dark within us, embodied by the dynamic between Kale and NoWon.
What didn’t work:
• The stakes felt hollow: Death is a central theme, but with so many characters repeatedly “dying” and coming back to life, the tension fizzled. When no loss feels permanent, it’s hard to stay emotionally invested.
• Character inconsistencies: Clara, though understandably shaped by years of loneliness, came across as immature in ways that were frustrating rather than relatable. Similarly, her quick forgiveness of characters who tortured her in The White Room felt unearned and unrealistic.
• Plot gaps and unresolved threads: How did Kale, a voice in Clara’s head for years, fail to notice the Diviners and Nobles living right under their noses in Desolation? Why was Clara so oblivious to the obvious—like the “NoWon” name pun? The ending, too, left me scratching my head. Was it meant to be happy, bittersweet, or something else entirely?
Ultimately, The Stricken left me feeling conflicted. Its dreamlike quality was both a strength and a weakness: while it was imaginative, it often felt disjointed and hard to follow. I wanted to love the world and characters more, but the lack of cohesion and emotional depth kept me from fully connecting.
If you’re a fan of ambitious, abstract fantasy with a touch of romance and don’t mind some narrative confusion, this book might work for you. For me, it was a mixed bag, and I’m not sure I’ll be diving into a sequel.
Moderate: Death, Death of parent, Abandonment
Minor: Confinement, Mental illness, Suicide, Terminal illness, Violence
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Revna’s mission is a near-suicidal one: she’s ordered to kill the fae king Lysanael, who is rumored to have murdered King Darrew’s daughter. But as she and Lysanael are drawn into a feigned courtship—a ruse to satisfy Lysanael’s council that demands he find a wife to continue fae magic—sparks fly, and their enemies-to-lovers romance unfolds with a mix of teasing heat and genuine chemistry. The tension between them is a major highlight, leading up to a mild but satisfying spicy moment later in the book.
The story maintains steady pacing, with solid world-building and intriguing secondary characters, especially the Druid, who captured my interest with his mysterious depth. However, one thing I wished for was more clarity around the fae’s magical stipulations for lineage and magic—why their magic depends on these marital traditions isn’t fully explained, and it left me with some lingering questions.
Overall, The Fae King’s Assassin delivers an enjoyable romantic fantasy with solid plotting, believable character growth, and a steady flow of action and intrigue. While it didn’t quite blow me away, it was a good read that kept my interest, especially through its well-crafted character dynamics and hints of magic-laced mystery. Perfect for fans who enjoy a blend of romance, fantasy, and a touch of dark intrigue.
Moderate: Slavery, War
Minor: Child abuse, Torture, Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
I’m giving this a 3.5-star rating. Some parts dragged and nearly lost my interest, but the plot was strong enough to keep me hooked until the end.
Moderate: Confinement, Death, Violence, Murder, War
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Every so often, the Greek gods hold a Crucible, a series of trials where mortals represent them to determine the new king of the gods. This time, Hades, for the first time, chooses to participate—and he picks Lyra as his champion. The story explores how the gods view humanity, often showing them as petty and indifferent, yet hinting that some gods might actually care about human life or feel guilt, giving a nuanced portrayal of divinity.
I really enjoyed how the characters each had distinct personalities and complex relationships. Lyra’s journey is particularly compelling; her struggle with the curse of being “unlovable” raises questions about whether her isolation is truly from the curse or her own emotional walls. There are signs that people care for her in ways she doesn’t recognize, which adds depth to her character arc.
The book has a slow-burn romance, with only mild spice, and it ends on a cliffhanger. I found myself hooked, even setting aside another book to focus on this one. Overall, I’d rate it around 4 to 4.5 stars, and I’m looking forward to seeing where the story goes in the next installment. Highly recommend for fans of romantic fantasy with mythological twists!
Graphic: Death, Gore, Violence, Blood, Grief, Medical trauma, Murder, Injury/Injury detail
Moderate: Abandonment
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I really enjoyed Iron Flame, the second installment in The Empyrean Series by Rebecca Yarros. I listened to the graphic audio edition, and it was fantastic! The narrators bring each character to life perfectly, especially Xaden, whose voice is (*fans self*) deep and smooth.
