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illtakethenightshiftx's reviews
193 reviews
Did not finish book. Stopped at 15%.
Thank you to NetGalley and the publisher for an eARC.
4.5
Some pieces of essays felt repetitive in conversation with others, but that didn’t take away from how powerful the collection is.
Graphic: Grief, Colonisation
Moderate: Addiction, Miscarriage, Sexual assault, Sexual violence, Pandemic/Epidemic
Minor: Abortion
5.0
Graphic: Child abuse, Emotional abuse, Mental illness, Panic attacks/disorders, Physical abuse, Suicidal thoughts, Gaslighting, Abandonment
Moderate: Grief, Injury/Injury detail
Minor: Colonisation, War
4.0
The chapters about slasher films and rape revenge films were the highlights of the book for me. (Slashers are my favorite subgenre)
The latter chapter impressed me the most because of what Clover analyzed and discussed. I have been hesitant to explore the subgenre for various reasons but after reading Clover’s analysis and learning more about the subgenre and feminine rage in horror, I think I’ll be giving Last House on the Left (1972) and I Spit On Your Grave (1978) a try.
All the content warnings - this is a book about horror films.
Graphic: Rape, Sexual assault, Suicide, Torture, Violence, Stalking, Murder
Moderate: Transphobia
Minor: Self harm
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
3.75
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
5.0
I cannot wait to discuss this at book club!
(more formal review to come post-book club)
Graphic: Child abuse, Child death, Racial slurs, Racism, Violence
Moderate: Death of parent
4.5
I would highly recommend this to any horror fan who likes to go on deep dives into the genre!
Minor: Body horror, Child death, Gore, Mental illness, Misogyny, Rape, Sexual violence, Torture, Violence, Cannibalism, Murder
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
Graphic: Alcoholism, Fatphobia, Sexual content
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Flaws of characters a main focus? Yes
3.0
Motheater is an interesting little story that takes the reader on a journey through time and the Appalachian Mountains. Codega does an incredible job of immersing the reader in a small mining town that sits on Kire Mountain through their prose. I really liked how I felt like I was by Bennie and Motheater's side throughout the novel. Codega did a fantastic job of rooting the reader in place; we see characters speaking in dialect, discuss hyper-local folklore and magic.
Bennie, the main character, felt extremely one-note and is quick to trust Motheater, a witch she finds in a river who has no idea who she is, where she came from, or what happened to her. For a character that's introduced as hesitant to trust people, this felt odd. When we follow her specifically, her internal thoughts, feelings, and actions are repetitive and it feels like she really didn't learn anything, even after going through an unexplainable journey with Motheater and the other characters in the novel.
I absolutely loved Motheater's character, her backstory, and everything else about her. She reminded me of Nona from Nona the Ninth in many respects, which is why I think I feel such a strong affection for her. Codega slowly peels back Motheater's layers and we learn about her in real-time as she begins to uncover who she is. This particular storytelling method was effective and I looked forward to every one of those chapters.
The overall plot has good bones and an interesting premise, but the work as a whole felt like a draft. At times, the story simultaneously rushed and dragged and it felt like key details were missing. Overall, Motheater's themes are deeply resonant, but the narrative feels disjointed and falls victim of trying to do too much in one book.
Graphic: Animal death, Self harm
Moderate: Death, Religious bigotry