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laralarks's reviews
471 reviews
Best Hex Ever by Nadia El-Fassi
emotional
funny
lighthearted
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
4.0
Sister, Maiden, Monster by Lucy A. Snyder
dark
mysterious
tense
fast-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Where Shadows Meet by Patrice Caldwell
adventurous
dark
mysterious
sad
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
3.0
Love and Other Paradoxes by Catriona Silvey
emotional
mysterious
reflective
medium-paced
- Plot- or character-driven? Character
- Strong character development? It's complicated
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Aunt Tigress by Emily Yu-Xuan Qin
adventurous
dark
slow-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
2.0
This one is a struggle to parse for me. On the one hand, it’s an ambitious swirl of folklore, urban fantasy, mystery, and romance. On the other, it’s a disjointed and often difficult to navigate fever dream. I love a non-linear, complex tale, but something in the actual crafting of this one is lacking. Often it felt like the book itself was standing between me and knowing what happens in a way that wasn’t super productive. I felt like finishing was an obstacle to overcome, not a discovery to make.
Some of this I think is down to pacing and editing. I don’t mind a slow book, but the A plot meandered without direction so much that the interjected stories didn’t stand out in the way I think they hoped to. If it was TENSION QUESTIONS PUSH then a window to folklore, different times, context, this would have absolutely sung.
I can’t speak on representation here, but I think a First Nations perspective on this book would be helpful for me to hear. The plot is attempting to grapple with appropriation and destruction of First Nations culture and spirituality, but it doesn’t fully resolve that thread.
The secondary characters are interesting and have the building blocks of complexity, but don’t quite fully break out of being one-dimensional supports for the protagonist. Jack is maybe the MOST compelling of them, and I wish he’d had more time and development.
The audiobook is, for no fault of the narrator’s, tough to follow. The jumps in and out of the primary narrative are hard to differentiate, but that’s just the writing. I thought Jen Zhao’s narration was strong and nuanced despite this. I love the way Janet’s voice is performed.
Some of this I think is down to pacing and editing. I don’t mind a slow book, but the A plot meandered without direction so much that the interjected stories didn’t stand out in the way I think they hoped to. If it was TENSION QUESTIONS PUSH then a window to folklore, different times, context, this would have absolutely sung.
I can’t speak on representation here, but I think a First Nations perspective on this book would be helpful for me to hear. The plot is attempting to grapple with appropriation and destruction of First Nations culture and spirituality, but it doesn’t fully resolve that thread.
The secondary characters are interesting and have the building blocks of complexity, but don’t quite fully break out of being one-dimensional supports for the protagonist. Jack is maybe the MOST compelling of them, and I wish he’d had more time and development.
The audiobook is, for no fault of the narrator’s, tough to follow. The jumps in and out of the primary narrative are hard to differentiate, but that’s just the writing. I thought Jen Zhao’s narration was strong and nuanced despite this. I love the way Janet’s voice is performed.
Metal from Heaven by August Clarke
adventurous
challenging
dark
emotional
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? No
5.0
Chef's Kiss by TJ Alexander
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.0
In Charm's Way by Lana Harper
emotional
funny
lighthearted
mysterious
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
2.0
Deep End by Ali Hazelwood
emotional
funny
hopeful
lighthearted
fast-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0