kaitie_reads's reviews
192 reviews

A Harvest of Hearts by Andrea Eames

Go to review page

adventurous medium-paced
  • Plot- or character-driven? A mix

3.5

💛 Whimsical 
ðŸŦ€ Beauty & The Beast Vibes 
💛 Unique Magic 
ðŸŦ€ Cozy + Animal Companion
💛 Unique Overall Vibe 


I enjoyed this. It's an immersive and slightly odd read. There is a unique overall vibe to this story story, and while the romance fell short for me, I still had a good time.

Foss (our fmc) sets out to find her heart after it's snagged by a mysterious sorcerer. However, she doesn't expect to unearth deeper secrets surrounding these mysterious magic wielders and a mysterious blight that is overpowering her kingdom. 

My favourite thing about this story was Cornelius, the cat. He reminded me of Salem from Sabrina the Teenage Witch with his sassy remarks and no-nonsense quips. He stole the show. I have complicated feelings about Foss (our FMC), she really doesn't hold herself in a remarkable light, but she's also a very good person who wants to help anyone she can. Foss did have some great character development throughout, and I loved her coming to realize her value. Sylvester (MMC), however, felt pretty underdeveloped as a character. He just doesn't stand out, and his limited interactions with the FMC in the first half of the story just didn't sell the romance portion of the story. 

The first half of the story hit me a lot harder than the second. There's a noticeable change in pace and a sense of urgency that develops. The villains also fall a little flat because there's no real depth to why they are bad. It's more just "bad guy wants to be bad and powerful."

That said, Andrea Eames does a great job of building a kind of cute and cozy story that is, at times, quite dark - but has an overall whimsical tone that supersedes the darker themes. The magic system was really neat, the theme of capturing and stealing hearts was well done, and the animal companion was top-notch. Overall, it reads like a coming-of-age, whimsical, dark fairytale, and you can feel the beauty and the beast references seeping through the pages. 

ð“Ģð“ąð“Šð“·ð“ī 𝔂ð“ļð“ū ð“―ð“ļ 𝓝ð“Ūð“―ð“°ð“Šð“ĩð“ĩð“Ū𝔂 𝓊𝓷𝓭 𝓚ð“Ū𝓷𝓞ð“ēð“·ð“°ð“―ð“ļ𝓷 𝓟ð“ūð“Ŧð“ĩð“ēð“žð“ąð“ē𝓷𝓰 ð“Ŋð“ļð“ŧ ð“―ð“ąð“Ū ð“ð“Ąð“’ ð“ļð“Ŋ ð“―ð“ąð“ē𝓞 ð“Ŧð“ļð“ļð“ī. 𝓐ð“ĩð“ĩ ð“―ð“ąð“ļð“ūð“°ð“ąð“―ð“ž 𝓊𝓷𝓭 ð“Ŋð“Ūð“Ū𝓭ð“Ŧ𝓊𝓎ð“ī 𝓎ð“ļð“·ð“―ð“Šð“ē𝓷ð“Ū𝓭 𝔀ð“ēð“―ð“ąð“ē𝓷 ð“―ð“ąð“ē𝓞 ð“ŧð“Ūð“ŋð“ēð“Ū𝔀 𝓊ð“ŧð“Ū ð“ķ𝔂 ð“ļ𝔀𝓷.
The Gods Time Forgot by Kelsie Sheridan Gonzalez

Go to review page

adventurous tense medium-paced

2.0

ðŸĪ Irish Mythology 
👗 Banter 
ðŸĪ Bridgerton Vibes 
👗 Fierce FMC 
ðŸĪ Slow Burn 

I *really* wanted to love this, but it just didn't hook me.

Rua finds herself *awoken* in a body that is not her own, with a name she doesn't recall, in a world that feels foreign to her. She is now Emma Harrington, and she is in a world of trouble with her family and with their high society peers for practicing witchcraft. She knows she is not who they say she is, but with the threat of being sent to an asylum and no other means of escape, she tries her best to blend into her newfound circumstances. 

This book felt snail-paced. Outside of some fun banter and trying to unearth how the heck Rua ended up in a body that is not her own, the story wasn't that intriguing. I found that whenever we got a morsel of information, as readers, it was very info-dumpy, spanning pages of suddenly unearthed mythological connections. The plot feels repetitive, and the characters feel a little underdeveloped if I'm being honest.

The romance was just... lacklustre. The banter was fun, but Finn's continued drive to dismiss Rua and do what *society expects from him* was irritating. I think the author was trying to build in a slow burn and forbidden love element, but it just felt frustrating when the same situation kept repeating itself every few chapters. 

I loved the unique roots of Irish mythology. I definitely felt there was a great historical fantasy and an almost Bridgerton-like vibe to the story, and Rua is definitely a fun character. She is sassy, confident, and intelligent. 

