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kt2e56's reviews
116 reviews
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.0
But holy SHIT what an abysmal execution.
First of all: there’s the obnoxious overuse of very modern phrases and concepts (I mean modern as in there’s no way someone in Ancient Troy would even know what this MEANS let alone say it) which kept taking me out of the story. The author also straight up has no idea how to write dialogue. Each character sounds the same. They all speak the same. Exactly the same. And there’s ZERO consistency. A character will go from speaking fairly normally one chapter to speaking like a British chav the next (no joke. “Me mam bloody well told him to sod off, the wanker.” That’s the level of bizarre random, nonsensical dialect the reader is subjected to. It makes ZERO sense and comes and goes in such an alarming rate) then back to normal a sentence later. It’s insanity.
Most egregiously though, halfway through the book Barker decides to abandon the purpose. It’s no longer the Iliad from Breises’ point of view and told in her voice (granted her voice sounds like everyone else’s but still) but now we’re being subjected to jarring chapters told in third person all about Achilles and events that Breises wasn’t even around for. So the author essentially took back the idea that made this so interesting in the first place by tossing Breises aside and making this all about Achilles and his mommy issues.
Like I truly don’t know what editor approved this. This genuinely felt like I was reading an outline let alone an actual published novel. And a novel that people are apparently fawning over and think is really good and ~feminist~!? I’m just astounded by the praise this mess of a book has received. The one good thing honestly was Achilles being portrayed as a petulant toddler obsessed with breast-feeding a la Homelander in The Boys. That’s it. I hate comparing books but honestly just read Madeline Miller’s “Song of Achilles” even THAT is much more graceful and lyrical and does an infinitely better job of fleshing out Breises (AND SHE IS ONLY A SIDE CHARACTER!!! SHE ISN’T THE CHARACTER TELLING THE STORY!!!) than this drivel did. Both SOA and Circe were so well done and beautifully written that they felt like myths in and of themselves. This is just bizarre.
Graphic: Adult/minor relationship, Child death, Death, Genocide, Gore, Misogyny, Pedophilia, Physical abuse, Rape, Sexual assault, Sexual violence, Slavery, Torture, Violence, Blood, Excrement, War, Injury/Injury detail
Moderate: Animal death, Cursing, Suicidal thoughts, Suicide, Vomit, Medical content, Grief, Pregnancy
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
I know the author has been on a crusade about how it’s sexist to not like a book with unlikable female characters but it’s not that I don’t like books about unlikable women, I like well-written books about unlikable women. The nameless main character is boring. She just is. She’s racist and nasty and cruel but above all, just so fucking boring. And the author is boring. We get it: somehow despite not showering for weeks, having crusted up eyes, toothpaste all over her face, and god knows what else…everyone is bending over backwards to let the main character know that she’s still just so beautiful and perfect and nobody could ever be thinner or prettier. My god. Find something less cliche.
What was I’m assuming supposed to be some big shocking reveal at the end about Reva dying in 9/11, I literally predicted when I was 22% of the way into the book. So not really that shocking. Just another cliched attempt at controversy.
I did give this one whole extra star for the spot on critiques about the art world. I thought that was genuinely funny and satirical. Ditto for the author’s description of Long Island (I live one town over from Farmingdale in Massapequa. Lol.) which I found pretty funny. Otherwise? Meh. I don’t take Infermiterol but I’m sure I’ll forget this book in three days.
Graphic: Animal cruelty, Body horror, Body shaming, Confinement, Drug abuse, Eating disorder, Fatphobia, Mental illness, Racism, Self harm, Sexual assault, Sexual violence, Suicidal thoughts, Toxic relationship, Excrement, Vomit, Grief, Suicide attempt, Death of parent, Toxic friendship
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
2.0
What could have been a compelling story got so muddled up in so much that seemed unnecessary: red herrings that waste huge chunks of time, every character’s inner voice sounding similar, the death of the most interesting character, the conclusion by the most annoying character, and the first chunk told by Wyatt which felt just so out of place.
And then the killer being someone that felt completely out of left field?
This just felt really messy and not particularly well-thought out.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
I read Circe first and I found it to be much, much more relatable due to my own personal history and experiences but this book was just as spectacular. I love that this was all told from the point of view of Patroclus. He’s compelling and it’s lovely to see his own story fleshed out. His love for Achilles is touching but I think Achilles eventually becomes so unlikeable that it’s hard to see what Patroclus still sees in him and why he still so readily would give up everything for him.
