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Project Hail Mary by Andy Weir
Synopsis and/or Premise:
Ryland Grace woke up from a coma. He doesn't know where he is, and he can't remember his name either. Why is he in a coma in the first place? What's even stranger was that he found himself to be alone...with two dead companions. But just as he curiously explores his immediate environment, he notices how odd the way things fall. He doesn't believe when he found out he's travelling at space as humanity's last hope against an apocalyptic microorganism.
The Good and The Bad:
This book was easily entertaining. The mystery π on the first parts was an effective hook. The comedy was a welcoming touch, though I have a problem on this aspect which I'll elaborate later. In terms of delivering various emotions to its readers, it was exemplary. This book could make you do anything like:
- To ponder
- To imagine
- To hope
- To chuckle
- To tense
- To tear
- To despair
- etc.
Honestly, if you're simply looking for a good sci-fi space odyssey with a splash of mystery this is a great recommendation β .
There's also some takes on how government people and scientists interact. Or to be more precise, how government forced scientists to do their bidding. Stratt was total emblematic of a lawful power-abuser πΌ. And as the more dire the need to launch Hail Mary got, the more demanding and intrusive her requests developed. Her presence on the book just confirms how human desperation might be a bigger issue than the root cause of it.
But of course, the meat was all about how lonely and miniscule we are against the vastness of space π. What's worse was that Ryland Grace was the last, forlorn hope of his species against extinction, so the pressure of his isolated and helpless footing was even magnified. Then came huge relief when he found out there's a way to succeed. The usage of an impossible task driving the main conflict was a proven method of convincing readers to root for the protagonists. The ending was bittersweet, and I do appreciate it was sort of definitive yet ambiguous at the same time. At its core, this book was all about companionship and utter perseverance.
It's quite unfortunately how it had prominent derelictions. The comedy, though usually is welcomed on most books, does hurt this one more than it helps. Many of the humor doesn't land π , and it created a jarring conflict to the narrative's general unpromising atmosphere. At least it TRIED to subvert them I guess. I don't even know if this was part of its comedy, but the main character wanted to sleep several times (even during highlights of the plot, which peeves me.) Next were basically the flashbacks. Their premise execution were inconsistent during the middle part of the book, and aside from Stratt none of the human characters were intriguing enough. This leads to the last problem, Ryland Grace himself. His character was not realistic. For example, ummm...he claims to love children despite only having one scene supporting it π§. He's also a genius who mentions terms/ideas during the most convenient plot-points. Also, the buildup to his character growth was on the weaker side. Yeah β he's the not best written protagonist out there.
Final Thoughts:
Andy Weir's Project Hail Mary was a novel about speculation of space and discovery of alien life. It juggled on two narratives: About the creation of the Hail Mary spacecraft, and about the miraculous journey to a distant star (though I prefer the latter.) Personally, I could actually see it faring better on its confirmed screen adaptation. This novel was extra geeky with a mainstream prose and prevalent scientific info-dumps, so take that as either a warning or incentive.
Rating:
Controversial take here, but I think this book was a tad overrated. That doesn't mean it's bad though. Far from it actually. It has 4.52 stars on Goodreads (basically translates to 9/10 in my personal scale.) But it felt overinflated considering the issues I pointed out. I'll still give it an 8/10.
adventurous
challenging
emotional
funny
informative
mysterious
tense
medium-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? No
4.0
Just so you know, writing this review without mentioning a spoiler was such a tedious task. But...URGHHH π© MINOR SPOILER HEREβΌοΈ!β half the narrative was about two individuals against the an impossible interstellar mission π³ (help! Why does it sound like a romance plot?!?!)
"Go to hell."
"Oh, I will, believe me. You three are going to Tau Ceti. The rest of us are going to hell. More accurately, hell is coming to us."
Synopsis and/or Premise:
Ryland Grace woke up from a coma. He doesn't know where he is, and he can't remember his name either. Why is he in a coma in the first place? What's even stranger was that he found himself to be alone...with two dead companions. But just as he curiously explores his immediate environment, he notices how odd the way things fall. He doesn't believe when he found out he's travelling at space as humanity's last hope against an apocalyptic microorganism.
The Good and The Bad:
This book was easily entertaining. The mystery π on the first parts was an effective hook. The comedy was a welcoming touch, though I have a problem on this aspect which I'll elaborate later. In terms of delivering various emotions to its readers, it was exemplary. This book could make you do anything like:
- To ponder
- To imagine
- To hope
- To chuckle
- To tense
- To tear
- To despair
- etc.
Honestly, if you're simply looking for a good sci-fi space odyssey with a splash of mystery this is a great recommendation β .
There's also some takes on how government people and scientists interact. Or to be more precise, how government forced scientists to do their bidding. Stratt was total emblematic of a lawful power-abuser πΌ. And as the more dire the need to launch Hail Mary got, the more demanding and intrusive her requests developed. Her presence on the book just confirms how human desperation might be a bigger issue than the root cause of it.
But of course, the meat was all about how lonely and miniscule we are against the vastness of space π. What's worse was that Ryland Grace was the last, forlorn hope of his species against extinction, so the pressure of his isolated and helpless footing was even magnified. Then came huge relief when he found out there's a way to succeed. The usage of an impossible task driving the main conflict was a proven method of convincing readers to root for the protagonists. The ending was bittersweet, and I do appreciate it was sort of definitive yet ambiguous at the same time. At its core, this book was all about companionship and utter perseverance.
It's quite unfortunately how it had prominent derelictions. The comedy, though usually is welcomed on most books, does hurt this one more than it helps. Many of the humor doesn't land π , and it created a jarring conflict to the narrative's general unpromising atmosphere. At least it TRIED to subvert them I guess. I don't even know if this was part of its comedy, but the main character wanted to sleep several times (even during highlights of the plot, which peeves me.) Next were basically the flashbacks. Their premise execution were inconsistent during the middle part of the book, and aside from Stratt none of the human characters were intriguing enough. This leads to the last problem, Ryland Grace himself. His character was not realistic. For example, ummm...he claims to love children despite only having one scene supporting it π§. He's also a genius who mentions terms/ideas during the most convenient plot-points. Also, the buildup to his character growth was on the weaker side. Yeah β he's the not best written protagonist out there.
Final Thoughts:
Andy Weir's Project Hail Mary was a novel about speculation of space and discovery of alien life. It juggled on two narratives: About the creation of the Hail Mary spacecraft, and about the miraculous journey to a distant star (though I prefer the latter.) Personally, I could actually see it faring better on its confirmed screen adaptation. This novel was extra geeky with a mainstream prose and prevalent scientific info-dumps, so take that as either a warning or incentive.
Rating:
Controversial take here, but I think this book was a tad overrated. That doesn't mean it's bad though. Far from it actually. It has 4.52 stars on Goodreads (basically translates to 9/10 in my personal scale.) But it felt overinflated considering the issues I pointed out. I'll still give it an 8/10.
Yellowface by R.F. Kuang
Synopsis and/or Premise:
Athena Liu suddenly died. June Hayward found an opportunity to claim the novel draft of her deceased 'friend' and published the completed product as her own. It made her become one of the most lauded authors, and she LOVES gloating in the limelight. But her exuberance is turning upside-down when the online community threatens her with emerging evidences and accusations. She believed she doesn't deserve this vitriolic backlash, yet she found herself being haunted by a ghost.
The Good and The Bad:
Where do I start?... OH YEAH! π This book was perhaps one of the most peculiar out there. It's definitely distinctive from anything I've ever read. For all I know, R.F. Kuang doesn't do Contemporary. She's all about Fantasy and Historical Fiction, so this had been a snippy change. But it's not only the most unique R.F. Kuang novel, it's also built different compared to anything out there. A full frenzy of razor cutting moments and unrestrained, raw vignettes. Everybody was being impartially targeted with a manic, seizure-inducing assessments. May it be the readers, the writers, the critics, the system and the internet...and even the author was attacking herself. LIKE WHO DOES THAT?!?!?! I'm awed by my most anticipated book of the year.
