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literatureleaf's reviews
13 reviews
The Book of Accidents by Chuck Wendig
adventurous
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Reading time: 8 days
Difficulty level: 2.5/5
Rating: 3/5
Nathan, a devoted father and workworn city cop, Maddie, a passionate artist and doting mother, and Oliver, their big-hearted, if somewhat unusual, teenage son appear to be a normal, loving family. Yet, underneath this picturesque exterior, secrets lurk. Nathan is holding back the abuse he experienced at the hands of his father, Maddie is desperately seeking answers for the gaps in her childhood memories, and Oliver may just be a little more different than his parents bargained for.
When Nathan’s father dies and leaves his childhood house to him in the will, he moves his family to his hometown. As they settle in, Nathan sees things that aren’t there, Maddie loses chunks of time, and Oliver finds an unlikely friend in a neighborhood boy who appears to have secrets of his own. As the strange occurrences pile up, Nathan and Maddie realize that sinister forces are working against their family, and the key to stopping it may just lie in the truths that they’ve spent their lives running from.
Like a Russian nesting doll, The Book of Accidents unveils the grander horror through interconnected bits and pieces that slowly come together to form the bigger picture. Invoking intense dread and unease in the reader as the sense that something is very wrong becomes clearer, you will be screaming at the characters, hoping against all hope to warn them that something bad is coming.
A tour-de-force in in the utilization of horror as a vehicle for exploring grief, generational trauma, and interfamilial relationships, The Book of Accidents doesn’t hold back from examining the gritty, uncomfortable details surrounding the seedy underbelly of domestic life that humanity shies away from. Shining a spotlight on the darkest corners of love, empathy, and family, Wendig excels at reminding the reader that the world is far from a peaceful place, even in your own backyard.
Despite the emotional magnitude that lingers amongst the pages, the character depth that is needed for a book of this caliber to feel complete is missing. The cast feels too similar to one another in all the ways that matter, and the everyday family dynamics are stilted and unnatural, lending to the feeling of never quite being able to forget that you’re reading a story about fictional people and are not actively enmeshed in the horrors that they’re going through.
Wendig’s talent shines through in his plot and pacing, but he suffers from a lack of direction. At times he zeroes in on vivid imagery, beautiful scenery, and the intensity of the emotions his characters are experiencing, which paints an intricate, palpable picture. However, there are other instances where he attempts to use humor or pop culture references as comic relief, which falls flat, creating the impression that he is undercutting his own writing and cheapening the story.
An intense probe into how our childhoods impact who we grow into, and how that affects our own children, and then their children later down the line, The Book of Accidents serves as a stark reminder that we are not what happened to us, but rather who we choose to become. Lingering long after the final page is closed, this book shows us that, through empathy, healing, and love, we have the power to overcome our trauma and be better than those who came before us
Difficulty level: 2.5/5
Rating: 3/5
Nathan, a devoted father and workworn city cop, Maddie, a passionate artist and doting mother, and Oliver, their big-hearted, if somewhat unusual, teenage son appear to be a normal, loving family. Yet, underneath this picturesque exterior, secrets lurk. Nathan is holding back the abuse he experienced at the hands of his father, Maddie is desperately seeking answers for the gaps in her childhood memories, and Oliver may just be a little more different than his parents bargained for.
When Nathan’s father dies and leaves his childhood house to him in the will, he moves his family to his hometown. As they settle in, Nathan sees things that aren’t there, Maddie loses chunks of time, and Oliver finds an unlikely friend in a neighborhood boy who appears to have secrets of his own. As the strange occurrences pile up, Nathan and Maddie realize that sinister forces are working against their family, and the key to stopping it may just lie in the truths that they’ve spent their lives running from.
Like a Russian nesting doll, The Book of Accidents unveils the grander horror through interconnected bits and pieces that slowly come together to form the bigger picture. Invoking intense dread and unease in the reader as the sense that something is very wrong becomes clearer, you will be screaming at the characters, hoping against all hope to warn them that something bad is coming.
A tour-de-force in in the utilization of horror as a vehicle for exploring grief, generational trauma, and interfamilial relationships, The Book of Accidents doesn’t hold back from examining the gritty, uncomfortable details surrounding the seedy underbelly of domestic life that humanity shies away from. Shining a spotlight on the darkest corners of love, empathy, and family, Wendig excels at reminding the reader that the world is far from a peaceful place, even in your own backyard.
Despite the emotional magnitude that lingers amongst the pages, the character depth that is needed for a book of this caliber to feel complete is missing. The cast feels too similar to one another in all the ways that matter, and the everyday family dynamics are stilted and unnatural, lending to the feeling of never quite being able to forget that you’re reading a story about fictional people and are not actively enmeshed in the horrors that they’re going through.
Wendig’s talent shines through in his plot and pacing, but he suffers from a lack of direction. At times he zeroes in on vivid imagery, beautiful scenery, and the intensity of the emotions his characters are experiencing, which paints an intricate, palpable picture. However, there are other instances where he attempts to use humor or pop culture references as comic relief, which falls flat, creating the impression that he is undercutting his own writing and cheapening the story.