Some readers will definitely love the unique premise and delivery here, but this one unfortunately fell flat for me.

ð“Ģð“ąð“Šð“·ð“ī 𝔂ð“ļð“ū ð“―ð“ļ 𝓝ð“Ūð“―ð“°ð“Šð“ĩð“ĩð“Ū𝔂 𝓊𝓷𝓭 𝓐ð“ĩ𝓎ð“ļð“ŋð“Ū 𝓟ð“ŧð“Ū𝓞𝓞 ð“Ŋð“ļð“ŧ ð“―ð“ąð“Ū ð“ð“Ąð“’ ð“ļð“Ŋ ð“―ð“ąð“ē𝓞 ð“Ŧð“ļð“ļð“ī. 𝓐ð“ĩð“ĩ ð“―ð“ąð“ļð“ūð“°ð“ąð“―ð“ž 𝓊𝓷𝓭 ð“Ŋð“Ūð“Ū𝓭ð“Ŧ𝓊𝓎ð“ī 𝔀ð“ēð“―ð“ąð“ē𝓷 ð“―ð“ąð“ē𝓞 ð“ŧð“Ūð“ŋð“ēð“Ū𝔀 𝓊ð“ŧð“Ū ð“ķ𝔂 ð“ļ𝔀𝓷.
When the Bones Sing by Ginny Myers Sain

Go to review page

dark tense medium-paced

3.0

ðŸŠĶ YA Folk Horror
ðŸŒļ Southern Charm 
ðŸŠĶ Misfit FMC
ðŸŒļ Pinch of Romance 
ðŸŠĶ Hauntings and Monsters 

I really enjoyed this one, but I also felt like it was lacking a little bit as well.

Dovie is a 17-year-old girl who is a bit of a misfit with a special talent. She can locate people who have died easily because their bones call out and *sing* to her. After an uptick in murders surrounding her small Ozark community - where hikers frequently pass through - this skill definitely comes in handy. 

I thought this was really well written. It's a neat concept. The book has a lot of charm and an overall sense of foreboding throughout with its gothic horror roots. I also found it was pretty unpredictable, but I was also able to guess portions of the conclusion early on. 

The adults were all idiotic, though, especially the police who waited for the bones to sing for Dovie instead of launching their own investigation. There is a little bit of a love triangle, and I didn't feel it really added anything to the story.  The story behind the murders felt very... unhinged and also unbelievable, to be honest. It also felt like Dovie should have been aware of some of the background information in this story before the first page. We kind of just fall directly into her life and story after there have been multiple murders already that she hasn't really questioned. 

Pushing aside the logistical issues, it was still fun, and I was captivated throughout. It was a binge-able story. The scene setting, characters, and concepts were phenomenal, but the plot execution held the story back for me. 

ð“Ģð“ąð“Šð“·ð“ī 𝔂ð“ļð“ū ð“―ð“ļ 𝓝ð“Ūð“―ð“°ð“Šð“ĩð“ĩð“Ū𝔂 𝓊𝓷𝓭 𝓟ð“Ū𝓷𝓰ð“ūð“ē𝓷 ð“Ģð“Ūð“Ū𝓷 𝓒𝓊𝓷𝓊𝓭𝓊 ð“Ŋð“ļð“ŧ ð“―ð“ąð“Ū ð“ð“Ąð“’ ð“ļð“Ŋ ð“―ð“ąð“ē𝓞 ð“Ŧð“ļð“ļð“ī. 𝓐ð“ĩð“ĩ ð“―ð“ąð“ļð“ūð“°ð“ąð“―ð“ž 𝓊𝓷𝓭 ð“Ŋð“Ūð“Ū𝓭ð“Ŧ𝓊𝓎ð“ī 𝔀ð“ēð“―ð“ąð“ē𝓷 ð“―ð“ąð“ē𝓞 ð“ŧð“Ūð“ŋð“ēð“Ū𝔀 𝓊ð“ŧð“Ū ð“ķ𝔂 ð“ļ𝔀𝓷.
The Road of Bones by Demi Winters

Go to review page

adventurous dark tense medium-paced
  • Plot- or character-driven? A mix

5.0

ðŸ–Ī Strong Feminist Themes 
⚔ïļ Viking Romantasy 
ðŸ–Ī Slow Burn 
⚔ïļ Betrayal and Redemption
ðŸ–Ī Very Unique Feel 

I really enjoyed this first book in the Ashen Series, and I'm already so invested in this 5-book(!!) series. 

This story follows Silla, a woman who always seems to be on the run with her father and protector in a world dominated by men. I was hooked from the very first chapter. Demi Winters picks us up and drops us right into this cutthroat and cruel world, where the kingdom sentences people [Galdra] to death by stoning for possessing magic-wielding abilities. 

