lee mandelo - Reading Joanna Russ: How to Suppress Women’s Writing (1983) https://reactormag.com/reading-joanna-russ-how-to-suppress-womens-writing-1983/
conner habib - if you ever did write anything about me, i'd want it to be about love
jane eaton hamilton - never say i didn't bring you flowers
contentious one. i've liked all of rfk's previous work so i had clear expectations — beautiful prose, a fascinating magic system, at least one annoying character. she has this special quality to her writing so sometimes you don't even notice when the narrative drags because it's so well-written, like insanely well-written, which is what ended up saving the book.
katabasis chronicles postgrad alice's journey to save her advisor's soul for her recommendation letters (according to the first two pages, anyway), which sounds pretty ridiculous, but [rfk voice] she really really loves magick, okay. i liked alice as a character because of her conviction, but 90% of what we learn about her is all the lengths she goes to for magick and i think i would've connected to her more if someone bothered to explain better why she was so invested in it. girl just do physics atp
strangely i don't think that dampened my enjoyment too much. reiterating the fact that rfk writes gorgeously because this was unputdownable. that said. the book's solid plot was ruined a little by dragging in the middle and alice & peter's plot armor annoyed me. kuang reinvents hell in a way that makes it feel fresh even though it's literally just university. not kidding. pride is a fucking student center.
moving on! if i replaced peter with an intelligent talking burger the narrative would be three-quarters the same. he had zero flavour. his white ass probably tastes like baked beans. nevertheless i LOVED his and alice's banter like no you should not follow immanuel kant's advice on pretending to be in love when he died a virgin at age 79 alice you're right.
the magic — sorry, magick — system is based off logical paradoxes and just barely bends the laws of reality. every time a new paradox was introduced i got happy because they're so good to chew on. i've gone into wikipedia rabbit holes about this. this was a main component of the book and i still wanted more. if others' complaints about katabasis talking down to its readers was about this i will say i am known to— [gunshot]
final thoughts - the romance between alice & peter is lackluster and their reasons for avoiding/hating each other felt a little flimsy. also wished alice got a life. also wished this was longer because god rfk writes so well have i mentioned that yet
wouldn't say i adored this book but it was a good ride. i liked the commentary on the beauty industry & materialism & self-worth but thought it was pretty surface level; the highlight of the book was honestly the mc exploring her relationships with her parents (and the grief that came with those) and music. the writing was really lovely, with a sort of disconnected floaty tone that i enjoyed, but i don't think the horror elements were used to their full potential. it goes from 0 to 100 in the last quarter and the body horror is gross but lasts approximately three seconds. overall, i'm glad i read this at all but it was meh. so.
Violet’s breath catches. She’s never really thought of her heart before. The heart’s a muscle that works to keep her alive. Works to keep this other girl alive, too. Two muscles squeezing over and over to keep them upright, all for the purpose of this moment, right now.
They’re standing far away, but Violet can feel Liv’s hand on her own heart.
twelfth night modern retelling but olivia/viola endgame god this is everything i've ever wanted
that said. i do think this dragged a little in the middle and it ended up sitting on the backburner for a solid month (sorry 😭). short fun chapters to make you through it. i also think it would've benefitted from a little more closure but it was a good book overall, rec if you like messy protagonists in ya lol
the way this book keeps you engaged is that it always ends a section slyly referring to another event or incident which it then expands upon, which worked, but also made it feel like a very drawn-out dialogue. i was confused in the beginning but ishiguro did a good job at building up the details throughout so when the reveals came i wasn't surprised. overall, a little boring. didn't really love any of the characters and there wasn't the closure i wished for but well done.
plot was meh but it raised some interesting questions. fleshed out the characters a lot more than aart through changing povs. adored miranda and maya's povs. i am too woke for andy.
this was cool, i was engaged the whole way and i don't rly think it dulled at any point. april's pov was a bit weirdly written at some points but those were easily ignored
okay this was so cute. i am on a lesbians in space kick and this was so lovely and a pleasure to read. there's some plot, some romance (which is more in the second half), some mystery and an ominous pov for a while. so. read it. and thank me