A fun, action-packed third instalment of the Murderbot Diaries. I missed ART and found some of the developments predictable but I still appreciated the story and got even more invested in Murderbot’s quest.
The art is the highlight in this story about a teenage boy in the 70s who dabbles with a fictional cult after his uncle gets involved. But the narrative is slow and it fails to really get at the issues it promises, like why the uncle, a Holocaust survivor, would be into the cult. And why the teen sticks with it as long as he does in spite of his skepticism. There also isn’t a lot of character development.
It also feels like there’s a long time spent explaining the fictional cult, in a way that’s like teaching history, when it’s fictional. I’m not sure whether the creator was concerned about being sued by Scientology or another movement but it would’ve been more interesting to me to see a real example.
This book would be a good introductory read for someone who didn’t have any previous familiarity with the idea of cognitive biases. Each chapter in Montell’s book looks at a different cognitive bias like the sunk cost fallacy or confirmation bias, and connects it to modern social phenomena and the author’s personal experience.
I found it a bit basic and disjointed I was expecting at least a wrap-up chapter covering why people should care and offering some key takeaways on how to move forward in the “age” the title speaks to. Montell describes the problem but doesn’t offer much in the way of solutions or broader significance.
So good. Rachel Aviv shares a series of in-depth profiles of diverse individuals’ experiences of mental illness, drawing on interviews and their own diaries and other writings.
Her profiles are compelling, empathetic and very well-told. She also weaves in her own experiences and shows in an elegant, accessible way how individual experiences of mental illness are shaped by social, cultural, familial and individual narratives.
Lots of content notes but I never felt like Aviv was exploiting the darker moments. They were just facts, presented with empathy.
This small, odd, beautiful book is a new favourite. It’s poetic and poignant. I found myself sobbing at the end because of how the worldview hit home. The way the author chose what to put in and leave out is masterful. Read it even if you think you don’t like sci fi.
A beautiful ending to the Earthsea series that draws in characters from Tales of Earthsea and those from the earliest books. It’s a contemplation of death and mortality that’s fitting, if a bit somber. There’s a lot of characters to balance and I wanted some more depth on some of them, particularly Seserakh.
Hench is an entertaining, darkly funny novel that explores good and evil, vengeance and identity. The action scenes are great and the story is compelling. The ending felt more bleak than I had expected but I understand there’s a series planned so it makes sense as a jumping off point for the next book.
Blankets is a classic now and one I’d never got around to reading, but I’m glad I finally did. The semi-autobiographical story explores family, faith, abuse, growing up, being an outsider and experiencing young love. The narration and dialogue style is straightforward but the story writing gives it interesting flow back and forth between Craig’s childhood and teenage years. The art is beautiful and easy to follow and every once in a while he brings in a different style to effectively make a panel or page stand out.
The Secret to Superhuman Strength is a hefty, quirky book that’s a bit of a departure for Bechdel in theme and structure. It’s ostensibly about exercise and the body/mind dichotomy but it’s really an exploration of mortality and meaning. The structure is only loosely chronological, with scenes interspersed of Bechdel’s contemplating connections to Kerouac, Margaret Fuller, Buddhist teachings and more. I really liked the colour work by Holly Rae Taylor and the funny details that Bechdel inserts in several panels. Overall it wasn’t my favourite but I did appreciate the ending.
Erik Larson tries to recapture lightning in a bottle by weaving together the story of Marconi’s invention of wireless telegraphy and the murder of Cora Crippen by her husband. Unfortunately he gets a bit bogged down in Marconi’s biography and random minutiae and it drags a bit when you really just want to learn more about the murder. Things do pick up and the last part is a page-turner.