This is well-written and had some nice touches but I found it strangely uncompelling. I liked the main detective and some of the other characters were good but I didn't believe in some of the others. I wouldn't refuse to read another one but I'm also not chasing after them.
I enjoyed this but it has in common with many of this type of book that it observes things about a place and makes a case for the place being exceptional, when those things are characteristic, not unique. It's very much a personal view - not the book Owen Hatherley would have written, or that Gillian Darley did. It gets particularly murky on the issue of house prices and gentrification. But then that's never going to offer up simple answers. Still, I learned many things and it was fun to spend so much time exploring Estuary and London suburban Essex. He doesn't write so much about the rest of the County, but that's part of the personal approach.
I love a good doorstep biography and this one played to my tastes - Victoria art, culture and travel. There was a lot of detail and analysis of the nonsense poems that some might find arduous. But then my background is art rather than literary history. I really got a sense of who Lear was and following his life was an enjoyable journey.
I really struggled with this book. Why would I want to read such bare prose about such horrible people. But I am glad I persevered. Even aside of how the story grows (very slowly) there's an amazing sense of place.
I enjoyed this, my first Margery Allingham. Albert Campion is engaging and the characters all fascinatingly drawn. A lot of plot and mystery in a short book and I didn't guess the solution. Although I'm not 100% sure I am satisfied with it either.
This is well-written and a thoughtful look at the issues of bad people whose art we love. It's very much a contemplation of the issues rather than an exploration of the individuals mentioned. I'm not sure I agreed with all of it but I enjoyed the journey and I certainly have lots more thinking to do.
The first Maeve Kerrigan book and it's good. I don't regret the lack of Josh Derwent because I have never quite understood his attraction. There's not a huge amount of suspense in the plot but it's an enjoyable read nonetheless.
This was a well-meaning present and well-written, but was a bit of a slog for me. It's only tangentially a book or publishing history, focusing on a series of examples of poetry collections to describe specific cultural moments in British history. I think it probably doesn't help that I am not a poetry reader but regardless of that, some episodes were of more interest than others.