An intense probe into how our childhoods impact who we grow into, and how that affects our own children, and then their children later down the line, The Book of Accidents serves as a stark reminder that we are not what happened to us, but rather who we choose to become. Lingering long after the final page is closed, this book shows us that, through empathy, healing, and love, we have the power to overcome our trauma and be better than those who came before us
Content Warnings
Graphic: Child abuse, Violence, Death, Gore, Physical abuse, Domestic abuse, Injury/Injury detail, Alcohol, Alcoholism, Murder, Blood, Emotional abuse, and Bullying
Moderate: Emotional abuse, Toxic friendship, Death of parent, and Cursing
Minor: Addiction, Suicide attempt, Body horror, Suicide, and Mass/school shootings
The Ocean at the End of the Lane by Neil Gaiman
adventurous
dark
emotional
reflective
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
5.0
Age: 14+
Reading time: 3 days
Difficulty level: 2/5
Rating: 5/5
After attending a relative’s funeral, an unnamed man returns to his childhood home in search of comfort and relief from his grief. When he chooses to visit an old neighbor, he finds himself drawn into the web of his childhood memories, struggling to reconcile what he remembers as magic and monsters against the complexities and inhibitions of an aged mind.
Reading like a fever dream, The Ocean at the End of the Lane combines simple, yet elegant prose with magical realism and a sense of whimsy that seamlessly blurs the lines between the fantastical and the real. Capitalizing on the fragility and uncertainty of our own memories, Gaiman makes us ask ourselves if we can ever be truly certain that what we remember, was our reality.
Nostalgic and emotional, Gaiman’s writing feels like glancing into the glimmering waters of the fountain of youth. With an ethereal, fuzzy quality that permeates throughout the story, The Ocean at the End of the Lane is reminiscent of the feelings that you get when you remember your first kiss, the car you got at 16, the first dog that you ever called your own, or any of the hundreds of experiences that you can never return to, no matter how significantly they shaped who you became.
Because The Ocean at the End of the Lane leans heavily on nostalgia, with the goal of permeating each reader’s own childhood, the characters are the weakest aspect of the book. The protagonist is unnamed, likely with the hope that the reader will put themselves in his shoes, and while the other characters do have more substance, there is not as much there to work with as those who prefer character-driven stories may like. However, many readers may find that the minimalized characterizations work with the book rather than against it.
With the emphasis on emotional impact and gorgeous writing being so pervasive, the pacing struggles at times, particularly towards the middle of the book. Much of the actual plot advancement takes place towards the beginning and towards the end, and for such a short read, this lends to the feeling of the story “dragging” a bit. Nevertheless, this is more than compensated for with the rich imagery and stylistic prose that fills those middle pages.
A beautiful journey into the eye of the storm that is childhood, Neil Gaiman paints an endearing and lyrical portrait of what it’s like to be young and still believe in magic. Like drinking a steaming cup of hot cocoa from the mug you used every Christmas morning as a kid, or driving past the house you grew up in, The Ocean at the End of the Lane will leave you with an irrevocable need to go back home again, even if that home doesn’t exist anymore.
Reading time: 3 days
Difficulty level: 2/5
Rating: 5/5
After attending a relative’s funeral, an unnamed man returns to his childhood home in search of comfort and relief from his grief. When he chooses to visit an old neighbor, he finds himself drawn into the web of his childhood memories, struggling to reconcile what he remembers as magic and monsters against the complexities and inhibitions of an aged mind.
Reading like a fever dream, The Ocean at the End of the Lane combines simple, yet elegant prose with magical realism and a sense of whimsy that seamlessly blurs the lines between the fantastical and the real. Capitalizing on the fragility and uncertainty of our own memories, Gaiman makes us ask ourselves if we can ever be truly certain that what we remember, was our reality.
Nostalgic and emotional, Gaiman’s writing feels like glancing into the glimmering waters of the fountain of youth. With an ethereal, fuzzy quality that permeates throughout the story, The Ocean at the End of the Lane is reminiscent of the feelings that you get when you remember your first kiss, the car you got at 16, the first dog that you ever called your own, or any of the hundreds of experiences that you can never return to, no matter how significantly they shaped who you became.
Because The Ocean at the End of the Lane leans heavily on nostalgia, with the goal of permeating each reader’s own childhood, the characters are the weakest aspect of the book. The protagonist is unnamed, likely with the hope that the reader will put themselves in his shoes, and while the other characters do have more substance, there is not as much there to work with as those who prefer character-driven stories may like. However, many readers may find that the minimalized characterizations work with the book rather than against it.
With the emphasis on emotional impact and gorgeous writing being so pervasive, the pacing struggles at times, particularly towards the middle of the book. Much of the actual plot advancement takes place towards the beginning and towards the end, and for such a short read, this lends to the feeling of the story “dragging” a bit. Nevertheless, this is more than compensated for with the rich imagery and stylistic prose that fills those middle pages.
