kt2e56's reviews
116 reviews

The Silence of the Girls by Pat Barker

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challenging dark sad tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? No

1.0

This was dreadful. Barker presents an interesting concept: the Iliad but without the romance and glory of war. Instead told from the point of view of Briseis, a side character who’s role in mythology is often just being tossed from one man to the next. Again: great concept to show us the horrors of war this way and remind us who the “heroes” we still hear about would have really been like.

But holy SHIT what an abysmal execution.

First of all: there’s the obnoxious overuse of very modern phrases and concepts (I mean modern as in there’s no way someone in Ancient Troy would even know what this MEANS let alone say it) which kept taking me out of the story. The author also straight up has no idea how to write dialogue. Each character sounds the same. They all speak the same. Exactly the same. And there’s ZERO consistency. A character will go from speaking fairly normally one chapter to speaking like a British chav the next (no joke. “Me mam bloody well told him to sod off, the wanker.” That’s the level of bizarre random, nonsensical dialect the reader is subjected to. It makes ZERO sense and comes and goes in such an alarming rate) then back to normal a sentence later. It’s insanity.

Most egregiously though, halfway through the book Barker decides to abandon the purpose. It’s no longer the Iliad from Breises’ point of view and told in her voice (granted her voice sounds like everyone else’s but still) but now we’re being subjected to jarring chapters told in third person all about Achilles and events that Breises wasn’t even around for. So the author essentially took back the idea that made this so interesting in the first place by tossing Breises aside and making this all about Achilles and his mommy issues.

Like I truly don’t know what editor approved this. This genuinely felt like I was reading an outline let alone an actual published novel. And a novel that people are apparently fawning over and think is really good and ~feminist~!? I’m just astounded by the praise this mess of a book has received. The one good thing honestly was Achilles being portrayed as a petulant toddler obsessed with breast-feeding a la Homelander in The Boys. That’s it. I hate comparing books but honestly just read Madeline Miller’s “Song of Achilles” even THAT is much more graceful and lyrical and does an infinitely better job of fleshing out Breises (AND SHE IS ONLY A SIDE CHARACTER!!! SHE ISN’T THE CHARACTER TELLING THE STORY!!!) than this drivel did. Both SOA and Circe were so well done and beautifully written that they felt like myths in and of themselves. This is just bizarre.

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My Year of Rest and Relaxation by Ottessa Moshfegh

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dark fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

Ugh. First of all, it’s not hard to “get” what’s happening with this book. Just like American Psycho, which this book reminded me of quite a bit, My Year of Rest & Relaxation is unbelievably shallow. So me not liking it doesn’t mean it went over my head. I just didn’t like the book.

I know the author has been on a crusade about how it’s sexist to not like a book with unlikable female characters but it’s not that I don’t like books about unlikable women, I like well-written books about unlikable women. The nameless main character is boring. She just is. She’s racist and nasty and cruel but above all, just so fucking boring. And the author is boring. We get it: somehow despite not showering for weeks, having crusted up eyes, toothpaste all over her face, and god knows what else…everyone is bending over backwards to let the main character know that she’s still just so beautiful and perfect and nobody could ever be thinner or prettier. My god. Find something less cliche.

What was I’m assuming supposed to be some big shocking reveal at the end about Reva dying in 9/11, I literally predicted when I was 22% of the way into the book. So not really that shocking. Just another cliched attempt at controversy.

I did give this one whole extra star for the spot on critiques about the art world. I thought that was genuinely funny and satirical. Ditto for the author’s description of Long Island (I live one town over from Farmingdale in Massapequa. Lol.) which I found pretty funny. Otherwise? Meh. I don’t take Infermiterol but I’m sure I’ll forget this book in three days.

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We are all the same in the dark by Julia Heaberlin

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dark mysterious tense slow-paced
  • Plot- or character-driven? Plot
  • Strong character development? It's complicated
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? Yes

2.0

Oh god. The first time I’ve ever finished a book out of pure spite.

What could have been a compelling story got so muddled up in so much that seemed unnecessary: red herrings that waste huge chunks of time, every character’s inner voice sounding similar, the death of the most interesting character, the conclusion by the most annoying character, and the first chunk told by Wyatt which felt just so out of place.

And then the killer being someone that felt completely out of left field? 

This just felt really messy and not particularly well-thought out.
The Song of Achilles by Madeline Miller

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adventurous challenging emotional reflective sad fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? It's complicated
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

Beautifully written. There is no doubt about Madeline Miller’s skills as a writer. I actually think from a technical standpoint, she’s one of the most gifted writers we currently have. She has just such a way with words and even as someone fairly well-versed in Greek mythology who knows how this all ends, I was hooked as if this was a cast of characters I’d never heard of before.

I read Circe first and I found it to be much, much more relatable due to my own personal history and experiences but this book was just as spectacular. I love that this was all told from the point of view of Patroclus. He’s compelling and it’s lovely to see his own story fleshed out. His love for Achilles is touching but I think Achilles eventually becomes so unlikeable that it’s hard to see what Patroclus still sees in him and why he still so readily would give up everything for him.

And Achilles himself is seen as complex here! Which is fine! Complex is good and I’m glad that he wasn’t always the attentive, loving, nurturing boy that Patroclus fell for and believed in. I think the story of Achilles here (and eventually Pyrrhus although he’s a much more extreme example) is a fascinating look at masculinity. Achilles is beautiful and sensitive and kind. He loves music and pretty things and nature. We see this throughout. But it isn’t until he starts demanding the treatment he believes he deserves and stamping out all that’s beautiful and tender about him that he could be seen as great and powerful by the world around him. He believes he’s entitled to greatness and he reaches a point where he really buys into his own hype and doesn’t care who he’s harmed as long as he gets what he believes he deserves as this pinnacle of masculinity, the best of the best. He can only become a hero by embracing cruelty and he’d rather be a hero and be remembered by everyone than remembered only by his love, Patroclus: the only person who ever really knew him at all.