It felt fresh to have a despicable protagonist. Not morally grey. Not questionable. Just straight up hate-worthy. I know some were put off by June even though it made sense for the narrative to have her type of main character. She was a petty, cynical, envious and narcissistic person who would not think twice spitting white lies for benefits. In short words, she's a bitchπββοΈ, and a well-written one at that. Yet despite all these reasons, you could still find yourself guilty of pitying her due to the relentless circumstances she's been encountering. I admired the fact that her character direction (especially at the last chapter) had nuanced relationship with her cycle of controversies.
This book is well-known to be satirical in nature, and oh what a satire it was. Specifically, it was a satire towards the whole publishing and literary industry nowadays π. This book was meticulous at opening the eyes of its readers about what the those industries prioritizes. It critiqued on the unfair culture the writers/authors were being subjected to just for their artistry to be awarded, assuming it even gets published/sold in the first place. It revealed how agents cultivated a climate of favoritism where the 'best' is further exalted while those unlucky ones didn't even had a chance (plus microaggression). This whole satire was evidently thought-provoking and informative on the whole literary process.
The surprising aspect for me was its themes about the influential Internet and Cancel Culture π«. It's so meta, considering a considerable portion of the story was dedicated to Twitter rants and discourse. Just like how it critiqued the current nature of literary/publishing, the book also sold itself as a revelatory diagnosis of the online environment. It never failed to present how vicious and undaunted people can be towards their targets online if they have nothing to lose. The book also claimed social media to be a toxic-driven community and way too sensitive for its own good, and the internet being a legitimate social threat. Plus, who else would be a better target of online barrages and cancellations than its exploitive main character?
I mean...are my criticisms even relevant if the book feeds on them? Anyways, I do have some problems. First was the pacing. R.F. Kuang had a history on this problem so it's nothing new. Disappointing, though, that she never improved on such. Next, it had underwhelming characterizations. I sort of forgive some levels of it since it wasn't the author's usual fantasy/historical fiction (where characterizations really matter). Still, it undercuts the potential of some scenes. Lastly, it's pandering and self-indulgent at core. WOW, Random Spider. Who would have thought? I know it's the whole point of the book, yet it's still fundamentally a dirty move of an acclaimed author. Who cares anyway? THIS BOOK LAVISHES ON THESE NEGATIVITIES π.
Final Thoughts:
Yellowface is a mockery of itself and of the author. Who and what am I to judge of that? It's unique, petty, eviscerating, and audaciously funny. It tackled various controversial themes like privilege, racial appropriation, microaggression, manipulation, authenticity, identity assassination, etc. The novel was partly written not to tell a story but instead bring awareness. Surprisingly, it had thriller elements and a special kind of horror quality focusing on isolation and powerlessness. The whole goal of the novel is to feel conflicted about it, and so it's up to the readers to form their opinions/thoughts. That is what the book wants though β to attract attention (regardless whether it's good or bad.)
Rating: Although none of R.F. Kuang's book is perfection, they are at least consistently great. Yellowface earns an 8/10.
dark
emotional
funny
informative
reflective
tense
medium-paced
- Plot- or character-driven? Character
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? Yes
4.0
Did R.F. Kuang wrote Yellowface as indicative of her literary experiences? Because OMG it's so obvious she had enough of her critics. Reaping profits from her controversies is perhaps the most brazen middle finger she could give π.
"And sometimes it does feel like I'm exploiting their pain for my profit. I try to write in a way that is honoring them. But I remain aware that I can only do this because I am the privileged, lucky generation. I have that indulgence to look back, to be a storyteller."
Synopsis and/or Premise:
Athena Liu suddenly died. June Hayward found an opportunity to claim the novel draft of her deceased 'friend' and published the completed product as her own. It made her become one of the most lauded authors, and she LOVES gloating in the limelight. But her exuberance is turning upside-down when the online community threatens her with emerging evidences and accusations. She believed she doesn't deserve this vitriolic backlash, yet she found herself being haunted by a ghost.
The Good and The Bad:
Where do I start?... OH YEAH! π This book was perhaps one of the most peculiar out there. It's definitely distinctive from anything I've ever read. For all I know, R.F. Kuang doesn't do Contemporary. She's all about Fantasy and Historical Fiction, so this had been a snippy change. But it's not only the most unique R.F. Kuang novel, it's also built different compared to anything out there. A full frenzy of razor cutting moments and unrestrained, raw vignettes. Everybody was being impartially targeted with a manic, seizure-inducing assessments. May it be the readers, the writers, the critics, the system and the internet...and even the author was attacking herself. LIKE WHO DOES THAT?!?!?! I'm awed by my most anticipated book of the year.
It felt fresh to have a despicable protagonist. Not morally grey. Not questionable. Just straight up hate-worthy. I know some were put off by June even though it made sense for the narrative to have her type of main character. She was a petty, cynical, envious and narcissistic person who would not think twice spitting white lies for benefits. In short words, she's a bitchπββοΈ, and a well-written one at that. Yet despite all these reasons, you could still find yourself guilty of pitying her due to the relentless circumstances she's been encountering. I admired the fact that her character direction (especially at the last chapter) had nuanced relationship with her cycle of controversies.
This book is well-known to be satirical in nature, and oh what a satire it was. Specifically, it was a satire towards the whole publishing and literary industry nowadays π. This book was meticulous at opening the eyes of its readers about what the those industries prioritizes. It critiqued on the unfair culture the writers/authors were being subjected to just for their artistry to be awarded, assuming it even gets published/sold in the first place. It revealed how agents cultivated a climate of favoritism where the 'best' is further exalted while those unlucky ones didn't even had a chance (plus microaggression). This whole satire was evidently thought-provoking and informative on the whole literary process.
The surprising aspect for me was its themes about the influential Internet and Cancel Culture π«. It's so meta, considering a considerable portion of the story was dedicated to Twitter rants and discourse. Just like how it critiqued the current nature of literary/publishing, the book also sold itself as a revelatory diagnosis of the online environment. It never failed to present how vicious and undaunted people can be towards their targets online if they have nothing to lose. The book also claimed social media to be a toxic-driven community and way too sensitive for its own good, and the internet being a legitimate social threat. Plus, who else would be a better target of online barrages and cancellations than its exploitive main character?
I mean...are my criticisms even relevant if the book feeds on them? Anyways, I do have some problems. First was the pacing. R.F. Kuang had a history on this problem so it's nothing new. Disappointing, though, that she never improved on such. Next, it had underwhelming characterizations. I sort of forgive some levels of it since it wasn't the author's usual fantasy/historical fiction (where characterizations really matter). Still, it undercuts the potential of some scenes. Lastly, it's pandering and self-indulgent at core. WOW, Random Spider. Who would have thought? I know it's the whole point of the book, yet it's still fundamentally a dirty move of an acclaimed author. Who cares anyway? THIS BOOK LAVISHES ON THESE NEGATIVITIES π.
Final Thoughts:
Yellowface is a mockery of itself and of the author. Who and what am I to judge of that? It's unique, petty, eviscerating, and audaciously funny. It tackled various controversial themes like privilege, racial appropriation, microaggression, manipulation, authenticity, identity assassination, etc. The novel was partly written not to tell a story but instead bring awareness. Surprisingly, it had thriller elements and a special kind of horror quality focusing on isolation and powerlessness. The whole goal of the novel is to feel conflicted about it, and so it's up to the readers to form their opinions/thoughts. That is what the book wants though β to attract attention (regardless whether it's good or bad.)
Rating: Although none of R.F. Kuang's book is perfection, they are at least consistently great. Yellowface earns an 8/10.