You can feel the craft that the author has layered into the story. It's meticulous. It feels so well-researched and constructed layer by layer. It's unpredictable and unputdownable. There is a little bit of romance that had me swooning (and a hint of spice as well), there are strong female characters, and there is a lot at stake for our FMC. While I did find Silla slightly irritating at times, she comes by it naturally, as she has been very sheltered from the world for much of her life. 

I did find at times I was a little confused because there are many Old Norse words, there are quite a few nicknames and people to follow, and there are alternating POVs, but I'm now working on the sequel and with the groundwork already laid, finding it easy to follow. This is fantasy-forward romantasy, so while the romance is present, the fantasy side is much heavier in this first installment, and there is a prevalent historical vibe as well. 

This is definitely a must-read, and I'm feeling so excited about this series as a whole.

~

𝓘 ð”€ð“Šð“·ð“―ð“Ū𝓭 ð“―ð“ļ 𝓞ð“Ūð“Ū ð“―ð“ąð“Ū ð“ķð“ļð“ķð“Ūð“·ð“― ð“ąð“Ū ð“ŧð“Ū𝓊ð“ĩð“ē𝔃ð“Ū𝓭 ð“―ð“ąð“Šð“― ð“Ūð“ŋð“Ūð“ŧð”‚ð“―ð“ąð“ē𝓷𝓰 ð“ąð“Ū ð“ąð“Šð“­ 𝓭ð“ļ𝓷ð“Ū ð“―ð“ļ ð“ķð“Ū—ð“Ūð“ŋð“Ūð“ŧ𝔂 𝓞ð“ĩ𝓊ð“đ, ð“Ūð“ŋð“Ūð“ŧ𝔂 ð“đð“ūð“·ð“Žð“ą, ð“Ūð“ŋð“Ūð“ŧ𝔂 ð“īð“ē𝓎ð“ī—𝔀𝓊𝓞 ð“īð“ē𝓷𝓭ð“ĩð“ē𝓷𝓰. ð“˜ð“― ð“Ŧð“ūð“ēð“ĩð“― ð“ķð“Ū ð“ūð“đ ð“ēð“·ð“―ð“ļ 𝓊 ð“ŧ𝓊𝓰ð“ē𝓷𝓰 𝔀ð“ēð“ĩ𝓭ð“Ŋð“ēð“ŧð“Ū, 𝓊𝓷𝓭 𝓷ð“ļ𝔀 ð“ēð“― 𝔀𝓊𝓞 ð“―ð“ēð“ķð“Ū ð“Ŋð“ļð“ŧ ð“ąð“ēð“ķ ð“―ð“ļ ð“Ŧð“ūð“ŧ𝓷.

𝓗ð“Ū 𝔀𝓊𝓞 ð“ģð“ūð“žð“― ð“ĩð“ēð“īð“Ū ð“―ð“ąð“Ū ð“ŧð“Ūð“žð“― ð“ļð“Ŋ ð“―ð“ąð“Ūð“ķ, ð“―ð“ąð“ļ𝓞ð“Ū ð”€ð“ąð“ļ ð“―ð“ąð“ļð“ūð“°ð“ąð“― ð“žð“―ð“ŧð“Ūð“·ð“°ð“―ð“ą 𝔀𝓊𝓞 𝓞ð“ēð“ķð“đð“ĩ𝔂 𝓊 ð“ķð“Ū𝓊𝓞ð“ūð“ŧð“Ū ð“ļð“Ŋ ð“ąð“ļ𝔀 ð“ąð“Šð“ŧ𝓭 𝔂ð“ļð“ū 𝓞𝔀ð“ū𝓷𝓰 𝔂ð“ļð“ūð“ŧ 𝓞𝔀ð“ļð“ŧ𝓭. 𝓗ð“Ū ð“ū𝓷𝓭ð“Ūð“ŧð“Ūð“žð“―ð“ēð“ķð“Šð“―ð“Ū𝓭 ð“ąð“Ūð“ŧ ð“ŧð“Ū𝓞ð“ēð“ĩð“ēð“Ū𝓷𝓎ð“Ū. 𝓗ð“Ū ð“Ū𝓚ð“ūð“Šð“―ð“Ū𝓭 ð“ąð“Ūð“ŧ 𝓷ð“ē𝓎ð“Ū𝓷ð“Ū𝓞𝓞 𝔀ð“ēð“―ð“ą 𝔀ð“Ū𝓊ð“ī𝓷ð“Ū𝓞𝓞. “ð“Ģð“ąð“Ū𝓷 𝔀ð“Ū ð“žð“ąð“Šð“ĩð“ĩ ð“žð“ąð“ļ𝔀 ð“ąð“ēð“ķ ð“ģð“ūð“žð“― ð“ąð“ļ𝔀 𝔀ð“ŧð“ļ𝓷𝓰 ð“ąð“Ū ð“ē𝓞,” 𝓰ð“ŧð“ļ𝔀ð“ĩð“Ū𝓭 ð“Ēð“ēð“ĩð“ĩ𝓊, ð“―ð“ūð“ŧ𝓷ð“ē𝓷𝓰 ð“ļ𝓷 ð“ąð“Ūð“ŧ ð“ąð“Ūð“Ūð“ĩ.
House of Hunger by Alexis Henderson