A beautiful journey into the eye of the storm that is childhood, Neil Gaiman paints an endearing and lyrical portrait of what it’s like to be young and still believe in magic. Like drinking a steaming cup of hot cocoa from the mug you used every Christmas morning as a kid, or driving past the house you grew up in, The Ocean at the End of the Lane will leave you with an irrevocable need to go back home again, even if that home doesn’t exist anymore.
Content Warnings
Graphic: Body horror, Animal death, Physical abuse, Child abuse, Death, and Suicide
Moderate: Child death, Emotional abuse, Infidelity, and Violence
Minor: Sexual content, Injury/Injury detail, Gaslighting, and Domestic abuse
Salem's Lot by Stephen King
dark
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Age: 16+
Reading time: 7 days
Difficulty level: 1.5/5
Rating: 3.5/5
Salem’s Lot by Stephen King follows Ben Mears, a stuck-in-a-rut, struggling author, as he returns to his hometown in hopes of drawing inspiration for his new book from the Marsten House, an abandoned mansion with a dark and bloody history. However, upon arriving, Ben quickly realizes that all is not what it appears to be in the ‘Lot when things begin to go wrong.
As strange disappearances and unexplained happenings start to occur, coinciding with the arrival of two new residents who just don’t quite seem to be who they say they are, Ben teams up with a small group of locals to uncover the secrets of the Lots’ past, and attempt to save both the residents of Salem’s Lot and the town itself from a fate worse than any of them can imagine.
In typical King fashion, the vivid, chilling atmosphere is the star of the show. Simultaneously disquieting and beautiful, the feeling of something deeply sinister unfolding just under the nose of our main characters, against the backdrop of a seemingly sleepy New England small town that somehow feels like somewhere you’ve been before, if not in person, then in your dreams, is intensely personal and familiar.
King is the master of turning the mundane into the riveting, disgust into empathy, and pain into beauty. With the simple stroke of a pen, the boring, repetitive, and often depressing realities of those who live in small towns are crafted into something that shows how the most carnal, intimate thread of the shared human experience is fear.
With so much of the focus placed on the setting and the plot, character depth suffers. For much of the book, the main cast feels forced and shallow. With what feels like little insight into their deeper motivations and feelings, forming empathy and genuine connection with them feels impossible to achieve, even in the face of their struggles.
Unfortunately, the impression of underdeveloped characters is compounded by, at times, weak dialogue, and a long winded narrative. So much time is spent on their circumstances and environment that there is little time left to devote to the inner workings of their relationships with the town and with one another, leading to the feeling that something integral is missing.
Leaving little to the imagination, Salem’s Lot is a masterwork in utilizing the supernatural as a vehicle to explore the depths of human depravity. Taking the quietly desperate lives of the Lots’ residents, and putting their secrets, heartache, rage, wonder, and love on display in the face of a surreal, non-human malevolence beyond their wildest dreams displays a stark spotlight, not on otherworldly entities, but on the horrors that permeate our towns, our neighborhoods, and even our own backyards.
Content Warnings
Graphic: Child abuse, Child death, Violence, Injury/Injury detail, Blood, Gore, and Murder
Moderate: Physical abuse, Body horror, Domestic abuse, Animal death, Alcoholism, Rape, Sexual violence, Cursing, Homophobia, and Infidelity
Minor: Bullying, Medical content, Car accident, Addiction, Racial slurs, Sexism, Grief, and Death of parent
I'm Thinking of Ending Things by Iain Reid
dark
emotional
mysterious
reflective
sad
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5
Age: 15+
Reading time: 3 days
Difficulty level: 1.5/5
Rating: 4.5/5
I’m Thinking of Ending Things by Iain Reid follows our nameless protagonist and her boyfriend Jake as they embark on a road trip to have dinner with Jake’s parents. Plagued by thoughts of ending the relationship, she spends the car ride mulling over how it got to this point, and wondering if this is how it was always meant to be.
Meeting his family does not quell her hesitations, and the journey back home begins in a very similar manner to the trip there. However, after an unplanned stop at the local high school Jake attended as a teenager, things begin to go downhill in a way that neither the characters themselves nor the reader could have predicted.
A genuine literary thriller, I’m Thinking of Ending Things intricately weaves suspense and in-depth, authentic character study together in a way that has never been done before. Without holding anything back, Reid puts a new spin on the concept of a plot twist and utilizes it in a way that can be described as nothing short of poetic.
Atmosphere reigns supreme in this novel. Built up slowly and steadily, through scarce but vivid depictions of a desolate, snowy setting brimming with despair, and an unfiltered look at the flitting, unfettered thoughts and observations of the main protagonist, consistent, permeating feelings of dread and unease slowly creep up as the plot advances.
Written in a deceptively simple, choppy manner, I’m Thinking of Ending Things will sneak up and grab you in a chokehold when you’re least expecting it. As the tale unfolds, and little glimpses of something that is deeply wrong just beneath the surface of what appears to be a straightforward, even somewhat boring, trip between a couple on the brink of a breakup emerge, the reader is left deeply unsettled, wondering what it is that they are missing.