Chloe and the Kaishao Boys by Mae Coyiuto
Synopsis and or Premise:
Chloe, an aspiring animator, gets off from the waiting list of USC. Enrollment is now possible. However, before she takes flight abroad, her auntie insisted on planning a traditional debut for her 18th birthday. Her auntie wanted to complete her 18 roses, and with the assistance from Chloe's dad they scout for bachelors and set her up with them through Kaishaos (arranged dates.) In the end, she must decide if she could leave everything behind for her dreams.
The Good and The Bad:
As a YA RomCom, was it inciting romantic shudders? Yes. Was it filled with comedic moments? 100%! And finally, does it contained endearing aspects of Young Adults? UNDOUBTEDLY!!! I think I already moved on with these types of genres...yet I still found this a lot of fun π. The writing was bubbly and alive, then slowly taken over by a profound sincerity as the story progressed. But don't worry, both tones were present all-throughout. It's filled with awkward/conscious scenarios that forced chuckles and second-hand embarrassments. Plus I ate every witty sarcasms being thrown at the readers. It was an easy and blasting read.
Relatability was one of book's stronger suits. Honestly, there were so much stuff within that young people regularly encounter (especially if you're a Chinese-Filipino.) This book had tackled subjects like Expectations, Doubt/Imposter Syndrome, Friendship, Family dynamics, Racism, etc. Chloe was a relatable protagonist because she's ever-confused and repeatedly questions herself. I'm a Filipino π, and these stuff were hella familiar.
I LOVE its language switching, Filipino easter eggs, and multiple pop-culture references. The occasional mix-up of English, Tagalog, and Hokkien (as well as the easter eggs/references) effectively breathed life and character into the pages and gave the book a realistic, contemporary vibe π. This may be off-putting to those who doesn't speak/understand these languages, and I understand that. Don't worry though since there's a handy glossary found at the back. I know it's sort of an international meme that Filipinos can't get enough foreign recognitions...but like c'mon, I'll take any representations of my nationality.
Of course, I can't forget about how this supposedly simple-premised RomCom was infused with heart β€οΈ. The novel was all about dreams vs life at its core. It's such a straightforward yet effective narrative foundation executed competently by the author through her main character. It was choke-full of character revelations. Supporting characters organically open themselves up in such perfect pace. The best quote was even delivered by the antagonist after evaluating the consequences of her motives. But the best was, unsurprisingly, that of the main character. Chloe coming to terms with who she was and who she wanted to be was one of the most thought-provoking personal development in any fiction I've read. And I reflect upon her a lot. Halting yourself and accepting that you weren't ready for something is inherently shameful...but, as the book imparted, that's ok. And maybe special things in life were those you didn't see coming. You just need to take the leap of faith.
I do have some criticisms like having clichΓ© dramas π¬ and being extremely tropey. The romance narrative was a little late to begin rolling, as well as the heartfelt stuff (though it made sense that it was at the end.) It's just that, for the most part, the plot dropped either the Kaishao romance or the protagonist's aspiration to focus on the other entirely. It could have done better intertwining both at the same time. I do also have a problem with the Kaishao bachelors. In my opinion, the right choice was a tad obvious. Like c'mon, I was expecting some intense mental debate between who I'd consider the best choice.
Final Thoughts:
I'm gonna admit that I enjoy this book a lot. It's one of the better YA RomCom out there, and I would even recommend it to those who aren't an avid reader of its genres. Throughout its pages it was radiating chaotic energy, youthful angst, and teenage awkwardness, turning it into a hilarious read. Below the surface-level fun and lightheartedness, it also possessed some deep and earnest moments that would left you thinking about for a while. Yeah, a complete package that succeeded in reaching its literary goals and audiences. Mae Coyiuto's debut novel (correct me if I'm wrong) deserved the local hype here.
Rating: Around the base of 8/10.
emotional
funny
inspiring
lighthearted
reflective
fast-paced
- Plot- or character-driven? Plot
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
4.0
WOW! It's been months since my last Filipino novel read. Thank goodness I found this recommendation from BookTok.
"Our world is already so tough on people who are different, Chloe. My job as a parent is to shield my son from the things he fears in this world, not add to them." She stops and shakes her head. "But what do I do when I'm the one he's afraid of."
Synopsis and or Premise:
Chloe, an aspiring animator, gets off from the waiting list of USC. Enrollment is now possible. However, before she takes flight abroad, her auntie insisted on planning a traditional debut for her 18th birthday. Her auntie wanted to complete her 18 roses, and with the assistance from Chloe's dad they scout for bachelors and set her up with them through Kaishaos (arranged dates.) In the end, she must decide if she could leave everything behind for her dreams.
The Good and The Bad:
As a YA RomCom, was it inciting romantic shudders? Yes. Was it filled with comedic moments? 100%! And finally, does it contained endearing aspects of Young Adults? UNDOUBTEDLY!!! I think I already moved on with these types of genres...yet I still found this a lot of fun π. The writing was bubbly and alive, then slowly taken over by a profound sincerity as the story progressed. But don't worry, both tones were present all-throughout. It's filled with awkward/conscious scenarios that forced chuckles and second-hand embarrassments. Plus I ate every witty sarcasms being thrown at the readers. It was an easy and blasting read.
Relatability was one of book's stronger suits. Honestly, there were so much stuff within that young people regularly encounter (especially if you're a Chinese-Filipino.) This book had tackled subjects like Expectations, Doubt/Imposter Syndrome, Friendship, Family dynamics, Racism, etc. Chloe was a relatable protagonist because she's ever-confused and repeatedly questions herself. I'm a Filipino π, and these stuff were hella familiar.
I LOVE its language switching, Filipino easter eggs, and multiple pop-culture references. The occasional mix-up of English, Tagalog, and Hokkien (as well as the easter eggs/references) effectively breathed life and character into the pages and gave the book a realistic, contemporary vibe π. This may be off-putting to those who doesn't speak/understand these languages, and I understand that. Don't worry though since there's a handy glossary found at the back. I know it's sort of an international meme that Filipinos can't get enough foreign recognitions...but like c'mon, I'll take any representations of my nationality.
Of course, I can't forget about how this supposedly simple-premised RomCom was infused with heart β€οΈ. The novel was all about dreams vs life at its core. It's such a straightforward yet effective narrative foundation executed competently by the author through her main character. It was choke-full of character revelations. Supporting characters organically open themselves up in such perfect pace. The best quote was even delivered by the antagonist after evaluating the consequences of her motives. But the best was, unsurprisingly, that of the main character. Chloe coming to terms with who she was and who she wanted to be was one of the most thought-provoking personal development in any fiction I've read. And I reflect upon her a lot. Halting yourself and accepting that you weren't ready for something is inherently shameful...but, as the book imparted, that's ok. And maybe special things in life were those you didn't see coming. You just need to take the leap of faith.
I do have some criticisms like having clichΓ© dramas π¬ and being extremely tropey. The romance narrative was a little late to begin rolling, as well as the heartfelt stuff (though it made sense that it was at the end.) It's just that, for the most part, the plot dropped either the Kaishao romance or the protagonist's aspiration to focus on the other entirely. It could have done better intertwining both at the same time. I do also have a problem with the Kaishao bachelors. In my opinion, the right choice was a tad obvious. Like c'mon, I was expecting some intense mental debate between who I'd consider the best choice.
Final Thoughts:
I'm gonna admit that I enjoy this book a lot. It's one of the better YA RomCom out there, and I would even recommend it to those who aren't an avid reader of its genres. Throughout its pages it was radiating chaotic energy, youthful angst, and teenage awkwardness, turning it into a hilarious read. Below the surface-level fun and lightheartedness, it also possessed some deep and earnest moments that would left you thinking about for a while. Yeah, a complete package that succeeded in reaching its literary goals and audiences. Mae Coyiuto's debut novel (correct me if I'm wrong) deserved the local hype here.
Rating: Around the base of 8/10.
Pachinko by Min Jin Lee
Synopsis and/or Premise:
A generational family saga about a poverty-stricken family moving into Japanese soil, facing beyond a world of challenges and prejudice as well as their own inescapable roots.