Go to review page

dark mysterious tense medium-paced

4.0

ðŸĐļ Gothic + Atmospheric
ðŸ–Ī LGBTQ+ Rep
ðŸĐļ Ominous Tone 
ðŸ–Ī Immersive 
ðŸĐļ Cat + Mouse Horror Dynamic 

This one wasn't quite what I was expecting, but it was amazing. It's a quick and immersive read, and I could not put it down.

Marion, our FMC, is tired of working herself to the bone in what is essentially the slums. After seeing an ad in the newspaper, she offers herself up as a bloodmaid, who will bleed for the rich and elite in exchange for comfort, security, and the promise of a better future... once her service is complete. 

Alexis Henderson has this remarkable ability to not only write an engaging story but write that story while taking direct aim at issues like classism, racism and gender inequality. This book delivers so well by comparing the rich and elite to.... bloodsucking vampires. 

Marion's relationship with Lisavet, the countess of the House of Hunger, is such an amazing representation of exploitative "love." The Rulers of the Houses rely on these bloodmaids but ultimately have the power to discard them as needed while retaining their seat of power. 

I would have liked to see a little bit more worldbuilding and more explanation of the Houses themselves, but overall, I thought that this was really well done and thought-provoking.



𝓜𝔂 ð“ķð“ļð“―ð“ąð“Ūð“ŧ ð“ļ𝓷𝓎ð“Ū ð“―ð“ļð“ĩ𝓭 ð“ķð“Ū ð“Ŧð“Ū𝓊ð“ūð“―ð“ēð“Ŋð“ūð“ĩ 𝔀𝓊𝓞 ð“―ð“ąð“Ū 𝔀ð“ļð“ŧð“žð“― ð“―ð“ąð“ē𝓷𝓰 𝓊 𝓰ð“ēð“ŧð“ĩ 𝓎ð“ļð“ūð“ĩ𝓭 ð“Ŧð“Ū. 𝓘’ð“ķ 𝓷ð“ļ𝔀 ð“ē𝓷𝓎ð“ĩð“ē𝓷ð“Ū𝓭 ð“―ð“ļ ð“Ŧð“Ūð“ĩð“ēð“Ūð“ŋð“Ū ð“ąð“Ūð“ŧ.
â€Ē
ð“Ļð“ļð“ū ð“ī𝓷ð“ļ𝔀, ð”€ð“ąð“Ū𝓷 𝓘 𝔀𝓊𝓞 𝓊 ð“ĩð“ēð“―ð“―ð“ĩð“Ū 𝓰ð“ēð“ŧð“ĩ, ð“ķ𝔂 ð“Ŋð“Šð“―ð“ąð“Ūð“ŧ ð“ļ𝓷𝓎ð“Ū ð“―ð“ļð“ĩ𝓭 ð“ķð“Ū ð“―ð“ąð“Šð“― ð“ēð“Ŋ 𝔂ð“ļð“ū ð“Ūð“Šð“― ð“―ð“ąð“Ū 𝔀ð“Ū𝓊ð“ī, 𝔂ð“ļð“ū’ð“ĩð“ĩ 𝓷ð“Ūð“ŋð“Ūð“ŧ 𝓰ð“ļ ð“ąð“ū𝓷𝓰ð“ŧ𝔂. 𝓘 ð“ĩð“Ū𝓊ð“ŧ𝓷ð“Ū𝓭 ð“Šð“― 𝓊 𝔂ð“ļð“ū𝓷𝓰 𝓊𝓰ð“Ū ð“―ð“ąð“Šð“― ð“ĩð“ļð“ŋð“Ū ð“ŧð“Ū𝓚ð“ūð“ēð“ŧð“Ū𝓞 𝓊 ð“īð“ē𝓷𝓭 ð“ļð“Ŋ . . . 𝓭ð“ē𝓞ð“ķð“Šð“·ð“―ð“ĩð“ē𝓷𝓰. 𝓞𝓷ð“Ū ð“ĩð“Ū𝓊ð“ŧ𝓷𝓞 ð“―ð“ļ ð“ķ𝓊ð“īð“Ū ð“―ð“ąð“Ū ð“ļð“Ŧð“ģð“Ūð“Žð“― ð“ļð“Ŋ 𝔂ð“ļð“ūð“ŧ ð“ąð“ū𝓷𝓰ð“Ūð“ŧ ð“ĩð“ļð“ŋð“Ū 𝔂ð“ļð“ū. 𝓑ð“Ū𝓎𝓊ð“ū𝓞ð“Ū ð”€ð“ąð“Ū𝓷 ð“―ð“ąð“Ū𝔂 ð“ĩð“ļð“ŋð“Ū 𝔂ð“ļð“ū, ð“―ð“ąð“Ū𝔂’ð“ĩð“ĩ 𝓭ð“ļ ð“―ð“ąð“Ū ð“Ūð“ķð“ļð“―ð“ēð“ļ𝓷𝓊ð“ĩ ð“Ŧð“ūð“―ð“Žð“ąð“Ūð“ŧ𝔂 ð“―ð“ąð“Ūð“ķ𝓞ð“Ūð“ĩð“ŋð“Ū𝓞. ð“˜ð“― 𝔀𝓊𝓞 𝔂ð“ļð“ū, 𝓜𝓊ð“ŧð“ēð“ļ𝓷, 𝓷ð“ļð“― ð“ķð“Ū, ð”€ð“ąð“ļ 𝓎ð“ūð“― ð“ļð“đð“Ū𝓷 𝔂ð“ļð“ūð“ŧ ð“ļ𝔀𝓷 ð“Žð“ąð“Ūð“žð“―, ð“ŧð“Ūð“Šð“Žð“ąð“Ū𝓭 ð“ēð“·ð“―ð“ļ ð“―ð“ąð“Ū 𝔀ð“Ūð“― 𝓎𝓊ð“ŋð“Ūð“ŧ𝓷 ð“Ŧð“Ūð“ąð“ē𝓷𝓭 𝔂ð“ļð“ūð“ŧ ð“ŧð“ēð“Ŧ𝓞, 𝓎ð“ūð“― 𝔂ð“ļð“ūð“ŧ ð“ąð“Ū𝓊ð“ŧð“― ð“ĩð“ļð“ļ𝓞ð“Ū ð“ļð“Ŋ ð“ēð“―ð“ž ð“ŧð“ē𝓰𝓰ð“ē𝓷𝓰, 𝓊𝓷𝓭 ð“ļð“Ŋð“Ŋð“Ūð“ŧð“Ū𝓭 ð“ēð“― ð“―ð“ļ ð“ķð“Ū. 𝓘 ð“ąð“Šð“­ ð“ļ𝓷ð“ĩ𝔂 ð“―ð“ļ ð“―ð“Šð“īð“Ū ð“ēð“―.
Even in Death by Randi Garner