In this book, Violet, the FMC, is now a second-year rider. She’s uncovering layers of secrets held by those around her—including from Xaden. Their relationship intensifies as they grapple with trust and honesty amidst brewing revolution, battling both their old leaders and the constant threat of the Venin and Wyvern. A new kind of infiltration tests their bond in ways they hadn’t expected, raising the question: can love really conquer all?
There’s plenty of action and a bit more spice than the first book, along with a solid plot and well-rounded characters. I love the complexity of Violet and Xaden’s relationship, as well as the nuanced connections they share with friends, family, dragons, and even enemies. This book ends on another suspenseful cliffhanger, leaving me eager for the next installment! I’ll be rating it 4 1/2 stars.
Graphic: Death, Sexual content, Torture, War
Moderate: Violence, Grief, Injury/Injury detail
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I’ve been eager to dive into The Empyrean series, especially with all the buzz around it, and I finally started with The Fourth Wing. This fantasy romance centers on Violet, a tough yet physically vulnerable FMC (female main character). She’s not physically strong due to a health condition that isn’t fully explained, making her journey all the more compelling.
Originally, Violet wanted to join the Scribe Quadrant, but her formidable mother forces her into the Rider Quadrant, the most perilous path. Surviving here means facing constant physical and mental trials, as candidates drop off—and die—at every step. Violet meets Xaden, a third-year and part of a rival family, making for a forbidden, enemies-to-lovers romance. Their connection grows despite the risks and his leadership role over her, and the tension is only heightened by secrets and conspiracies lurking within the academy.
The book offers a rich mix of magic, dragons, and a government conspiracy that our underdog FMC might just unravel. It hits a lot of familiar fantasy tropes, but they’re done with such skill that I was completely hooked. I’m already starting the second book and would definitely recommend the series to any fantasy romance fan!
Graphic: Death, Violence, Grief, Injury/Injury detail
Moderate: Death, War
Minor: Death
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
This is a captivating romance fantasy set in a unique blend of urban and traditional medieval fantasy. The romance is a slow burn (at least for me), but it develops naturally and feels authentic. The characters are complex and well-developed, and there are intriguing hints of worldbuilding and lore that make you eager to learn more about this world, its magic, and its inhabitants. The magic system itself feels fresh and different compared to other fantasy romance books I’ve read, with one standout feature being the imagery of dragons transforming into floating moons after death—such a striking visual!
The story follows Raeve, a skilled assassin with a mysterious past, and Kaan, a notorious dragon rider. It fits the enemies-to-lovers trope, and the plot had me hooked from start to finish. I’m eagerly anticipating the next book in the series!
Graphic: Death, Gore, Torture, Blood, Kidnapping, Stalking, Death of parent, Fire/Fire injury
Moderate: Miscarriage, Grief, Pregnancy
Minor: Sexual assault
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
After the female MC is attacked by her employer, she desperately needs employment. Her family is poor, a severely ill father and younger sister reliant on her earnings. She runs into a mysterious and handsome villain who is taken instantly by her intelligence and hires her as his secretary. What choice does she have?
There’s a mystery and a rat to sniff out, and the MC spreads her sunshine as she acts as detective. She works in the villain’s castle office that is full of his newest victims’ hanging heads, a talking prince frog, and a dragon.
This was fun and a light read; however, there’s definitely dark and gory situations, sensitive issues discussed, and crazy plot twists.
It’s worth a read.
Moderate: Death, Gore, Sexual assault, Violence, Murder, Abandonment
Minor: Child death, Death of parent
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? N/A
- Flaws of characters a main focus? Yes
4.0
I liked how well thought out the plot, the characterization, and even their growing romance seemed to be. The god of nature is cruel and fickle but not evil. The vampire-since-birth is ignorant of humanity’s most innate knowledge: the briefness of life, desperation of dying, the inevitability of death. The humans are stiff-necked and narrow in their views and stubborn in their refusal to risk their short lives to better the world. Love is presented in its many forms as the one thing worth living and dying for.
It was poetic in ways and lighthearted in ways. Well worth a read.
Moderate: Terminal illness
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
I felt like this was enjoyable but could’ve been better. There was a more detailed background, world, and plot just peeking from the edges that never revealed themselves. The characters did develop into better more tolerable people, but there was something missing deeper that would’ve made them more well-rounded.
Overall, this was a good, surface level read with potential.