The Good and The Bad:
I have to talk about the few problems I found within this book, which was unfortunate since I loved it. The constant perspective shifts βοΈ, although necessary and wasn't impossible, was confusing since they happened without prior notice/indication (apparent especially during scenes with multiple characters.) Next, there's a couple of clichΓ© and cheesy melodramas. By how macro-focused the narrative was, they felt jarring and off. Lastly, though this added more inherent value to the novel by injecting accounts inspired by true events, these 'additive' subplots forced the story to dissociate from the main family (which can be deemed distracting.)
This book was a love letter for Korean immigrants π. A true tribute to their tribulations and trauma. The book never failed in shedding light towards them by following generations of a family thrown into a changing life. The readers get to relate to their enduring experiences within a foreign land, and then soon on a later generation, being alienated by both their fellow citizens and their own ethnic groups. It's moving, it's poignant, and it's previously illuminating. I bet (and hope) this would end up being a modern Korean classic.
What I found fascinating was how mundane it was for a fiction. It nailed the realism with its riveting day-to-day drama and a wide cast of protagonists. Readers get to connect and understand on their struggles and experiences...to the point that I felt I knew them in real life. I'm not joking when I found myself reminiscing π during the last pages of its final chapter. With how down-to-earth the tale it was able to tackle serious topics. It has it all: War, Alienation, Depression, Faith, Duty, Feminism, etc. β and especially IDENTITY and PERSONAL PERSPECTIVES. These specific themes were interconnected with each other and were consistently interweaved in the story through its characters and plot points. These were further supported by the book's shifting angles and omniscient POV ποΈ (which was impressively used to convey scenes.) I can't help but say this has to be one of the best fictions in handling those two subjects.
One of the main things I admire about the book was how it critiqued so much various matters. Of course, this had to be expected when the novel continually talked about social and personal subjects. It even delved into deeper criticisms with Imperial Japanese government πΎ and, later, on societal bigotry. This was made effective as the readers were riveted to the tale of Korean migrants. Oddly enough, it wasn't much of a pro-Korea than it was so towards its ethnic people.
Final Thoughts:
This book is amazing and easy to read. It's a culturally rich, sweeping family saga about generations of a migrant Korean family in 1900s Japan. I loved it filled with endless wise quotes. It was a mature epic that gained loftiness through humbling stories. I would say that despite not a romance book, it was heavily reliant on the relationships/dynamics of its characters and it wasn't shy of showing several sexual interactions. Yeah, if you've read this book you'll know the title can't be any more fitting. This was a decades-long personal endeavor for the author, Min Jin Lee, so all I wanted to say is thank you and congratulations.
Rating: Honorable 9/10.
emotional
inspiring
reflective
sad
medium-paced
- Plot- or character-driven? Plot
- Strong character development? It's complicated
- Loveable characters? Yes
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? It's complicated
4.5
If I have a coin for my every impulsive book purchase of a family saga about east-asian refugees ruggedly crawling for a comfortable life before and after the events of World War 2...I'll have two coins, which is not a lot but it's weird that it happened twice.
(Btw, the other book I was referring to was Banyaga: Song of War by Charles Ong.)
(Btw, the other book I was referring to was Banyaga: Song of War by Charles Ong.)
"Is it so terrible to be Korean?"
"It is terrible to be me."
Synopsis and/or Premise:
A generational family saga about a poverty-stricken family moving into Japanese soil, facing beyond a world of challenges and prejudice as well as their own inescapable roots.
The Good and The Bad:
I have to talk about the few problems I found within this book, which was unfortunate since I loved it. The constant perspective shifts βοΈ, although necessary and wasn't impossible, was confusing since they happened without prior notice/indication (apparent especially during scenes with multiple characters.) Next, there's a couple of clichΓ© and cheesy melodramas. By how macro-focused the narrative was, they felt jarring and off. Lastly, though this added more inherent value to the novel by injecting accounts inspired by true events, these 'additive' subplots forced the story to dissociate from the main family (which can be deemed distracting.)
This book was a love letter for Korean immigrants π. A true tribute to their tribulations and trauma. The book never failed in shedding light towards them by following generations of a family thrown into a changing life. The readers get to relate to their enduring experiences within a foreign land, and then soon on a later generation, being alienated by both their fellow citizens and their own ethnic groups. It's moving, it's poignant, and it's previously illuminating. I bet (and hope) this would end up being a modern Korean classic.
What I found fascinating was how mundane it was for a fiction. It nailed the realism with its riveting day-to-day drama and a wide cast of protagonists. Readers get to connect and understand on their struggles and experiences...to the point that I felt I knew them in real life. I'm not joking when I found myself reminiscing π during the last pages of its final chapter. With how down-to-earth the tale it was able to tackle serious topics. It has it all: War, Alienation, Depression, Faith, Duty, Feminism, etc. β and especially IDENTITY and PERSONAL PERSPECTIVES. These specific themes were interconnected with each other and were consistently interweaved in the story through its characters and plot points. These were further supported by the book's shifting angles and omniscient POV ποΈ (which was impressively used to convey scenes.) I can't help but say this has to be one of the best fictions in handling those two subjects.
One of the main things I admire about the book was how it critiqued so much various matters. Of course, this had to be expected when the novel continually talked about social and personal subjects. It even delved into deeper criticisms with Imperial Japanese government πΎ and, later, on societal bigotry. This was made effective as the readers were riveted to the tale of Korean migrants. Oddly enough, it wasn't much of a pro-Korea than it was so towards its ethnic people.
Final Thoughts:
This book is amazing and easy to read. It's a culturally rich, sweeping family saga about generations of a migrant Korean family in 1900s Japan. I loved it filled with endless wise quotes. It was a mature epic that gained loftiness through humbling stories. I would say that despite not a romance book, it was heavily reliant on the relationships/dynamics of its characters and it wasn't shy of showing several sexual interactions. Yeah, if you've read this book you'll know the title can't be any more fitting. This was a decades-long personal endeavor for the author, Min Jin Lee, so all I wanted to say is thank you and congratulations.
Rating: Honorable 9/10.
The House at the End of the World by Dean Koontz
Synopsis and/or Premise:
Katie is a self-imposed hermit due to her traumatic past. One day, she heard some explosions from the neighboring island. What comes next were a series of events where, together with a young adolescent named Libby, they witness some secrets of the government concerning about an escaped biological horror.
The Good and The Bad:
I was having a difficult time squeezing whatever redeeming qualities it could possessed, which I could only identified a couple of. First, I liked the eeriness. The stillness of atmosphere and the uncanny changes in the environment was something I was a bit spooked. Unfortunately it was only present at the first 25% of the book. The protagonist's paranoia/worry was interesting at first, but that's about it. The fox π¦ was cute. Yup, that's all the positives.
F*ck it β I don't care enough to make paragraphs for all the flaws of this book. Here's just the list:
1. Info-dumps βΉοΈ (tons of telling.)
2. Uncompelling characters π₯ (yes...all of them.)
3. Too long for too little events π.
4. Unoptimized plotting π ββοΈ.
5. Confusing π΅ (WTF was that ending.)
6. Written like a pulp fiction π.
7. Endlessly descriptive β (legit unreadable.)
I know these last few ones were kind of petty and personal...but I digress.
8. Weird gun fetish π«.
9. Uncomfortably prioritized food over anything else π₯©.
10. Dumb plot points/devices π€ͺ.
11. Disrespectful use of sexual situations to forced readers in caring about a minor-aged character β.
Final Thoughts:
This is a mystery, sci-fi, and suspense novel. It's a fast-paced book, although events were happening too slow (some parts were unnecessary.) To be informed, this was my first time knowing about Dean Koontz. He was a successful author with many published works, and it's even more sad if we take it into consideration because he STILL ended up with this trash. Mind you, I'm not alone on this hate. Many of the author's dedicated readers were finally giving up on him because of this novel. I know their resignation has got to do more on the author falling out of his glory by getting much political and inserting questionable personal opinions/influences to his later works...but that doesn't excuse why this book was dreadful.