Go to review page

adventurous dark emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes

4.0

ðŸĨ€ M/M Romance 
💀 Disability Rep (Hearing Loss) 
ðŸĨ€ Ruthless Gods 
💀 Gorgeous Prose 
ðŸĨ€ Slow Burn 

This was such a gorgeous sequel to "The Goddess Of." ðŸĪ

Randi Garner transports us yet again to a high-stakes world of ruthless gods and immortal rivals. This sequel follows the slow-burn story of Finnian and Cassian. 

Finnian (The High God of Witchcraft & Sorcery + Necromancer) and Cassian (The High God of Death & Curses) couldn't be more opposite... and have feuded for centuries. They are thrust together by Finnian's desire to overpower death, but can Cassian put a stop to his exploits? I love how the author touches on topics such as grief, loneliness, and feelings of personal inadequacy as she weaves together this stunning enemies-to-lovers story. 

With expanded worldbuilding and lore, a tender romance that pulls on your heartstrings and a yearning that might just break your heart, Even In Death is captivating from the very first page all the way to the last. While the story is centered around new characters, there is still more finality to questions that I had from the previous installment. We get some glimpses into how Naia's story has progressed as well.

Beautiful, tragic, and rich, I would highly recommend these books to anyone who has a deep love for mythology-based fantasy. 

ð“Ģð“ąð“Šð“·ð“ī 𝔂ð“ļð“ū 𝓞ð“ļ ð“ķð“ūð“Žð“ą ð“―ð“ļ ð“―ð“ąð“Ū 𝓊ð“ūð“―ð“ąð“ļð“ŧ ð“Ŋð“ļð“ŧ ð“đð“ŧð“ļð“ŋð“ē𝓭ð“ē𝓷𝓰 ð“ķð“Ū 𝔀ð“ēð“―ð“ą 𝓊𝓷 ð“ð“Ąð“’ 𝓎ð“ļð“đ𝔂 ð“ļð“Ŋ ð“―ð“ąð“ē𝓞 ð“žð“―ð“ļð“ŧ𝔂 ð“ē𝓷 ð“Ūð”ð“Žð“ąð“Šð“·ð“°ð“Ū ð“Ŋð“ļð“ŧ ð“ķ𝔂 ð“ąð“ļ𝓷ð“Ūð“žð“― ð“ŧð“Ūð“ŋð“ēð“Ū𝔀.
The Ashes and the Star-Cursed King by Carissa Broadbent

Go to review page

adventurous dark tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

4.0

ðŸĐļ Vampire Politics 
ðŸ–Ī Yearning 
ðŸĐļ Top-Notch Sequel 
ðŸ–Ī Rage & Redemption 
ðŸĐļ Strong Female Characters 

~ spoiler-free ~

I think I'm in the minority here, but I actually enjoyed this sequel more than I enjoyed Serpent. Although everything that happened in Serpent sets up this sequel, SO well.