Flaws are few and far between, but so much of the story takes place within the protagonist’s mind, that at times it can be a bit stifling. Inner monologues fill much of the story, only broken up intermittently with the stark, vivid imagery mentioned earlier, and although they are incredibly well written, feeling stuck in the narrator’s head is not an uncommon feeling.
Invoking feelings of longing, despair, unease, and grief for the characters, I’m Thinking of Ending Things reads and feels like a beautiful punch to the gut that will leave you simultaneously longing for more and begging for it to be over. A devastatingly believable account of a life filled with pain, loneliness, and resentment, I’m Thinking of Ending Things will live on in the minds of those who have read it for months after the final page is read and the book itself is closed.
Content Warnings
Graphic: Death, Self harm, Suicide, Mental illness, Suicidal thoughts, Animal death, Blood, and Schizophrenia/Psychosis
Moderate: Gore, Stalking, Violence, and Body horror
Minor: Cursing, Death of parent, Sexual content, and Alcohol
Sword of Destiny by Andrzej Sapkowski
adventurous
dark
medium-paced
- Plot- or character-driven? A mix
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.0
Age: 14+
Reading time: 15 days
Difficulty level: 2.5/5
Rating: 2/5
Sword of Destiny by Andrzej Sapkowski is simultaneously the first and second novel in The Witcher series. Published a year prior to The Last Wish, it serves as both the first book in a famous saga, and the continuation of the beloved character of Geralt of Rivia. Each chapter is its own separate, contained story, containing small glimmers of a larger tale that, as the reader falls more and more in love with Geralt and his companions with each turn of the page, simply begs to be told.
In classic Sapkowski fashion, Sword of Destiny proves to be an entertaining loose continuation to The Last Wish. Told in the same short story format, there is no major overarching plot, but rather bite-sized glimpses into the daily happenings of Geralt of Rivia that delight and charm the reader.
A fun read through and through, Sword of Destiny not only serves to entertain, but to promote deeper thinking and discourse. Told through the unique and inventive lens of reimagined fairy tales, themes of good and evil, the natural order of the world and who has a right to disrupt it, corruption, political order, and the circle of life can be found hiding amongst the gritty and glamorous monsters and fantasy worlds of the stories.
Sword of Destiny may be considered the second novel in The Witcher series, but it is Sapkowski’s first book, and throughout the reading process, it becomes evident that he had not quite found his footing as an author yet. The writing is clunky and at times limited, particularly in the first half of the book, and the flow of the stories feels choppy and forced.
Many of the same flaws that can be found in The Last Wish are even more pervasive in Sword of Destiny. Stilted, emotionless dialogue continues to be an issue, and repetition, both in conversation between characters and as a general literary device, is overused and contributes to the stale feeling that permeates the pages of the novel.
Sadly, the characterizations have a more cookie-cutter feel that is not as present in his other works. At times the characters, particularly Geralt and Yennefer, act in ways that are contrary to how they have been set up by Sapkowski to behave, and they seem to waffle back and forth between extremes when it comes to their decision making.
For instance, often a character will state whether they will or will not do something or explain how they are feeling about a certain action, then act in a completely contrarian way to what they have just said, with no further explanation for why they have made the decision. This leads to a jarring reading experience that results in feeling a central disconnect from the main characters.
Despite its flaws, Sword of Destiny is considered by many fantasy fans to be a must-read in the genre. Featuring beloved characters and plotlines that have been adapted for video games and television, the antics and adventures of the Witcher shine in the novels in a way that is unique to written media. Enmeshing adventure and fantasy with a grander understanding of the inner workings of humanity and love, Sword of Destiny captures what many fantasy readers love in a novel.
Content Warnings
Graphic: Death, Misogyny, Sexism, and Violence
Moderate: Death of parent, Gore, Blood, Infertility, Murder, and Sexual assault
Minor: Cursing, War, Alcohol, and Sexual content
The Count of Monte Cristo by Alexandre Dumas
adventurous
challenging
mysterious
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.0
Age: 12+
Reading time: 28 days
Difficulty level: 3.75/5
Rating: 3/5
The Count of Monte Cristo by Alexandre Dumas follows Edmond Dantes, a young sailor at the cusp of a very bright future. On the brink of a promising career and loving marriage, the world is his oyster, and the possibility of things going wrong could not be further from his mind. However, all is not as it seems, and, unbeknownst to Edmond and his loved ones, trouble is brewing.
Motivated by jealousy, unrequited love, and power, several men close to Edmond begin to plot against him, ultimately leading to his imprisonment. While in prison, he begins to fixate on revenge, and with the help of an unlikely friend, hidden treasure, and an eventual daring escape, Edmond will stop at nothing to accomplish what he has set out to achieve, no matter what the cost to himself may be.
Spanning countries and decades, The Count is simultaneously a heart wrenching coming-of-age tale and an epic revenge story. Intricately enmeshing politics, relationships, culture, and character, Dumas transports us to a time long past, showcasing the ins and outs of poverty, classism, wealth, and injustice through the eyes of a young man who is simultaneously a victim and a benefactor of his circumstances.