Rating: Borderline bottom of 3/10.
challenging
dark
mysterious
tense
slow-paced
- Plot- or character-driven? Plot
- Strong character development? No
- Loveable characters? No
- Diverse cast of characters? No
- Flaws of characters a main focus? No
1.5
I don't have much enthusiasm to talk about this piece of crap. What a complete waste of time.
"Panic will get us killed, honey. Panic quicker than the bomb."
Synopsis and/or Premise:
Katie is a self-imposed hermit due to her traumatic past. One day, she heard some explosions from the neighboring island. What comes next were a series of events where, together with a young adolescent named Libby, they witness some secrets of the government concerning about an escaped biological horror.
The Good and The Bad:
I was having a difficult time squeezing whatever redeeming qualities it could possessed, which I could only identified a couple of. First, I liked the eeriness. The stillness of atmosphere and the uncanny changes in the environment was something I was a bit spooked. Unfortunately it was only present at the first 25% of the book. The protagonist's paranoia/worry was interesting at first, but that's about it. The fox π¦ was cute. Yup, that's all the positives.
F*ck it β I don't care enough to make paragraphs for all the flaws of this book. Here's just the list:
1. Info-dumps βΉοΈ (tons of telling.)
2. Uncompelling characters π₯ (yes...all of them.)
3. Too long for too little events π.
4. Unoptimized plotting π ββοΈ.
5. Confusing π΅ (WTF was that ending.)
6. Written like a pulp fiction π.
7. Endlessly descriptive β (legit unreadable.)
I know these last few ones were kind of petty and personal...but I digress.
8. Weird gun fetish π«.
9. Uncomfortably prioritized food over anything else π₯©.
10. Dumb plot points/devices π€ͺ.
11. Disrespectful use of sexual situations to forced readers in caring about a minor-aged character β.
Final Thoughts:
This is a mystery, sci-fi, and suspense novel. It's a fast-paced book, although events were happening too slow (some parts were unnecessary.) To be informed, this was my first time knowing about Dean Koontz. He was a successful author with many published works, and it's even more sad if we take it into consideration because he STILL ended up with this trash. Mind you, I'm not alone on this hate. Many of the author's dedicated readers were finally giving up on him because of this novel. I know their resignation has got to do more on the author falling out of his glory by getting much political and inserting questionable personal opinions/influences to his later works...but that doesn't excuse why this book was dreadful.
Rating: Borderline bottom of 3/10.
Babel by R.F. Kuang
Synopsis and/or Premise:
Robin Swift, orphaned by cholera, was brought by Professor Lovell into Britain to study at Oxford University (specifically in the translation institution called Babel.) The whole empire is dependent on silver-working, where lost translations were used to power silver bars and make life generally easier. But the academic, intellectual beauty of Babel slowly deteriorates as Robin slowly learned about his new home.
The Good and The Bad:
I'm just gonna say this outright. This could potentially be the author's true Magnum Opus β¨...if not for its fundamental mistakes. Was it perfect? No. Well written? Absolutely. It was one of the most unique novels I've ever encountered because it's a passage from imperial British History with added speculative low fantasy and some of the author's 'flavorings'. Did I forgot to mention it's also about the interrogation of languages, and their translations and history? Being her first standalone, it also felt more complete than her individual entries on The Poppy War trilogy. It has a lot to offer for its readers: Firm main character arc, exploration of gritty themes, thoroughly researched historical events, etc. Yeah β a literary feast.
This belonged to dark academia, and it earned to be on that genre. It was full of academe romanticization π. Reading through the texts was immersive and packed with elements that successfully evoked both wonder and awe. Elitism, Assimilation, and Intellectualism, among others, were present as unyielding situations for the protagonists. As the plot progressed, more of the underground revolution genre began to take spotlight. Topics like colonialism, racism, misogyny (you know...classic R.F. Kuang themes) were becoming prominent. Of course, there was the ever-present personal takes of the author penned as the protagonist's rationales.
Oh god β the problems. If I have to be honest, this was one of the most problematic books of the author. First of all, did the book needed to be this long? I think the overall narrative and message could still be delivered with 100 (or more) pages trimmed. It took me TWO WHOLE WEEKS to close the final page, which was just insane considering I could finish the individual entries of her trilogy in less than half of it. It doesn't help that the pacing was utterly sluggish π...yeah, a slow-paced novel but was much slower than it should be. And don't get me started with the wasted protagonists since only Robin stood out.
I would like to mention that I agree on many reviewers' criticisms about this book relentlessly shoving its message to your face. However, that wasn't my main ick. It's the fact that it was having an identity crisis β. It's sad how something that makes it different was also the same thing that pulls it down. It's just the fact that it blended both historical accuracy and fantasy, and they're both off since each weren't 100% committed. On one side, the historical inspirations were supported by annoying, 'info-dumpy' footnotes that disrupted the narrative flow. On the other side, any fantastical elements and world-building was constrained to history. As such, it was compromised by a lot, and effectively can't execute the full potential of its genres (though I appreciate the effort.)
Final Thoughts:
Babel: An Arcane History is a dark academia and a historical speculative fiction during the colonial British Empire. It has a magic system revolving around silver bars and language translations. The readers could easily tell that it is heavily inspired by many factors like history, classic tales, biblical events, and especially the personal disposition of R.F. Kuang. The author did much effort on utilizing the dark exploits of 1800s British empire to fuel her stories. This was, by far, her most meticulous book, which makes it her highest quality (I haven't read Yellowface yet.) And yeah...the more I became familiar with the author the more controversial she becomes. People either love her or hate her...and I know where I'm heading in that spectrum.
Rating: Pinnacle of 8/10.
challenging
dark
emotional
informative
mysterious
sad
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? No
- Diverse cast of characters? Yes
- Flaws of characters a main focus? It's complicated
4.0
It was obvious from the writing that R.F. Kuang was having a blast...'cause it felt like she wrote this book for herself.
"Because you're a good translator." Ramy leaned back on his elbows. "That's just what translation is, I think. That's all speaking is. Listening to the other and trying to see past your own biases to glimpse what they're trying to say. Showing yourself to the world, and hoping someone else understands."
Synopsis and/or Premise:
Robin Swift, orphaned by cholera, was brought by Professor Lovell into Britain to study at Oxford University (specifically in the translation institution called Babel.) The whole empire is dependent on silver-working, where lost translations were used to power silver bars and make life generally easier. But the academic, intellectual beauty of Babel slowly deteriorates as Robin slowly learned about his new home.
The Good and The Bad:
I'm just gonna say this outright. This could potentially be the author's true Magnum Opus β¨...if not for its fundamental mistakes. Was it perfect? No. Well written? Absolutely. It was one of the most unique novels I've ever encountered because it's a passage from imperial British History with added speculative low fantasy and some of the author's 'flavorings'. Did I forgot to mention it's also about the interrogation of languages, and their translations and history? Being her first standalone, it also felt more complete than her individual entries on The Poppy War trilogy. It has a lot to offer for its readers: Firm main character arc, exploration of gritty themes, thoroughly researched historical events, etc. Yeah β a literary feast.
This belonged to dark academia, and it earned to be on that genre. It was full of academe romanticization π. Reading through the texts was immersive and packed with elements that successfully evoked both wonder and awe. Elitism, Assimilation, and Intellectualism, among others, were present as unyielding situations for the protagonists. As the plot progressed, more of the underground revolution genre began to take spotlight. Topics like colonialism, racism, misogyny (you know...classic R.F. Kuang themes) were becoming prominent. Of course, there was the ever-present personal takes of the author penned as the protagonist's rationales.