Carissa Broadbent really expands on worldbuilding, politics, and the tension between the rival vampire clans in this sequel. I found that for me personally, everything starts coming together in the world that she has created. I understood more about the influence of the gods, the motivations of the characters, and the political climate throughout this book. I also love how Oraya gets to explore this new side of herself, where she finally starts to admit that her world may not have been what it seemed. 

The tension between our MCs - and the world as a whole - was more palpable. There are some great subtle horror nods in this installment. The atmosphere is drearier. It just felt to me like there was so much more at stake and harder decisions for our characters to face while trying to remain whole in that process. 

This duet has some great closure as well, while tensions still remain high for the progression of the series. I read Six Scorched Roses (which is amaaaazing) in between the two books, and I would *highly recommend* doing it this way, as it gave me more appreciation for the characters and the sacrficies they have had to make in this high-stakes society.

I'm so looking forward to continuing with Mische's story because I love her, but I plan to read "Slaying the Vampire Conqueror" first. 

~ quotes I loved below **these contain spoilers** ~ 

"𝓗ð“Ū'𝓭 ð“ŧ𝓊ð“ē𝓞ð“Ū𝓭 ð“ķð“Ū ð“―ð“ļ ð“ĩð“ļð“ļð“ī ð“Šð“― ð“―ð“ąð“Ū ð“Ŧ𝓊ð“ŧ𝓞 ð“ļð“Ŋ ð“ķ𝔂 𝓎𝓊𝓰ð“Ū 𝓊𝓷𝓭 𝓎𝓊ð“ĩð“ĩ ð“―ð“ąð“Ūð“ķ ð“―ð“ŧð“Ūð“Ū𝓞."

"𝓛ð“ļð“ŋð“ē𝓷𝓰 𝓞ð“ŧ𝓊𝔂𝓊 𝔀𝓊𝓞 ð“―ð“Ūð“ŧð“ŧð“ēð“Ŋ𝔂ð“ē𝓷𝓰. ð“˜ð“― ð“ŧð“Ū𝓚ð“ūð“ēð“ŧð“Ū𝓭 ð“ķð“Ū ð“―ð“ļ 𝓞ð“Ūð“Ū ð“―ð“ąð“ē𝓷𝓰𝓞 𝓘 𝓭ð“ēð“­ð“·â€™ð“― ð”€ð“Šð“·ð“― ð“―ð“ļ 𝓞ð“Ūð“Ū. 𝓕𝓊𝓎ð“Ū ð“―ð“ąð“ē𝓷𝓰𝓞 𝓘 𝓭ð“ēð“­ð“·â€™ð“― ð”€ð“Šð“·ð“― ð“―ð“ļ ð“Ŋ𝓊𝓎ð“Ū. 𝓐ð“ĩð“ĩð“ļ𝔀 𝓊𝓷ð“ļð“―ð“ąð“Ūð“ŧ 𝓞ð“ļð“ūð“ĩ ð“―ð“ļ 𝔀ð“ēð“―ð“·ð“Ū𝓞𝓞 ð“đ𝓊ð“ŧð“―ð“ž ð“ļð“Ŋ ð“ķ𝔂𝓞ð“Ūð“ĩð“Ŋ 𝓘 𝓭ð“ēð“­ð“·â€™ð“― ð“Ūð“ŋð“Ū𝓷 ð”€ð“Šð“·ð“― ð“―ð“ļ 𝓊𝓎ð“ī𝓷ð“ļ𝔀ð“ĩð“Ū𝓭𝓰ð“Ū."