Centering on not only Edmond himself, but the people who surround him and have affected him, for better or for worse, Dumas pens a stunning portrait of a man that has been deeply wronged, not only by chance, greed, and corruption, but by the darkness that resides within him. Consumed with the desire to right the wrongs that have stolen years from his life, Edmond gives the reader a raw glimpse into a psyche ravaged by trauma, and how that trauma colors every aspect of a life.
Potentially a victim of its time, and the fact that it was originally serialized, the pacing is incredibly inconsistent throughout the novel. Dumas tends to waffle back and forth between several major events occurring in the span of a few pages, and small, minute plot points or events dragging out for upwards of twenty pages, leading to a chaotic, and at times unsatisfying, reading experience.
In that same vein, the plot in general struggles with consistency. Key plot points are ignored or glossed over in favor of long-winded descriptions, and side plots are either never wrapped up, or never become relevant to the main story. In combination with the dated language, unsatisfying pacing, and, at times, lack of emotion, The Count can be considered a bit of a slog to get through.
A true classic, The Count of Monte Cristo may miss the mark on some things, but it remains a literary window into a time that’s now long past. Combining elements of character study, thriller, drama, romance, and adventure, Dumas utilizes one man’s plight to explore 19th century French politics, injustice, classism, and, above all else, what a life lived for revenge looks like through the lens of the one who lived it
Content Warnings
Graphic: Suicidal thoughts, Death, Confinement, Murder, Suicide, and Violence
Moderate: Death of parent, Blood, and Child death
Minor: Drug use, Infidelity, Racism, Slavery, and Misogyny
Needful Things by Stephen King
dark
emotional
mysterious
reflective
sad
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
3.75
Age: 16+
Reading time: 4 days
Difficulty level: 2/5
Rating: 3.75/5
Needful Things by Stephen King follows an eclectic cast of characters as an undetected evil force threatens to take over their idyllic small town in Maine. When someone new shows up in Castle Rock, it’s always a source of gossip for the locals, but when Leland Gaunt, owner and operator of the curio shop Needful Things moves to town, something is different. The residents are instantly taken with him and his store, which seems to truly have something for everyone.
However, underneath Mr. Gaunt’s charming smile and hypnotizing eyes, evil simmers. Motivated not by money, power, or greed, but by dark forces that no one in town truly understands, Mr. Gaunt will stop at nothing until everyone living in Castle Rock has fallen victim to his spell, and the fate of the town ultimately rests with the few citizens who are able to look past the smoke and mirrors and see him for what he really is.
A true slow burn, Needful Things takes it time, both with the plot and the horror. Tension builds slowly but steadily, and as the characters continue about their everyday lives, giving the reader a window into their realities, yet remain oblivious to the wickedness that’s underway in their hometown, the dread mounts. A constant, meandering feeling of unease lingers throughout the pages that’s akin to knowing that something terrible is about to happen but being completely powerless to stop it.
King is a master at crafting both an incredibly detailed, immersive world, and a relatable, morally ambiguous cast that work together to pull you in. Each character not only plays an integral role in the main plot but has their own unique and individual storyline. The multiple viewpoints, in combination with the enmeshing of the overarching story and individuality of the cast’s personalities and experiences, serve to incite genuine empathy, anger and pain from the reader.
As with most King novels, there are cracks in the foundation of an excellent story. At times the dialogue feels incredibly stilted and unrealistic, and many of the scenes written from children’s points of view come across as an adult projecting what they feel a young child would do or say, and not how they would behave in the given situation. With the multi-faceted characterizations and stark, elegant prose that fill the rest of the novel, it’s hard to not be a bit disappointed by subpar dialogue.
Where the book is truly lacking, however, is in the ending. The pacing ramps up very quickly towards the end of the novel, and without giving anything away, it felt as though there had been no real finish planned, and King had to quickly throw something together. Everything seemed very forced, and many of the main characters acted in ways or did things that completely discounted who they had been set up to be throughout the story. It left the impression of a hastily wrapped holiday gift, bow forgotten, and did not match up with the quality of the rest of the book.
Needful Things is, for the most part, a beautifully crafted horror epic that shines as a true classic, even in the face of its flaws. Entangling supernatural evil with the everyday horrors of being human, such as grief, loss, and corruption, the novel expertly explores what would happen if something caused that thin, tenuous string that holds both us and the world together to snap, and humanity no longer felt obligated to listen to that tiny voice in our heads that separates us from animals, acting purely on instinct.
Content Warnings
Graphic: Violence, Murder, Blood, Gore, Gun violence, Animal cruelty, and Animal death
Moderate: Grief, Suicide, Cursing, Domestic abuse, and Child death
Minor: Sexual content, Drug abuse, Racial slurs, Religious bigotry, Addiction, and Car accident
The Woman in the Window by A.J. Finn
dark
emotional
mysterious
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
Age: 16+
Reading time: 4 days
Difficulty level: 2/5
Rating: 6.5/10
The Woman in the Window by A.J. Finn follows Anna Fox, a no-longer practicing child psychologist who finds herself suffering from agoraphobia after tragedy strikes her household. While battling her own mind, Anna passes the time by watching her neighbors. Most of the time she sees nothing but the mundanity of rich, suburban lifestyles, but one fateful day a new family, the Russell’s, move into the neighborhood, and everything changes.