Oh god β the problems. If I have to be honest, this was one of the most problematic books of the author. First of all, did the book needed to be this long? I think the overall narrative and message could still be delivered with 100 (or more) pages trimmed. It took me TWO WHOLE WEEKS to close the final page, which was just insane considering I could finish the individual entries of her trilogy in less than half of it. It doesn't help that the pacing was utterly sluggish π...yeah, a slow-paced novel but was much slower than it should be. And don't get me started with the wasted protagonists since only Robin stood out.
I would like to mention that I agree on many reviewers' criticisms about this book relentlessly shoving its message to your face. However, that wasn't my main ick. It's the fact that it was having an identity crisis β. It's sad how something that makes it different was also the same thing that pulls it down. It's just the fact that it blended both historical accuracy and fantasy, and they're both off since each weren't 100% committed. On one side, the historical inspirations were supported by annoying, 'info-dumpy' footnotes that disrupted the narrative flow. On the other side, any fantastical elements and world-building was constrained to history. As such, it was compromised by a lot, and effectively can't execute the full potential of its genres (though I appreciate the effort.)
Final Thoughts:
Babel: An Arcane History is a dark academia and a historical speculative fiction during the colonial British Empire. It has a magic system revolving around silver bars and language translations. The readers could easily tell that it is heavily inspired by many factors like history, classic tales, biblical events, and especially the personal disposition of R.F. Kuang. The author did much effort on utilizing the dark exploits of 1800s British empire to fuel her stories. This was, by far, her most meticulous book, which makes it her highest quality (I haven't read Yellowface yet.) And yeah...the more I became familiar with the author the more controversial she becomes. People either love her or hate her...and I know where I'm heading in that spectrum.
Rating: Pinnacle of 8/10.
A Man Called Ove by Fredrik Backman
Synopsis and/or Premise:
We follow Ove. He loves the car Saab, hates cats, and sees the world around him full of idiots and incompetent fools. His solitary living was basically demolished by his new neighbors. Next came a story rich in heart as we probe Ove's history and why his paving stones smells of piss.
The Good and The Bad:
This section should only be called "The Good" since one could argue there isn't a single bad thing about it. Some reviewers said it was repetitive, but my understanding of the protagonist's desperation doesn't agree. Perhaps you could also consider this a flaw when the individual problems of side characters were promptly 'solved' out of nowhere at the end, but upon retrospective I realized it was a lesson for the main character that he doesn't need to meddle with others for things to go right. The book was just quirky in my opinion. I know it ain't the definite example of pristine immaculateness β¨...but let's be real here. NO BOOK WAS OR WILL BE ABSOLUTE PERFECTION.
Now for the good stuff, and boy I can't wait to talk about them. I would like to start somewhere easy. The comedy within was perhaps one of the best I've ever read. The cracks/gags on arbitrary and petty things in life were witty, farcical, and oddly relatable. And there's a variety of methods these laughs were employed. It ranges from being subtle/sly to outlandishly cartoonish and direct. These were even amplified by the innate grumpiness and cantankerous attitude of Ove that only a bitter and judgmental senior could deliver. Lastly, there was an interesting juxtaposition going on with the comedy and the underlying despondent state of our protagonist (like it's both funny yet dark π occasionally β which was WILD!!!)
I would like to cheer on the various representations found within π₯. There were mentally challenged individuals, people of color, physical disabilities, members of LGBTQ, those with volume, and more. EVEN THE CATπ WAS ONE OF THOSE REPRESENTATIVES. It grounded the story akin to our reality nowadays, and their representation weren't felt forced. This healthy inclusion was sort of mislead by Ove's perspective (which was harsh due to his personality), but if we take a look at them outside of Ove's eyes each of them were uniquely lovable and charming.
Deep down, what made me place this book at the top of my read list was the endearing tale of Ove π΄, his personally-cemented principles, his deep relationship with Sonja (his wife), and a lifetime journey molding him into a reluctant hero. Ove, himself, was this cold yet relatable protagonist that you can't help but be curious about. Grouchy and petty as he was, deep down he's a decent, taciturn/socially awkward guy who's self-righteous and helpful. Although he only had a couple of loved ones throughout his life, the readers knew he will do everything and offer only the best for them. His unbending principles of stoicism and independence were endlessly challenged, battering his life until there's almost nothing left for him. He struggled to adapt of course, losing his composed self as life treated him with utter unfairness. What's left was a resentful and hopeless old bloke accepting of resignation πͺ¦. But as he (and we) found out, life isn't done with him yet...for better or for worse.
Final Thoughts:
A Man Called Ove is a literary fiction, contemporary, and comedy novel full of both heartwarming and ruinous moments. It is a poignant, reflective, and profound take on how society shapes and destroys a man. However, you can easily interpret the narratives in multiple various ways. That's the beautiful unrestrained freedom of Lit Fic compered to Genre Fiction. Just vibes man, and it delivered. You know what? I'm even more impressed since this was Fredrik Bachman's debut novel. I haven't watched the movie yet, but I'll look into it.
Rating: It has to be my second-ever 10/10
emotional
funny
hopeful
inspiring
lighthearted
reflective
sad
medium-paced
- Plot- or character-driven? Character
- Strong character development? Yes
- Loveable characters? Yes
- Diverse cast of characters? Yes
- Flaws of characters a main focus? Yes
5.0
NEAR A MILLION RATINGS!?!?! No wonder it's so popular. Absolute heaven-sent π©·π©·π©·, and if I had to pick a book recommendation for anyone THIS WOULD BE IT.
"We can busy ourselves with living or with dying, Ove. We have to move on."
Synopsis and/or Premise:
We follow Ove. He loves the car Saab, hates cats, and sees the world around him full of idiots and incompetent fools. His solitary living was basically demolished by his new neighbors. Next came a story rich in heart as we probe Ove's history and why his paving stones smells of piss.
The Good and The Bad:
This section should only be called "The Good" since one could argue there isn't a single bad thing about it. Some reviewers said it was repetitive, but my understanding of the protagonist's desperation doesn't agree. Perhaps you could also consider this a flaw when the individual problems of side characters were promptly 'solved' out of nowhere at the end, but upon retrospective I realized it was a lesson for the main character that he doesn't need to meddle with others for things to go right. The book was just quirky in my opinion. I know it ain't the definite example of pristine immaculateness β¨...but let's be real here. NO BOOK WAS OR WILL BE ABSOLUTE PERFECTION.
Now for the good stuff, and boy I can't wait to talk about them. I would like to start somewhere easy. The comedy within was perhaps one of the best I've ever read. The cracks/gags on arbitrary and petty things in life were witty, farcical, and oddly relatable. And there's a variety of methods these laughs were employed. It ranges from being subtle/sly to outlandishly cartoonish and direct. These were even amplified by the innate grumpiness and cantankerous attitude of Ove that only a bitter and judgmental senior could deliver. Lastly, there was an interesting juxtaposition going on with the comedy and the underlying despondent state of our protagonist (like it's both funny yet dark π occasionally β which was WILD!!!)
I would like to cheer on the various representations found within π₯. There were mentally challenged individuals, people of color, physical disabilities, members of LGBTQ, those with volume, and more. EVEN THE CATπ WAS ONE OF THOSE REPRESENTATIVES. It grounded the story akin to our reality nowadays, and their representation weren't felt forced. This healthy inclusion was sort of mislead by Ove's perspective (which was harsh due to his personality), but if we take a look at them outside of Ove's eyes each of them were uniquely lovable and charming.
Deep down, what made me place this book at the top of my read list was the endearing tale of Ove π΄, his personally-cemented principles, his deep relationship with Sonja (his wife), and a lifetime journey molding him into a reluctant hero. Ove, himself, was this cold yet relatable protagonist that you can't help but be curious about. Grouchy and petty as he was, deep down he's a decent, taciturn/socially awkward guy who's self-righteous and helpful. Although he only had a couple of loved ones throughout his life, the readers knew he will do everything and offer only the best for them. His unbending principles of stoicism and independence were endlessly challenged, battering his life until there's almost nothing left for him. He struggled to adapt of course, losing his composed self as life treated him with utter unfairness. What's left was a resentful and hopeless old bloke accepting of resignation πͺ¦. But as he (and we) found out, life isn't done with him yet...for better or for worse.
