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onthesamepage's reviews
1033 reviews
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
Yes, talk to Murderbot about its feelings. The idea was so painful I dropped to 97 percent efficiency.
Murderbot is the single most relatable character in the universe to me right now, because I, too, would like to spend my days endlessly consuming fun media, rather than deal with reality. This was a fun, short adventure, with a great cast of characters that becomes a lovely little found family.
Even if you don't usually read scifi, I would recommend giving this ago. It's set in space/a different planet, and there are definitely scifi elements, but it's definitely on the lighter side, and the concepts are easy to grasp. It's much more about the characters, anyway, and they are delightful.
Graphic: Violence
Moderate: Slavery
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
3.5
I don't think the mystery is very unpredictable if you've been reading within the genre for a while, but it was still entertaining.
Graphic: Death, Toxic relationship, Murder
Moderate: Infidelity, Alcohol
Minor: Gun violence, Stalking
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? No
4.0
I also really liked the rest of this, though, and for me this is the best book in the series. I didn't find it needlessly long-winded like I did The Two Towers, and I was engaged with the story throughout. Andy Serkis absolutely blows the narration out of the park for all three books, so if it's possible for you to read it on audio, I would highly recommend it.
This will never be one of my favourite series, but I do appreciate everything it has done for the fantasy genre in general, and I'm glad I finally read all of it.
Graphic: Death, Violence, War
Moderate: Misogyny, Grief
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I am the locusts. Ella sends the thought out like a concussive wave, so that it hits every surveillance orb in the neighborhood, every wired cop, every crabtank in the nearby precinct. I am the locusts and the frogs and the rivers of blood.
I'm here now.
I love and fear Tochi Onyebuchi's writing in equal measures, because I always feel like I am missing so much of what he's trying to tell me. But I keep picking up his books anyway.
This is a biting commentary on and criticism of mass incarceration and racism in America. It was extremely relevant when it was published in 2020, and honestly feels even more so now. It's about the feeling of helplessness when someone you love falls victim to systems of injustice, no matter how powerful you may be, but it's also about the power of community, and the idea that people can affect change, no matter how unlikely it seems.
Graphic: Racism, Police brutality
Moderate: Gun violence, Miscarriage, Medical trauma, Death of parent
Minor: Cancer
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
I wasn't sure I'd be able to root for the romance considering it starts with blackmail. When taken at face value, Cirrus's actions are those of a jerk. But the author does a great job at taking you deeper into the why behind the what, and even though it takes a while, all the strange behavior ends up making perfect sense. I found myself deeply sympathizing with both Skylar and Cirrus. There were moments where I feared they wouldn't make it out of the dark places they found themselves in, but I'm happy to say that this ends in a good way. I'm glad the author took the time and extra chapters to flesh out/change the original ending.
Graphic: Bullying, Homophobia, Mental illness
Moderate: Child abuse, Toxic relationship
Minor: Sexual assault
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
The translation by Anton Hur reads very smoothly, and the illustrations throughout the editions are stunning. Definitely worth reading a physical copy if you can.
Graphic: Violence, Suicide attempt
Moderate: Grief
Minor: Sexual assault
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
There's been hype surrounding this book in the bookish circles that I haunt ever since I started back in 2020. I can definitely see why—as novellas go, this one is very well executed. It tackles just enough to fit within the bounds of a small book, without feeling like we're only being told half a story. I ended up caring about the characters and their fates relatively quickly, too. The concept of Klu Kluxes being actual monsters is such a good one, and I liked everything we learn about them.
The story obviously deals with racism, but also with the fine line between righteous anger and outright hatred, explored through the character of Maryse. I think this possibly would have hit harder if I was American—I honestly didn't even realize The Birth of a Nation was an actual film, and not just something made up, until I Googled it afterwards. But it's still a very effective execution, and I'm glad I finally read it.
Graphic: Body horror, Gore, Racism
Moderate: Racial slurs, Slavery
Minor: Animal death
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
I think this book had a lot of good conversations about addressing Islamphobia and racism, especially when it comes from people you're close to. It's something Elizabeth struggles with throughout the story, and the authors do a good job of showing how that impacts her budding friendship with Sara as well.
The story beats are pretty predictable, but that didn't make the reading experience any less enjoyable. I read this during Ramadan, and the food descriptions had me salivating. I was also pleasantly surprised by Stephanie's character, who turned out to be a perfect example of how dangerous assumptions can be.
Graphic: Racism, Islamophobia
Moderate: Mental illness, Racial slurs, Grief
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
3.5
Hamra is a very relatable character. She is full of anger at the state of the world, and at the unfairness of her parents being away from her, and her grandmother losing herself bit by bit, and almost everyone forgetting her birthday. Her anger leads her to make some questionable choices with big consequences, and we follow her on her quest to deal with that, but also to deal with her emotions in a different way than letting them lead her by the nose.
I think middle graders will enjoy the adventure aspects of the story, and hopefully Hamra will teach them to think before acting. My one complaint is that I think the book is a bit too long. It failed to fully hold my attention in the middle, but I really appreciated the ending and what the author did there.
Graphic: Dementia, Pandemic/Epidemic
Moderate: Death, Fire/Fire injury, Injury/Injury detail
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.5