"ð“Ąð“ēð“°ð“ąð“― 𝓷ð“ļ𝔀, ð“―ð“ąð“ļð“ūð“°ð“ą, 𝓘 𝓭ð“ē𝓭𝓷'ð“― 𝓷ð“Ūð“Ū𝓭 𝓊𝓷𝔂 ð“īð“ē𝓷𝓭 ð“ļð“Ŋ ð“ķ𝓊𝓰ð“ē𝓎𝓊ð“ĩ 𝓰ð“ļ𝓭𝓭ð“Ū𝓞𝓞-𝓰ð“ēð“Ŋð“―ð“Ū𝓭 ð“ąð“Ū𝓊ð“ŧð“― ð“Ŧð“ļ𝓷𝓭 ð“―ð“ļ ð“ī𝓷ð“ļ𝔀 ð“―ð“ąð“Šð“― 𝓞ð“ŧ𝓊𝔂𝓊 𝔀𝓊𝓞 ð“đð“ē𝓞𝓞ð“Ū𝓭. ð“Ēð“ąð“Ū 𝔀𝓊𝓞 𝔀ð“Ū𝓊ð“ŧð“ē𝓷𝓰 ð“―ð“ąð“Šð“― 𝓊-ð“Žð“Šð“―-ð“ē𝓞-ð“đð“ē𝓞𝓞ð“ē𝓷𝓰-ð“ļ𝓷-ð“ķ𝔂-ð“ĩð“Ū𝓰-𝓊𝓷𝓭-𝔂ð“ļð“ū'ð“ŧð“Ū-ð“―ð“ąð“Ū-ð“Žð“Šð“― ð“Ŋ𝓊𝓎ð“Ū. 
𝓜𝔂 ð“Ŋ𝓊ð“ŋð“ļð“ŧð“ēð“―ð“Ū ð“ļð“Ŋ ð“―ð“ąð“Ū 𝓭ð“ēð“ŋð“Ūð“ŧ𝓞ð“Ū ð“ĩð“ēð“Ŧð“ŧ𝓊ð“ŧ𝔂 ð“ļð“Ŋ 𝓞ð“ŧ𝓊𝔂𝓊 ð“Ŋ𝓊𝓎ð“Ū𝓞."
Cursebound by Saara El-Arifi

Go to review page

adventurous tense medium-paced
  • Diverse cast of characters? Yes

2.5

ðŸĐĩ LGBTQ+ Rep 
🊘 Diverse Characters 
ðŸĐĩ Bonded Companions 
🊘 Unique Magic Systems
ðŸĐĩ Elves VS Fae 

2.5⭐ïļ rounded up.

~ series spoiler-free ~

Unfortunately, this one didn't hit the mark for me, at least not as well as the first book. 

While I really do love the representation in this story and world that Saara El-Arifi has created,  this sequel just felt like it was lacking some heart for me. 

We start out by following Yeeran and Lettle on some new journeys, but those journeys feel kind of...  haphazard. I felt that the plot was a little jumpy, and while I was hoping to feel more emotionally attached to the characters in this second installment, they fell flat for me. I feel like rather than learning from the mistakes made in the first installment, the characters doubled down and made the same mistakes in the sequel. Whereas I was hoping for certain relationships to bloom, they felt stagnant and devoid of feeling. However, there are some wonderful new characters introduced and some twists + turns I didn't see coming.  I do really love the Obeahs and their sassy attitudes!

While I appreciate the uniqueness of these books, I'm not sure if I'll pick up the third installment of this series. I found that while there are some big developments and revelations, the characters are too detached from those occurrences that it dulls any impact for me as a reader. 

I did want to add that the author gave us a wonderful recap of the first book in the epilogue, and I appreciated this so much!  

Thank you to Netgalley and Random House Publishing Group - Del Rey, Random House Worlds, for the ARC of this book in exchange for my honest review.
Onyx Storm by Rebecca Yarros

Go to review page

adventurous emotional tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes

4.0

ðŸē Sassy Dragons 
⚡ïļ Um, Ridoc ðŸ”Ĩ
ðŸē Epic Fantasy Vibe 
⚡ïļ Expanded Worldbuilding and Lore 
ðŸē Fast-Paced 

~ series spoiler-free ~ 

So, I've seen a lot of hate for this book, and I really don't get it... at all. I think Yarros has solidified herself as an author who can write epic political fantasy with this installment of the series.  

It's definitely not as romantic as previous books, Violet isn't as horny (thank the gods), and overall the romance has definitely been toned down but is still very much a heavy theme and plot line. The pacing is leagues better than Iron Flame (and even Fourth Wing). The character growth is phenomenal (Ridoc has moved up quickly as one of my favourite characters), and there's expanded worldbuilding that I know is going to come into play as the series continues.

Some other reviewers have talked about this containing a lot of "filler content," and honestly, I didn't feel that way at all. Usually, fantasy doesn't give us all of the answers until the final book, and I detect what a lot of people thought was filler actually contains some pretty heavy foreshadowing for how the series is going to play out. 

I continue to love Violet as an imperfect character. This girl lives through her heart, and while she can be cunning and intelligent, she always comes back to love. I can definitely see where others take some issue with her as a character, but she's a young woman who is deeply in love... on the precipice of a world-shattering war. The girl is carrying SO. MUCH. WEIGHT. I think Yarros has actually created an extremely realistic character in Violet.

I don't think this series is perfect, but the expanded lore, the military operations, and the romance (with that little pinch of spice) are all done extremely well. It's highly enjoyable romantasy, and this is probably the first book in the series where I didn't find that I was dragging myself through certain parts. The other cultures and customs introduced were fascinating, and the side missions really helped with character growth. I do wish we had seen just a little more of Rhiannon as a character - because I love her - but we do get a POV chapter.