Final Thoughts:
A Man Called Ove is a literary fiction, contemporary, and comedy novel full of both heartwarming and ruinous moments. It is a poignant, reflective, and profound take on how society shapes and destroys a man. However, you can easily interpret the narratives in multiple various ways. That's the beautiful unrestrained freedom of Lit Fic compered to Genre Fiction. Just vibes man, and it delivered. You know what? I'm even more impressed since this was Fredrik Bachman's debut novel. I haven't watched the movie yet, but I'll look into it.
Rating: It has to be my second-ever 10/10
Dragonslayer by Tui T. Sutherland
Synopsis and/or Premise:
- Three siblings managed to infiltrate a Sand Dragon Palace, steal its treasures, and kill the Sand Dragon Queen, thus birthing the legend of the Dragonslayer. Two decades later, we follow three scavengers struggling on their owns ways to survive a world under corrupt societies and scavenger-snacking dragons.
Strengths:
1. Supplementary world building
2. Exceptional and daring
3. Full of Easter Eggs
4. Cute moments
Flaws:
1. Kiddy and amateurish writing
2. Annoying and meandering
3. Slow, stifled pacing
4. Mostly disunited plots
5. Confusing time skips
6. Superficial and redundant characters
Remarks and Rating:
- This was the total definition of DISAPPOINTING π.
- On the first few chapters, I thought each perspective would have their own signature children's personality. But nah β they degraded into insipidity once grown. Honestly, I would think this book would critically fare better if it stayed in a child's point-of-view instead of adolescents.
- MY GOODNESS!!! π‘ Violet and Daffodil were so annoying I can't stand them. Also, some side characters were legit unnecessary.
- My best times during reading was discovering Easter Egg events and characters from the base series, and our protagonists interacting with the dragons. It was fun, but it's sort of shameful for the book since my highlights were those instead of the scavengers and their 'mini' societies.
- Tui T. Sutherland tried to switch her series' formula, but she didn't made the scavengers and their strife much more intriguing/less banal. So yeah, I admire the effort and risk...but it's a good try at least π.
- I guess if I would rank POVs against each other, this it'll be:
1st place: Wren
2nd place: Leaf
3rd place: Ivy
- Being frank, Ivy sucks as a main character. I would actually prefer if it was Heath instead and explore more of the human society underground.
- It could have done better. 5/10.
adventurous
challenging
funny
inspiring
tense
slow-paced
- Plot- or character-driven? A mix
- Strong character development? It's complicated
- Loveable characters? It's complicated
- Diverse cast of characters? No
- Flaws of characters a main focus? It's complicated
2.5
The endearing quirk of the whole Wings Of Fire universe was that its books were focused on the dragon's perspectives. The Scavengers (Humans) were treated as an interesting and intelligent creatures at the background. Their whole charm lies on how they interact with the dragon protagonists despite the communication barrier. Now...reversing the roles would result into your generic human fantasy set on a dragon world. But if I would want something like that, then it's just infinitely better to read/watch How to Train Your Dragon instead of this piece of mediocrity.
"Underground villages!" Stone scoffed. "People living like scared rabbits because it's not safe anymore. The dragons are still angry with us, even twenty years later. They are still destroying any humans they can find to punish us for what Heath did."
Synopsis and/or Premise:
- Three siblings managed to infiltrate a Sand Dragon Palace, steal its treasures, and kill the Sand Dragon Queen, thus birthing the legend of the Dragonslayer. Two decades later, we follow three scavengers struggling on their owns ways to survive a world under corrupt societies and scavenger-snacking dragons.
Strengths:
1. Supplementary world building
2. Exceptional and daring
3. Full of Easter Eggs
4. Cute moments
Flaws:
1. Kiddy and amateurish writing
2. Annoying and meandering
3. Slow, stifled pacing
4. Mostly disunited plots
5. Confusing time skips
6. Superficial and redundant characters
Remarks and Rating:
- This was the total definition of DISAPPOINTING π.
- On the first few chapters, I thought each perspective would have their own signature children's personality. But nah β they degraded into insipidity once grown. Honestly, I would think this book would critically fare better if it stayed in a child's point-of-view instead of adolescents.
- MY GOODNESS!!! π‘ Violet and Daffodil were so annoying I can't stand them. Also, some side characters were legit unnecessary.
- My best times during reading was discovering Easter Egg events and characters from the base series, and our protagonists interacting with the dragons. It was fun, but it's sort of shameful for the book since my highlights were those instead of the scavengers and their 'mini' societies.
- Tui T. Sutherland tried to switch her series' formula, but she didn't made the scavengers and their strife much more intriguing/less banal. So yeah, I admire the effort and risk...but it's a good try at least π.
- I guess if I would rank POVs against each other, this it'll be:
1st place: Wren
2nd place: Leaf
3rd place: Ivy
- Being frank, Ivy sucks as a main character. I would actually prefer if it was Heath instead and explore more of the human society underground.
- It could have done better. 5/10.
Darkstalker by Tui T. Sutherland
Synopsis and/or Premise:
- Over 2000 years before the events of the first Wings Of Fire book, we follow the origins of three dragons: Fathom (a young animus Seawing prince), Clearsight (a Nightwing dragonet and the most powerful seer), and Darkstalker (the forbidden offspring of a Nightwing and an Icewing, and also inherited the animus power of his father.) Different lives but fate intertwined, each of them must make their moves for the future of animus magic.
Strengths:
1. Unique narrative format.
2. Focused on riveting protagonists.
3. Beautiful slice of mystery.
4. Relevant topics/themes/allegory.
Flaws:
1. Pacing was a major flaw.
2. Not optimally written chapters.
3. A little too short.
Remarks and Rating:
- In retrospective, this was written as a middle-grade fantasy series. I'll analyze with that major factor.
- This book was THE animus book that perfectly embellished the Wings of Fire ARC 2. It's quite creative, extraordinary, and took risks (with 3 protagonists.) It stands out from the others as a result.
- I have to give praise π on the effort of crafting intriguing protagonists despite cramped into a single novel:
1. Fathom - Enveloped by guilt and fear of being an animus it destroyed his everyday living. He did got a chance to open and be 'redeemed', but his thirst for them blinded him from his utmost duty.
2. Clearsight - Overwhelmed by her enhanced future-seeing seer ability, she found it difficult to focus on the present. She learned that she needed to be more proactive.
3. Darkstalker - Growing from an unstable household, he wanted to improve his life as well as others. However, he believed his questionable means we're justified. He's a perfect example of a manipulator and sort of an Anti-Villain, and had cemented himself to be the best Wings of Fire antagonist without debate.
- I have to admit...this book cleared some confusions within book 9 and 10.
- I admired π«‘ its commentary on the topics of Power and Inhibiting Sociological Perspectives for younger audiences, among others.
- I just love every scavengers scenes (which makes me excited for Wings of Fire Legends: Dragonslayer since they were the perspectives.)
- I β₯οΈ Whiteout.
- I'll give this a comfortable 8/10.
adventurous
challenging
dark
emotional
mysterious
sad
tense
fast-paced
4.0
Felt good to be back in Tui T Sutherland's world since I finished the main series. Although this didn't resonated with me, I could still tell that it's one of the better written books compared to it's peers. No doubt why this a reader's favorite.
"The hardest thing about a seer," she'd said, "is that the future is always a million possibilities β I can see so many ways my life could possibly go. But the past is only one thing. Once something happens, that's it. I can't change it anymore. I can't do anything. All my possibilities narrow into one fixed life, and then we're trapped in that world. I think I can control the future, but the past β it's gone. I can't fix it anymore."