I’ll be thinking about this book for awhile. It’s hard not to. It’s so rich and textured. I’m giving this a 4.5 instead a 5, only because I started to grow a bit numb from reading cruelty after cruelty and atrocity after atrocity but I can absolutely recognize that that has nothing to do with Miller’s skill as a writer, and has everything to do with my own personal preferences. 

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Circe by Madeline Miller

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adventurous challenging dark emotional hopeful inspiring reflective slow-paced
  • Plot- or character-driven? Character
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

This was such a beautiful piece of literature to read both in its language and how images were painted for us but in how it made such an epic scope of stories we’ve heard time and time again feel so personal and intimate. Ugh, I already want to read it again and I’m already wishing I can read it for the first time all over again. I hope this one remains a classic and as integral to Circe’s story as the original myths themselves.

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My Name's Yours, What's Alaska?: A Memoir by Alaska Thunderfuck 5000

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funny inspiring reflective fast-paced

3.75

First of all…definitely make sure you do the audiobook. Alaska’s impressions and asides are all genius. I want her to read classic literature to me now. There are parts of these I loved (Alaska’s honesty about her substance abuse and toxic relationship and her own insecurities about herself and her relationship to fame) but it does sort of lose steam towards the end. I feel like big chunks of her story are missing and I would love to learn more. I also don’t need a Drag Race tell-all or anything and wouldn’t want her to be shady or gossipy but would have LOVED to hear more *fun* backstage stories and about the sisterhood that she found amongst the Drag Race girls. This was definitely delightful though and I’d happily read (or listen to) more stories if she wants to publish them.

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The Lost Girls by Sonia Hartl

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dark mysterious reflective medium-paced
  • Plot- or character-driven? Plot
  • Strong character development? No
  • Loveable characters? No
  • Diverse cast of characters? No
  • Flaws of characters a main focus? It's complicated

1.5

This felt like it was the author’s first time ever writing a book: so many repeated phrases, no proper sense of pacing, a romance with absolutely no chemistry or believability, the blandest dialogue, every cliché imaginable, and the most egregious crime an author could commit: ZERO depth and personality for the characters. 

Each character spoke exactly the same despite their age/time period differences. Like the entire book felt like one person arguing with themself. 

The book was told from Holly’s point of view but she had no real personality to her. 

Rose’s personality was just the author describing her outfits (and she was the only character who ever got such devoted details when it came to clothing. Everyone else might have been naked based on the lack of description they received). 

Ida’s personality was that she was supposed to be the dark, edgy one who makes “quirky” art projects using the bodies of her victims but like that’s literally it. Just that one note played over and over and over again. 

Parker was beautiful. That’s it. Beautiful (no other character had the same level of description when it came to physical appearance) and unbelievably foolish because
her little plan to help save the day in the end truly made no sense. Her being turned into a vampire made all of the hard work of the other characters feel pointless. Her romance with Holly wasn’t believable in any way. They barely knew each other. There was no genuine buildup there. None. The author couldn’t be subtle if she tried so the romance between Parker and Holly was not even remotely a surprise but it felt like it came out of nowhere because there was no actual spark or connection between the two characters, just lots of cliches and bland dialogue.


Side characters were also given just one personality trait per person.

It’s a shame this book was as bad as it was because the premise sounded great and I
love me a sapphic romance! But c’mon. Us queer women need to stop settling for mediocre books like this because we want representation so badly.
 

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Vengeful by V.E. Schwab

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adventurous dark mysterious tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

5.0

Vengeful is to Vicious what Part II was to the first Godfather. Just so phenomenal from start to finish. It brought back characters we were already glued to in the first book but also gave us some brand new ones that actually wind up stealing the show a bit, including Marcella Morgan who is a “Good for Her” baddie for the ages. This was a satisfying conclusion to Victor and Eli’s story but honestly, Schwab is so talented that I’d absolutely read more about this world and these characters if she were to bring them out again to play some more.

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Vicious by V.E. Schwab

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adventurous dark mysterious tense medium-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? Yes

4.5

WOW. This was excellent. Genuinely thrilling and so dark and suspenseful which I’m a bit surprised by as my only other knowledge of V.E. Schwab’s work is The Invisible Life of Addie LaRue which has its moments of darkness but is so vastly different. Kudos to Schwab for now giving me two books, one swoon-worthy and one brooding, that I’ve completely fallen in love with.

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The Echo Wife by Sarah Gailey

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challenging dark mysterious reflective tense fast-paced
  • Plot- or character-driven? A mix
  • Strong character development? Yes
  • Loveable characters? Yes
  • Diverse cast of characters? Yes
  • Flaws of characters a main focus? It's complicated

5.0

I’m speechless. Oh my GOD, this was so good. The sci-fi and mystery angle is interesting in and of itself, but what really pulled me in was the ethics of cloning interwoven throughout. I think it’s because I’m a survivor myself, but I really related to a lot of this book and my heart ached quite a bit for Evelyn who was replaced for not being perfect for her husband and of course Martine who was groomed and molded based on the whims of a deeply fucked up individual.

The parts where Martine can’t figure out what *she* wants versus what she was created to want were really just so chilling. Reading the acknowledgements at the end and discovering that the author is also a survivor helped process a lot of this for me and my instincts about why certain aspects of this book crawled under my skin.

Definitely give this one a read if you can.

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