And Achilles himself is seen as complex here! Which is fine! Complex is good and I’m glad that he wasn’t always the attentive, loving, nurturing boy that Patroclus fell for and believed in. I think the story of Achilles here (and eventually Pyrrhus although he’s a much more extreme example) is a fascinating look at masculinity. Achilles is beautiful and sensitive and kind. He loves music and pretty things and nature. We see this throughout. But it isn’t until he starts demanding the treatment he believes he deserves and stamping out all that’s beautiful and tender about him that he could be seen as great and powerful by the world around him. He believes he’s entitled to greatness and he reaches a point where he really buys into his own hype and doesn’t care who he’s harmed as long as he gets what he believes he deserves as this pinnacle of masculinity, the best of the best. He can only become a hero by embracing cruelty and he’d rather be a hero and be remembered by everyone than remembered only by his love, Patroclus: the only person who ever really knew him at all.
I’ll be thinking about this book for awhile. It’s hard not to. It’s so rich and textured. I’m giving this a 4.5 instead a 5, only because I started to grow a bit numb from reading cruelty after cruelty and atrocity after atrocity but I can absolutely recognize that that has nothing to do with Miller’s skill as a writer, and has everything to do with my own personal preferences.
Graphic: Child death, Death, Genocide, Gore, Gun violence, Misogyny, Rape, Self harm, Sexual assault, Sexual violence, Slavery, Toxic relationship, Violence, Blood, Kidnapping, Grief, Murder, War, Injury/Injury detail
Moderate: Animal death, Homophobia, Suicidal thoughts, Xenophobia, Trafficking, Outing
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
Graphic: Body horror, Confinement, Death, Emotional abuse, Gore, Misogyny, Rape, Sexism, Sexual violence, Grief, Murder, Fire/Fire injury, Abandonment
Moderate: Adult/minor relationship, Animal death, Child death, Genocide, Incest, Pedophilia, Slavery, Torture, Xenophobia, Blood, Medical trauma, Pregnancy, War
3.75
Graphic: Alcoholism, Emotional abuse, Physical abuse, Toxic relationship, Gaslighting
Moderate: Drug abuse, Drug use, Hate crime, Homophobia, Racial slurs, Transphobia
Minor: Vomit
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
1.5
Each character spoke exactly the same despite their age/time period differences. Like the entire book felt like one person arguing with themself.
The book was told from Holly’s point of view but she had no real personality to her.
Rose’s personality was just the author describing her outfits (and she was the only character who ever got such devoted details when it came to clothing. Everyone else might have been naked based on the lack of description they received).
Ida’s personality was that she was supposed to be the dark, edgy one who makes “quirky” art projects using the bodies of her victims but like that’s literally it. Just that one note played over and over and over again.
Parker was beautiful. That’s it. Beautiful (no other character had the same level of description when it came to physical appearance) and unbelievably foolish because
Side characters were also given just one personality trait per person.
It’s a shame this book was as bad as it was because the premise sounded great and I
Graphic: Adult/minor relationship, Body horror, Child death, Death, Emotional abuse, Gore, Misogyny, Torture, Toxic relationship, Violence, Blood, Murder
Moderate: Addiction, Alcoholism, Child abuse, Dementia, Death of parent, Sexual harassment
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
Graphic: Death, Domestic abuse, Hate crime, Torture, Toxic relationship, Violence, Forced institutionalization, Police brutality, Murder, Fire/Fire injury, Injury/Injury detail
Moderate: Addiction, Drug abuse, Drug use, Infidelity, Pedophilia, Sexual assault, Sexual content, Religious bigotry, Suicide attempt, Toxic friendship
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.5
Graphic: Gun violence, Mental illness, Toxic relationship, Violence, Stalking, Murder, Toxic friendship, Abandonment
Moderate: Adult/minor relationship, Animal death, Child death, Drug use, Emotional abuse, Self harm, Sexual assault, Suicide, Suicide attempt, Gaslighting
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
The parts where Martine can’t figure out what *she* wants versus what she was created to want were really just so chilling. Reading the acknowledgements at the end and discovering that the author is also a survivor helped process a lot of this for me and my instincts about why certain aspects of this book crawled under my skin.
Definitely give this one a read if you can.
Graphic: Body horror, Death, Domestic abuse, Emotional abuse, Infidelity, Misogyny, Physical abuse, Sexual violence, Toxic relationship, Medical content, Murder, Gaslighting
Moderate: Sexual content, Suicide, Pregnancy