After observing the new neighbors through her windows, and getting to know Jane Russell, the woman of the house, and Ethan Russell, her teenage son, Anna begins to suspect that everything is not quite as it should be within the household, and the root of the domestic strife lies with Alistair, Jane’s husband and Ethan’s father. One night the situation reaches a boiling point, and Anna witnesses something that no one was meant to see, sending her spiraling into a web of deception and mystery where she quickly finds that she can trust no one, not even herself.
Finn pens a gripping portrait of a psyche ravaged by loneliness, substance abuse, and mental illness. Anna is a flawlessly executed unreliable narrator, and an air of tormented despair permeates throughout the book, creating a continuous feeling of dread and uncertainty. At times the narration can become a bit longwinded, and Anna tends to ramble, but for the most part, within the context of her fragile mental state, this works with the story rather than against it.
At the heart, The Woman in the Window is a thriller, and Finn is certainly a master of the genre. The book centers around one large mystery, with several other, smaller, interconnected mysteries at play that intertwine seamlessly into one main plotline. Each element is given just the right amount of attention, and the different subplots serve to flesh out the main story, rather than overshadow it. The suspense scenes are not only plentiful, but executed to near perfection, igniting a feeling akin to holding a live wire. Holding your breath is nearly a guarantee!
Despite the expertly crafted suspense elements, the book struggles with the mysteries themselves. The twists were, for the most part, largely unoriginal, and despite the riveting leadups, the reveals themselves were underwhelming, leading to a feeling much like eating a delicious dinner, then following it up with a prepackaged Hostess cake from the local gas station for dessert. When considering the high caliber of the rest of Finn’s writing, the twists can’t help but feel phoned in.
Unfortunately, the mysteries aren’t the only aspect of the novel that leaves something to be desired. At times, it feels like the book is taking on more than it can handle. Without giving too much away, in addition to being a simple thriller, The Woman in the Window attempts to delve into mental health, family, resiliency, domestic abuse, grief, and drug addiction. While some of these are explored in detail and very well done, others fall by the wayside and are not given the respect and attention that such heavy topics deserve. However, when so much is crammed into one book, it is almost inevitable that certain themes will take precedence over others.
At its core, The Woman in the Window is a fun and suspenseful read that excels at keeping the reader on the edge of their seat. Anna is an outstanding main character, and Finn makes it startlingly easy to empathize with her, even when revelations are made that don’t cast her in the best light. The plot is solid and entertaining throughout, and, despite the predictable twists and less-than-stellar exploration of some of the heavier themes, Finn is undeniably great at writing a novel that’s no less than a great time.
Reading time: 4 days
Difficulty level: 2/5
Rating: 6.5/10
The Woman in the Window by A.J. Finn follows Anna Fox, a no-longer practicing child psychologist who finds herself suffering from agoraphobia after tragedy strikes her household. While battling her own mind, Anna passes the time by watching her neighbors. Most of the time she sees nothing but the mundanity of rich, suburban lifestyles, but one fateful day a new family, the Russell’s, move into the neighborhood, and everything changes.
After observing the new neighbors through her windows, and getting to know Jane Russell, the woman of the house, and Ethan Russell, her teenage son, Anna begins to suspect that everything is not quite as it should be within the household, and the root of the domestic strife lies with Alistair, Jane’s husband and Ethan’s father. One night the situation reaches a boiling point, and Anna witnesses something that no one was meant to see, sending her spiraling into a web of deception and mystery where she quickly finds that she can trust no one, not even herself.
Finn pens a gripping portrait of a psyche ravaged by loneliness, substance abuse, and mental illness. Anna is a flawlessly executed unreliable narrator, and an air of tormented despair permeates throughout the book, creating a continuous feeling of dread and uncertainty. At times the narration can become a bit longwinded, and Anna tends to ramble, but for the most part, within the context of her fragile mental state, this works with the story rather than against it.
At the heart, The Woman in the Window is a thriller, and Finn is certainly a master of the genre. The book centers around one large mystery, with several other, smaller, interconnected mysteries at play that intertwine seamlessly into one main plotline. Each element is given just the right amount of attention, and the different subplots serve to flesh out the main story, rather than overshadow it. The suspense scenes are not only plentiful, but executed to near perfection, igniting a feeling akin to holding a live wire. Holding your breath is nearly a guarantee!
Despite the expertly crafted suspense elements, the book struggles with the mysteries themselves. The twists were, for the most part, largely unoriginal, and despite the riveting leadups, the reveals themselves were underwhelming, leading to a feeling much like eating a delicious dinner, then following it up with a prepackaged Hostess cake from the local gas station for dessert. When considering the high caliber of the rest of Finn’s writing, the twists can’t help but feel phoned in.