Synopsis and/or Premise:
- Over 2000 years before the events of the first Wings Of Fire book, we follow the origins of three dragons: Fathom (a young animus Seawing prince), Clearsight (a Nightwing dragonet and the most powerful seer), and Darkstalker (the forbidden offspring of a Nightwing and an Icewing, and also inherited the animus power of his father.) Different lives but fate intertwined, each of them must make their moves for the future of animus magic.
Strengths:
1. Unique narrative format.
2. Focused on riveting protagonists.
3. Beautiful slice of mystery.
4. Relevant topics/themes/allegory.
Flaws:
1. Pacing was a major flaw.
2. Not optimally written chapters.
3. A little too short.
Remarks and Rating:
- In retrospective, this was written as a middle-grade fantasy series. I'll analyze with that major factor.
- This book was THE animus book that perfectly embellished the Wings of Fire ARC 2. It's quite creative, extraordinary, and took risks (with 3 protagonists.) It stands out from the others as a result.
- I have to give praise π on the effort of crafting intriguing protagonists despite cramped into a single novel:
1. Fathom - Enveloped by guilt and fear of being an animus it destroyed his everyday living. He did got a chance to open and be 'redeemed', but his thirst for them blinded him from his utmost duty.
2. Clearsight - Overwhelmed by her enhanced future-seeing seer ability, she found it difficult to focus on the present. She learned that she needed to be more proactive.
3. Darkstalker - Growing from an unstable household, he wanted to improve his life as well as others. However, he believed his questionable means we're justified. He's a perfect example of a manipulator and sort of an Anti-Villain, and had cemented himself to be the best Wings of Fire antagonist without debate.
- I have to admit...this book cleared some confusions within book 9 and 10.
- I admired π«‘ its commentary on the topics of Power and Inhibiting Sociological Perspectives for younger audiences, among others.
- I just love every scavengers scenes (which makes me excited for Wings of Fire Legends: Dragonslayer since they were the perspectives.)
- I β₯οΈ Whiteout.
- I'll give this a comfortable 8/10.
The Burning God by R.F. Kuang
Synopsis and/or Premise:
Fang Runin (Rin) joins the people of the southern provinces to rebel against the emerging Dragon Republic and their Hesperian aids. Building an armed resistance by freeing them from remaining Mugenese forces, she uses their support (and some emerging allies) to fuel her vengeful goals.
The Good and The Bad:
I'll start with Rin's characterization for this was where she finally lost it π€ͺ. Unlike the previous books, I can't even confidently consider her as an anti-hero since her motivations were inherently selfish (she just masked it well to appear as a heroine of her people.) But in the context of her character arc, it made sense. The readers were forced join her journey into madness and destruction. I had to admit though, her transition/transformation from The Dragon Republic into here was uncomfortable and inconsistent in the early parts.
Aside from Rin, some supporting characters had their own shine β¨ as well (despite still in the weaker side of the R.F. Kuang's craft.) Venka was active and transformed, Kitay unsurprisingly became Rin's conscience, and Nezha had some subtle depth (and I'm pretty sure his characterization was boosted by The Drowning Faith novella...which I haven't read.) All in all, an intriguing cast of characters.
There were chapters (albeit a few) that was creatively written π. The narrative was the most structured/composed, comparatively. The best part of the book, no doubt, was the last dozens of pages where our main character was being a paranoid warmonger. It maintained all relevant topics/themes like Nationalism, Rebellion, Colonialism, Religion, Post-War conditions, etc. Yup, not my personal favorite of the series but I respect the book's effort.
Now for the bad stuff. I've gotta say that this book was the most problematic within the trilogy due to its overinflated content (more = multiple chances to suck.) There's a lot of random events and repeats, as if the characters didn't learned from their previous experiences. Like β did book 2 really happened??? π€¨ This was more unfortunate considering its narrative was more dependent on previous events.
This entry was not as satisfying as it should be. Being the series finale placed it on much higher expectations, which sadly it didn't meet most. The first act was a trudged and ultimately inconsequential. There was also a couple of anticlimactic moments despite having the best ending. The overall pacing wasn't perfect as always. UGHHRRR!!! π‘ I'm just infuriated that this could arguably be the best book if it was written better. For example, the book would have benefited if it explored Kitay's character more. What a missed opportunity.
Final Thoughts:
This final entry of The Complete Poppy War Trilogy: The Poppy War, The Dragon Republic, The Burning God continued its historical inspirations (ROC government vs Chinese Communist Party) and commentaries. I find it tricky whether to adore it or be disappointed since it made me feel both (which was a weird yet interesting sensation.) I'm just sure that if all the three books were written to their fullest potential, this will come up on top. Right now, I'm just exhausted β mentally and emotionally. Which was kinda poetic since that's the whole point of this desensitized finale. Huh...
Rating: 8/10.
adventurous
challenging
dark
emotional
mysterious
sad
tense
medium-paced
- Plot- or character-driven? A mix
- Strong character development? Yes
- Loveable characters? It's complicated
- Diverse cast of characters? It's complicated
- Flaws of characters a main focus? Yes
4.0
Rin...um, please take a pause for a minute AND GET THERAPY!!!
"You would have been a wonderful peacetime leader," she said. He had been honest with her; she might as well afford him the same in return. "But we don't need peace right now. We need blood."
Synopsis and/or Premise:
Fang Runin (Rin) joins the people of the southern provinces to rebel against the emerging Dragon Republic and their Hesperian aids. Building an armed resistance by freeing them from remaining Mugenese forces, she uses their support (and some emerging allies) to fuel her vengeful goals.
The Good and The Bad:
I'll start with Rin's characterization for this was where she finally lost it π€ͺ. Unlike the previous books, I can't even confidently consider her as an anti-hero since her motivations were inherently selfish (she just masked it well to appear as a heroine of her people.) But in the context of her character arc, it made sense. The readers were forced join her journey into madness and destruction. I had to admit though, her transition/transformation from The Dragon Republic into here was uncomfortable and inconsistent in the early parts.
Aside from Rin, some supporting characters had their own shine β¨ as well (despite still in the weaker side of the R.F. Kuang's craft.) Venka was active and transformed, Kitay unsurprisingly became Rin's conscience, and Nezha had some subtle depth (and I'm pretty sure his characterization was boosted by The Drowning Faith novella...which I haven't read.) All in all, an intriguing cast of characters.
There were chapters (albeit a few) that was creatively written π. The narrative was the most structured/composed, comparatively. The best part of the book, no doubt, was the last dozens of pages where our main character was being a paranoid warmonger. It maintained all relevant topics/themes like Nationalism, Rebellion, Colonialism, Religion, Post-War conditions, etc. Yup, not my personal favorite of the series but I respect the book's effort.
Now for the bad stuff. I've gotta say that this book was the most problematic within the trilogy due to its overinflated content (more = multiple chances to suck.) There's a lot of random events and repeats, as if the characters didn't learned from their previous experiences. Like β did book 2 really happened??? π€¨ This was more unfortunate considering its narrative was more dependent on previous events.
This entry was not as satisfying as it should be. Being the series finale placed it on much higher expectations, which sadly it didn't meet most. The first act was a trudged and ultimately inconsequential. There was also a couple of anticlimactic moments despite having the best ending. The overall pacing wasn't perfect as always. UGHHRRR!!! π‘ I'm just infuriated that this could arguably be the best book if it was written better. For example, the book would have benefited if it explored Kitay's character more. What a missed opportunity.
Final Thoughts:
This final entry of The Complete Poppy War Trilogy: The Poppy War, The Dragon Republic, The Burning God continued its historical inspirations (ROC government vs Chinese Communist Party) and commentaries. I find it tricky whether to adore it or be disappointed since it made me feel both (which was a weird yet interesting sensation.) I'm just sure that if all the three books were written to their fullest potential, this will come up on top. Right now, I'm just exhausted β mentally and emotionally. Which was kinda poetic since that's the whole point of this desensitized finale. Huh...
Rating: 8/10.