I think Fourth Wing has been my favourite of the series so far, but this book has the best writing. As with many other fantasy series, you can feel the growth that RY as an author has experienced since the first book.



To avoid spoilers for the series, I'm just going to share the dedication quote because it resonated with me so much: 

"ð“Ģð“ļ ð“―ð“ąð“Ū ð“ļ𝓷ð“Ū𝓞 ð”€ð“ąð“ļ 𝓭ð“ļð“·â€™ð“― ð“ŧð“ū𝓷 𝔀ð“ēð“―ð“ą ð“―ð“ąð“Ū ð“đð“ļð“đð“ūð“ĩ𝓊ð“ŧ 𝓎ð“ŧð“ļ𝔀𝓭, ð“―ð“ąð“Ū ð“ļ𝓷ð“Ū𝓞 ð”€ð“ąð“ļ 𝓰ð“Ūð“― 𝓎𝓊ð“ūð“°ð“ąð“― ð“ŧð“Ū𝓊𝓭ð“ē𝓷𝓰 ð“ū𝓷𝓭ð“Ūð“ŧ ð“―ð“ąð“Ūð“ēð“ŧ 𝓭ð“Ū𝓞ð“ī𝓞, ð“―ð“ąð“Ū ð“ļ𝓷ð“Ū𝓞 ð”€ð“ąð“ļ ð“Ŋð“Ūð“Ūð“ĩ ð“ĩð“ēð“īð“Ū ð“―ð“ąð“Ū𝔂 𝓷ð“Ūð“ŋð“Ūð“ŧ 𝓰ð“Ūð“― ð“ē𝓷ð“ŋð“ēð“―ð“Ū𝓭, ð“ē𝓷𝓎ð“ĩð“ū𝓭ð“Ū𝓭, ð“ļð“ŧ ð“ŧð“Ūð“đð“ŧð“Ū𝓞ð“Ūð“·ð“―ð“Ū𝓭. 𝓖ð“Ūð“― 𝔂ð“ļð“ūð“ŧ ð“ĩð“Ūð“Šð“―ð“ąð“Ūð“ŧ𝓞. ð“Ķð“Ū ð“ąð“Šð“ŋð“Ū 𝓭ð“ŧ𝓊𝓰ð“ļ𝓷𝓞 ð“―ð“ļ ð“ŧð“ē𝓭ð“Ū."
Something in the Walls by Daisy Pearce

Go to review page

dark tense medium-paced

4.0


🐝 Creepy and Ominous 
ðŸ–Ī Manipulation 
🐝 My Skin was Crawling 
ðŸ–Ī A Haunting 
🐝 Witchy Folk Horror

This was definitely an eerie and very immersive read. It is rich with folk horror, it has amazing scene setting, and the overall premise is gripping. 

Mina is a new child psychologist who meets Sam at a grief group counselling session. Sam is an investigative journalist and approaches Mina to help him with a case concerning a teenage girl who is being haunted. 

This novel really speaks to how easily people can be influenced or manipulated to the extent that they no longer trust their own perceptions of reality. While I did find the plot slightly predictable (I managed to guess the direction fairly early on), the development is also terrifying. I actually had to read most of this during the light of day because the haunting and horror elements were done so well that it made my skin crawl. I experienced a constant looming feeling of dread while reading. All of the characters have secrets, so their interactions with one another and their impact on the development of the story are riddled with ominosity. 

We are left with some unanswered questions. Some of the plot elements definitely feel a little far-fetched, and I really would've liked just a little bit more closure between our main characters, but I think the story was well written with a satisfying conclusion overall. It was interesting to me how the guilt and anxiety that our protagonist felt influenced her external reaction to the "haunting." 

This was a really good, fast-paced, and vastly uncomfortable read. 

ð“Ģð“ąð“Šð“·ð“ī 𝔂ð“ļð“ū ð“―ð“ļ 𝓝ð“Ūð“―ð“°ð“Šð“ĩð“ĩð“Ū𝔂 𝓊𝓷𝓭 ð“Ēð“―. 𝓜𝓊ð“ŧð“―ð“ē𝓷'𝓞 𝓟ð“ŧð“Ū𝓞𝓞 ð“Ŋð“ļð“ŧ 𝓊𝓷 ð“ð“Ąð“’ ð“ļð“Ŋ ð“―ð“ąð“ē𝓞 ð“Ŧð“ļð“ļð“ī ð“ē𝓷 ð“Ūð”ð“Žð“ąð“Šð“·ð“°ð“Ū ð“Ŋð“ļð“ŧ ð“ķ𝔂 ð“ąð“ļ𝓷ð“Ūð“žð“― ð“ŧð“Ūð“ŋð“ēð“Ū𝔀