Unfortunately, the mysteries aren’t the only aspect of the novel that leaves something to be desired. At times, it feels like the book is taking on more than it can handle. Without giving too much away, in addition to being a simple thriller, The Woman in the Window attempts to delve into mental health, family, resiliency, domestic abuse, grief, and drug addiction. While some of these are explored in detail and very well done, others fall by the wayside and are not given the respect and attention that such heavy topics deserve. However, when so much is crammed into one book, it is almost inevitable that certain themes will take precedence over others.
At its core, The Woman in the Window is a fun and suspenseful read that excels at keeping the reader on the edge of their seat. Anna is an outstanding main character, and Finn makes it startlingly easy to empathize with her, even when revelations are made that don’t cast her in the best light. The plot is solid and entertaining throughout, and, despite the predictable twists and less-than-stellar exploration of some of the heavier themes, Finn is undeniably great at writing a novel that’s no less than a great time.
Content Warnings
Graphic: Mental illness, Panic attacks/disorders, Alcoholism, Drug abuse, and Grief
Moderate: Death, Car accident, Domestic abuse, Child death, Blood, and Violence
Minor: Animal cruelty, Sexual content, Cursing, and Suicidal thoughts
The Escape Artist: The Man Who Broke Out of Auschwitz to Warn the World by Jonathan Freedland
dark
emotional
informative
inspiring
reflective
sad
tense
medium-paced
5.0
Reading time: 3 days
Difficulty level: 3/5
Writing Rating: 10/10
*Because this book is nonfiction, I will not be adding content warnings.*
The Escape Artist by Jonathan Freedland recounts the life of Walter Rosenberg, who would later come to be known as Rudolf (Rudi) Vrba. The novel centers upon his experiences as a young Jewish man living through WWII and the Holocaust. While his familial background and childhood are touched upon, the bulk of the book focuses on Rudi during adolescence and adulthood.
Before his adult life had even begun, Rudi was taken away from the family and friends that he had always known and forced into a life of pain and suffering as a prisoner of Auschwitz. During his time there, he continually dreamed of, and eventually achieved, escape. After leaving the horrors of the concentration camp behind, Rudi made it his mission to share his story, no matter what the eventual cost to himself would be, to save as many lives as possible.
Freedland paints an achingly haunting depiction of what life was like for millions of Jewish men, women, and children during WWII. Biographical information is intertwined with visceral, stunning storytelling in a manner that serves to awe the reader. Written in a matter of fact and easily digestible, yet simultaneously engrossing style, Freedland takes no liberties and does no sugarcoating. No detail, no matter how shocking, is glossed over or left out.
He excels at maintaining the delicate balance between historical accuracy, cultural sensitivity, and emotional writing. Throughout the entire novel, he pulls off the difficult feat that every nonfiction writer aspires to: never inserting himself into the story, but ensuring that his authentic voice as an author shines through.
Enmeshed within the pages of The Escape Artist is a portrait of raw and unfiltered human resilience. The reader witnesses Rudi come of age during the darkest of times, form genuine human connections in horrifying conditions, and develop a sense of purpose and self that cannot be broken, even in the face of circumstances that those alive today would consider unimaginable.
Often alternating between devastatingly heartbreaking and painfully inspiring, Rudi takes the reader on his decades-long journey right along with him. His story deserves not only to be told, but to be repeated so frequently that it becomes a required component of all history textbooks.
Filled with hardships at every step of the way, ranging from government inaction to denial and indifference from the public, Rudi never stopped trying to achieve his ultimate end goal. The Escape Artist not only masterfully documents his journey but serves as a painfully stark reminder of what can happen when humanity turns the other cheek to evils that are happening in their very own backyards.
Difficulty level: 3/5
Writing Rating: 10/10
*Because this book is nonfiction, I will not be adding content warnings.*
The Escape Artist by Jonathan Freedland recounts the life of Walter Rosenberg, who would later come to be known as Rudolf (Rudi) Vrba. The novel centers upon his experiences as a young Jewish man living through WWII and the Holocaust. While his familial background and childhood are touched upon, the bulk of the book focuses on Rudi during adolescence and adulthood.
Before his adult life had even begun, Rudi was taken away from the family and friends that he had always known and forced into a life of pain and suffering as a prisoner of Auschwitz. During his time there, he continually dreamed of, and eventually achieved, escape. After leaving the horrors of the concentration camp behind, Rudi made it his mission to share his story, no matter what the eventual cost to himself would be, to save as many lives as possible.
Freedland paints an achingly haunting depiction of what life was like for millions of Jewish men, women, and children during WWII. Biographical information is intertwined with visceral, stunning storytelling in a manner that serves to awe the reader. Written in a matter of fact and easily digestible, yet simultaneously engrossing style, Freedland takes no liberties and does no sugarcoating. No detail, no matter how shocking, is glossed over or left out.
He excels at maintaining the delicate balance between historical accuracy, cultural sensitivity, and emotional writing. Throughout the entire novel, he pulls off the difficult feat that every nonfiction writer aspires to: never inserting himself into the story, but ensuring that his authentic voice as an author shines through.
