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randanopterix's reviews
79 reviews
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Minor: Homophobia
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.25
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
Certain parts of this book felt very cathartic for my inner child and I appreciated that Pullman never really loses sight of the fact that these are children who are simply going through Too Much.
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
5.0
It’s heists are genius in their construction, the characters are insanely loveable, the dialogue is realistic and hilarious, and the relationships built between the cast are surprisingly heartwarming. Now, if you think the stakes are high 100 pages in, friend, I hope you’re ready to be stressed as FUCK because the stakes only get higher and higher.
I’m obsessed with this book, not much more to say past that.
Tagging the rest of this review as spoilers as it’s pretty much going to include notes from my annotations:
• Jean Tannen is a murderous, sensitive, smart, fat king and I hope he lives to be 200 and the rest of his life full of happiness and joy.
• Locke is a terrible little rat of a man who I desperately want to be happy. I’m sorry you had to go through all of that, king.
• Calo and Galdo, real ones. Y’all didn’t deserve any of that.
• Bug absolutely fucking broke me. Heartbroken. The worst part was that I read up to Calo and Galdo’s death when I had to clock out from work. I had the whole ride home to be shattered about them and scheme about how Bug, Jean, and Locke were gonna take revenge before I finally got home to read the rest of the chapter….
• WHERE. IS. SABETHA.
• Bondsmagi OP, plz nerf /s
• Doña Vorchenza keeps taking those L’s.
• Let me preface this by saying that I LOVED the way women were written and portrayed in this book. Absolutely none of it was patronizing or unrealistic and they were all distinct characters capable of the same level of cunning and brutality as any of their male counterparts. THAT BEING SAID: Was a little disappointed that the two women characters who had potential to be a part of the main crew as it were (Nazca and Sabetha) were neatly folded up and put away for the majority of the novel. Hoping I get to know what the deal is w Sabetha in the next book because she didn’t even show up in the flashback portions of this one and it made her feel like she wasn’t even a part of the Bastards…
• The bank scene is genuinely one of the most insane, most clever, and most hilarious things I’ve ever read. POOR BENJAVIER.
• I was on the toilet during the scene where Locke speaks Bug’s true name and let me tell you, crying heartily about that while pooping was not my most dignified moment.
Graphic: Animal death, Child death, Cursing, Death, Gore, Torture, Violence, Blood, Murder, Alcohol, Injury/Injury detail
Moderate: Alcoholism, Child abuse, Confinement, Sexual content, Slavery, Vomit, Trafficking, Kidnapping, Grief, Fire/Fire injury
Minor: Drug abuse, Fatphobia, Pedophilia, Rape, Abandonment, War, Classism
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
I feel like the true themes of the first book only become clear in Messiah and the way it wraps those themes around the personal tragedy of Paul is amazing. I finished this yesterday and I haven’t stopped thinking about it since. I feel like I get the hype around Dune now and I can’t wait to read more.
Graphic: Genocide, War
Moderate: Incest, Violence
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
5.0
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.25
Graphic: Death, Violence, Kidnapping, Injury/Injury detail
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? No
2.75
Dresden is smug and the one liners are mostly cringey but somehow he still comes across as lovable in human-disaster sort of way. The plot was a pulpy, one episode mystery that was enjoyable enough. I definitely felt like the mystery solving was 10% detective work and 90% tripping on an important clue by accident.
This gets extra points for the audiobook performance. I’m convinced I might’ve hated this book if not for James Marsters reading as Harry Dresden. He comes across as the perfect amount of jaded and tired wizard detective hiding a heart of (silver if not) gold.
An Okay Book. Would definitely recommend to my dad.
Graphic: Violence
Moderate: Sexism
Minor: Animal death, Child abuse, Incest, Physical abuse