Enmeshed within the pages of The Escape Artist is a portrait of raw and unfiltered human resilience. The reader witnesses Rudi come of age during the darkest of times, form genuine human connections in horrifying conditions, and develop a sense of purpose and self that cannot be broken, even in the face of circumstances that those alive today would consider unimaginable.
Often alternating between devastatingly heartbreaking and painfully inspiring, Rudi takes the reader on his decades-long journey right along with him. His story deserves not only to be told, but to be repeated so frequently that it becomes a required component of all history textbooks.
Filled with hardships at every step of the way, ranging from government inaction to denial and indifference from the public, Rudi never stopped trying to achieve his ultimate end goal. The Escape Artist not only masterfully documents his journey but serves as a painfully stark reminder of what can happen when humanity turns the other cheek to evils that are happening in their very own backyards.
The Last Wish by Andrzej Sapkowski
adventurous
funny
lighthearted
fast-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
3.5
Age: 15+
Reading time: 2 days
Difficulty level: 3/5
Overall Rating: 7/10
The Last Wish by Andrzej Sapkowski is the second novel in The Witcher series, but it serves as an excellent starting point into the world of the beloved Geralt of Rivia. Told in short story format, with hints of a longer, overarching plotline in between, this book introduces the reader to who Geralt is, what makes him tick, and the characters who will eventually come to play a much larger role in his story.
The bite-sized tales featured in this novel are entertaining, easy to follow, and manage to keep the focus on Geralt while honoring the uniqueness and differentiation of the other characters in the story. Each one feels distinctly separate from the rest but remains in keeping with the overall mood and tone of the book.
Sapkowski excels at taking the short story format and doing something larger than life within it. He maintains a masterful plot, that contains hints of mystery, romance, and an origin story, despite the appearance of a book that, at first glance, seems to be comprised of separate, contained stories that have little to do with one another, aside from the main character.
Where The Last Wish struggles is with dialogue. The conversation is often stilted and repetitive, and many of the side characters felt like carbon copies of one another because of this. Much of the dialogue gave off the impression that it was not well thought out, and that it was written because Sapkowski felt like it needed to be there, rather than for an actual literary need for conversation.
Repetition in general was an issue throughout this book. Lines of prose were repeated quite often, to the point that it made focusing on the story itself difficult. Many passages felt clunky and, much like with the dialogue, as if they were written simply to fill blank spaces on the page rather than to enhance the story. This book was originally written in Polish, so, admittedly, some of these gripes may result from things that were lost in translation.
At its core, The Last Wish is a beloved fantasy novel with cherished characters who have earned well-deserved video game and television adaptations. Packed with action, fight scenes, and fairy tale parallels, it weaves the riveting narrative of a being who is finding his place in a world where he was created to kill. Hidden within the gory battles and captivating fights are bits of perfectly timed sarcasm and dry humor, expertly penned political and class commentary, and not-so-gentle reminders that real evil can be found lurking within humanity, not monsters.
Reading time: 2 days
Difficulty level: 3/5
Overall Rating: 7/10
The Last Wish by Andrzej Sapkowski is the second novel in The Witcher series, but it serves as an excellent starting point into the world of the beloved Geralt of Rivia. Told in short story format, with hints of a longer, overarching plotline in between, this book introduces the reader to who Geralt is, what makes him tick, and the characters who will eventually come to play a much larger role in his story.
The bite-sized tales featured in this novel are entertaining, easy to follow, and manage to keep the focus on Geralt while honoring the uniqueness and differentiation of the other characters in the story. Each one feels distinctly separate from the rest but remains in keeping with the overall mood and tone of the book.
Sapkowski excels at taking the short story format and doing something larger than life within it. He maintains a masterful plot, that contains hints of mystery, romance, and an origin story, despite the appearance of a book that, at first glance, seems to be comprised of separate, contained stories that have little to do with one another, aside from the main character.
Where The Last Wish struggles is with dialogue. The conversation is often stilted and repetitive, and many of the side characters felt like carbon copies of one another because of this. Much of the dialogue gave off the impression that it was not well thought out, and that it was written because Sapkowski felt like it needed to be there, rather than for an actual literary need for conversation.
Repetition in general was an issue throughout this book. Lines of prose were repeated quite often, to the point that it made focusing on the story itself difficult. Many passages felt clunky and, much like with the dialogue, as if they were written simply to fill blank spaces on the page rather than to enhance the story. This book was originally written in Polish, so, admittedly, some of these gripes may result from things that were lost in translation.
At its core, The Last Wish is a beloved fantasy novel with cherished characters who have earned well-deserved video game and television adaptations. Packed with action, fight scenes, and fairy tale parallels, it weaves the riveting narrative of a being who is finding his place in a world where he was created to kill. Hidden within the gory battles and captivating fights are bits of perfectly timed sarcasm and dry humor, expertly penned political and class commentary, and not-so-gentle reminders that real evil can be found lurking within humanity, not monsters.
Content Warnings
Graphic: Violence
Moderate: Rape, Murder, Death, Sexism, Misogyny, Incest, and Cursing
Minor: Sexual content